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UA.X’s Debut Album ‘Love & Hustle’ is a Lush Fusion of Afrobeats and R&B

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Nigerian-born multi-hyphenate creative Seyi Akinlade, widely known as UA.X, steps from behind the camera to claim the spotlight with his debut album Love & Hustle. Best known for his work as a photographer and music video director for acclaimed artists like Tems, Rema, and Lojay, UA.X now channels his creative vision into a nine-track project that blends the warmth of Afrobeats with the emotional pull of R&B. The result is an intimate and dynamic reflection on love and perseverance, wrapped in a sonic signature that is distinctly his own.

Clocking in at just 21 minutes, Love & Hustle wastes no time immersing listeners in its heartfelt exploration of romance and ambition. UA.X strikes a careful balance between the highs and lows of these themes, with much of the album focusing on love’s multifaceted nature—its beauty, its complexity, and its inevitable discomforts. Tracks like “Money & Love” stand out for their emotive vocal delivery, allowing UA.X to showcase his tender, yet powerful voice against atmospheric production.

Production duties were handled by a mix of top-tier talent including TMXO, Nonso Amadi, and Chillz, ensuring a cohesive and immersive sonic experience. The album’s instrumental palette is rich with tonal warmth—layered rhythms, sultry melodies, and reflective beats that weave seamlessly together. Afrobeats grooves provide the backbone, while the unhurried tempo and spacious R&B melodies invite listeners to soak in each moment. This unhurried pace is where UA.X shines; he allows his music to breathe, creating a cinematic, immersive soundscape that feels expansive yet deeply personal.

Love & Hustle isn’t just a musical project for UA.X, it’s a full-circle moment where his visual storytelling experience meets his sonic craftsmanship. His ability to craft worlds visually in the past translates effortlessly into his music, making each song feel like a scene in a movie—stories of passion, hustle, and self-reflection unravel as he weaves his personal narrative through both lyrics and sound.

With Love & Hustle, UA.X announces himself as an artist to watch. His transition from visual director to musician feels seamless, proving not only his versatility but his dedication to creating art in all its forms. This debut album is a bold statement of intent—both intimate and expansive in its sound, and undeniably memorable. As UA.X continues to carve out his space in the music world, Love & Hustle stands as a testament to his ability to blend passion with perseverance, and art with hustle.

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Acclaimed US singer-songwriter Juliet Lloyd to tour the UK for the first time this summer.

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Shortly after releasing her sophomore album in 2007, US-based singer-songwriter Juliet Lloyd walked away from music completely for more than 10 years, feeling burned out and unhappy with her career progression like so many other independent artists. After going through a divorce in 2019 and in the midst of a global pandemic, she found herself pulled back toward the siren call of songwriting and again making the leap to pursue it full time. Her latest album ‘Carnival’, released in 2024, is in many ways the culmination of those decisions, and the reintroduction of an artist who now has the wisdom of experience.

There’s an unmistakable urgency you can feel when a song is written and performed from a place of complete honesty. That feeling permeates ‘Carnival’. “I’ve always been envious of writers who say they write songs because they have to, because they had these things they just had to get out of themselves,” Juliet says. “I had never really felt that way until this album. I’ve become someone who writes because they have to.”

Stylistically, ‘Carnival’ draws on a range of influences from Laurel Canyon-era singer/songwriters, to Lilith Fair rockers, to confessional country/folk balladeers, to indie pop. The central theme of the record and that of its title track is not being too precious about any one experience or decision. Take them for what they are, live in the moment, and move on when they’re done. It acknowledges also that memory can be subjective, and ambiguous—was an experience ultimately a good thing or a bad thing? And whose memory can you rely on to determine the answer to that question?

‘Carnival’ doesn’t just deal with the complexities of ending relationships, it also deals with all the feelings that come with moving on. The album’snine songs feature evocative storytelling that reveals a simple truth: when the carnival inevitably leaves town, you’re left with an empty parking lot. And how you remember, it is a choice. As Juliet sings in the title track, “If only there was a way you could bottle up that feeling / and you’d drink it in / when the days are short and you long.”

Across her 20+ year career, Juliet has been admittedly stylistically non-monogamous. Her first full-length album, ‘All Dressed Up’, was released in 2005 and was heavily jazz-influenced- a label that she rejected at the time. “I am a piano player and a woman, so I was immediately compared to Norah Jones—and I bristled at that,” Juliet says. “Listening back now, I can totally see that it was true, and it of course wasn’t a bad thing.” Her follow-up release ‘Leave the Light On,’ came out two years later and featured a slick piano-pop production that led to five of its songs being placed on reality TV shows on MTV and VH1. Coming back after her 10-year break from writing and recording, Juliet released ‘High Road’, a collection of five Americana/soul-tinged songs produced by Jim Ebert (Meredith Brooks, Shai) that earned her widespread recognition and songwriting awards both in her home region of DC as well as nationally.

Now with her first ever UK tour scheduled for July 2025, Juliet has also dropped a completely brand-new single ‘Wild Again’, which like ‘Carnival’, was written with and produced by Todd Wright (Lucy Woodward, Butch Walker, Toby Lightman). ‘Wild Again’, however, charts yet another new step in Juliet’s journey.

Carnival’, is full of deeply personal songs that are drawn from my real-life experiences and relationships. Coming out of that album cycle, I was feeling a little exhausted by my own navel-gazing and I was craving inspiration elsewhere. So, a lot of the songs I’m writing now are an evolution of sorts – focused more on external stimuli and finding the personal stories and humanity in that. Wild Again is a perfect example of this,” she explains.

The idea for ‘Wild Again’ was born out of a NY Times podcast Juliet listened to about the real-life efforts to return the whale that played Willy in the iconic movie ‘Free Willy’ back into the wild.

“It’s an insane, heartbreaking story that asks all kinds of thorny questions about human responsibility and humility and what’s the “right” thing to do and is that the same as the “kind” thing to do. There was a line that one of the trainers said in the podcast, explaining that they were trying to “train him to be wild again.” The complete absurdity of that statement hit me in the moment, and I immediately started jotting down lyrical ideas”, Juliet says.

Catch Juliet Lloyd on her UK tour this July:

1st July: The Folklore Rooms / Brighton
2nd July: The Hyde Tavern / Winchester
3rd July: Hen and Chicken / Bristol (CRH Music promotions)
4th July: Artisan Tap Hartshill / Stoke-on-Trent

5th July: Waggon & Horses, Nottingham

6th July: Cafe#9 / Sheffield
7th July: Hyde Park Book Club / Leeds
10th July: FortyFive Vinyl Café / York
11th July: The Muddy Puddle / London
13th July: The Wrotham Arms / Broadstairs

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