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TSHEGUE Release New Video For ‘Muanapoto’

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Thrilling emerging talent TSHEGUE today release the new video for ‘Muanapoto’, lifted from their debut EP ‘Survivor’ (out now), which has already drawn the Paris-based, French-Congolese band fans amongst the likes of i-D, Noisey and Mura Masa. Following head-turning appearances at last year’s Afropunk Festival in Paris (alongside the likes of Baloji, Ho99o9 and Songhoy Blues) and this year’s The Great Escape, TSHEGUE will shortly announce details for their first ever UK shows. Watch ‘Muanapoto’ here.

Shot in Abidjan, capital city of The Ivory Coast, the striking new video harnesses the primal energy of ‘Muanapoto’’s kinetic drumming loops, beneath the no-f*cks-given attitude of French-Congolese frontwoman Faty Sy Savanet’s rhymes, to articulate a story which is actually about silence and isolation. Speaking about the film, which tracks a profoundly deaf and mute young girl negotiating her way out of a world devoid of sound, Argentinian directors Pantera say; “From the moment we first heard ‘Muanapoto’ we knew we wanted to make something that did justice to its insane rhythm and trance feeling. ‘Muanapoto’ speaks for African immigrants in Europe who upon arrival are forced to deal with the unknown, surrounded by new customs, foreign languages, different food and climate, all of which can lead to feelings of alienation. ‘Muanapoto’ also feels like a release, a letting go, and that translates to the girl in our video, who feels the need to express something and is able to do so through dance and her body.”

As befits their name – both Faty’s childhood nickname and a term for the Congolese boys who gather on the streets of her hometown, Kinshasa – the Survivor EP captures TSHEGUE folding traditional African antecedents into a commanding brew of punk and garage sensibilities, as idiosyncratic as the band’s DNA itself. Born in the Democratic Republic of Congo’s music-obsessed capital Kinshasa, Faty then relocated with her family to Paris aged 8. In her early twenties a mutual friend brought her into contact with Robert Wyatt-collaborator Bertrand Burgalat, whose cult Tricatel label has been referenced as a key influence by the likes of Air and Daft Punk. Burgalat encouraged and enabled her formative musical experiments – including a short-lived voodoo n roll band – until Faty was introduced to future TSHEGUE bandmate, French-Cuban producer Nicolas ‘Dakou’ Dacunha, whose hypnotic, breathless beats form the driving backbone of both ‘Muanapoto’ and the ‘Survivor’ EP.

https://soundcloud.com/tshegue | https://www.instagram.com/tshegue_official/ | https://www.facebook.com/Tshegue/ | https://open.spotify.com/artist/3eEAELTLLkQc0PD2S2xAhN 

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Americana Singer-Songwriter Richard Daigle Releases New Single “Cajun Getaway”

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A Tribute to Spontaneity, Memory, and Louisiana Roots

Americana artist and Louisiana native Richard Daigle is proud to release his latest single, “Cajun Getaway,” a heartfelt, roots-infused ode to spontaneous adventure and the culture that shaped him. The song was recently recognized as a semi-finalist in the prestigious International Songwriting Competition, affirming Daigle’s growing presence in the Americana songwriting landscape.

Rooted in Daigle’s Cajun heritage and inspired by childhood memories, “Cajun Getaway” captures the anticipation of a spontaneous road trip more than the destination itself. “I had the tune in mind before the lyrics,” says Daigle, “but as the writing process began, I found myself wanting to bottle that feeling of planning a last-minute escape — especially one steeped in the familiar joy of Louisiana’s rich culture.”

The track includes the evocative line:
“We’ll drive on down to the end of the world, we’ll know we’re there when we hit Grand Isle.”
For Daigle, Grand Isle isn’t just a geographic marker at the southern tip of Louisiana — it’s a touchstone from childhood, a memory of long drives to his uncle’s camp along a lonely two-lane road. “As a kid, it felt like we were driving to the edge of the earth,” he recalls.

“Cajun Getaway” joins Daigle’s earlier release “Cajun People” in celebrating Cajun culture, something that runs deep in his blood: both of his parents were Cajun, and their influence remains central to his music.

A retired writer/editor and communications specialist, Daigle is a self-described “late bloomer artist,” who released his debut CD in 2020. Now based in Chattanooga, TN, he performs across the Southeast, blending homespun stories, sly humor, and poignant reflections in a style reminiscent of John Prine, one of his greatest influences.

In fact, Daigle’s connection to Prine spans decades — from attending a packed bar show in 1977 to interviewing Prine in 1979 as a young reporter, and finally seeing him again on New Year’s Eve in 2016. That story inspired another of Daigle’s songs, “John Prine, A Friend of Mine,” which pays homage not just to Prine’s genius but to his humanity.

“Songwriting is how I process life,” Daigle shares. “I was blessed to be married for 34 years to Jan White Daigle, a beautiful soul who passed away in 2014. Since then, I’ve leaned on music — and the stories in it — to make sense of grief, joy, and everything in between.”

With “Cajun Getaway,” Daigle invites listeners on a musical road trip that’s as much about nostalgia and hope as it is about destination. It’s Americana at its most honest — unpolished, heartfelt, and deeply human.

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