We Speak Music
Vera Weber Turns Stories Into Sound
Vera Weber is a composer, songwriter, and vocalist whose work traverses the cinematic and the contemporary. Born in Los Angeles but with deep professional roots in Germany and Austria, Weber has quietly emerged as a significant voice in television scoring. Her recent Hollywood Music in Media Award nomination for “Rosebud,” from Netflix’s Woman of the Dead, marks a turning point in a career defined by daring compositions and emotionally resonant music.
“Rosebud” exemplifies Weber’s signature approach, blending her ethereal vocals with orchestral textures, layered synths, and pop-inflected hooks. The track functions as a queer anthem within the series while maintaining a sonic sophistication that elevates the narrative. This duality—accessible yet complex—is what sets Weber apart in a field often constrained by formula.
Her European projects further illustrate her versatility. In Die Stille Am Ende der Nacht, Weber co-composed a score that weaves her voice through suspenseful techno- and pop-infused arrangements. Recognition from the German Television Academy Awards and Televisionale Weimar underscores her growing impact on European screens, demonstrating that her work resonates across both sides of the Atlantic.
Weber’s new project, Candy as a Nun, brings her compositional ingenuity into the pop realm. The debut single “Satan’s Advice,” tied to the true-crime series Take the Money and Run, channels the audacious life of Ruja Ignatova into a bold, theatrical track. It’s a reminder that Weber is not only a composer for the screen but also a storyteller in her own right, able to translate complex narratives into compelling music.
With a career that spans continents, genres, and mediums, Vera Weber is rapidly establishing herself as a leading figure in modern music composition. Her work is inventive, emotionally charged, and culturally resonant, positioning her as a composer and artist whose influence will only continue to grow.
Michele Ducci has unveiled the second single, ‘Woman Like You’, from his forthcoming album and animated film ‘Snail in the Clouds’.
‘Woman Like You’ pairs bright distorted electric guitar with an electronic drumbeat, adding in Ducci’s soulful vocals and a catchy uplifting chorus with Letizia Mandoleisi’s sweet vocal harmonies. A vintage organ pedalboard operated by Ducci simultaneously generates chords, bass and rhythm, like a one-man band. Shane Kennedy (Girl in the Year Above) joins in on guitar. Simon Milner (Is Tropical, Ysing) recorded and produced the track at his 4am Studios in London.
The album and film tell the story of a planet called ‘Snail’, inhabited by hybrids – primarily a mixture between scorpions, snails and humans – who lead a life according to the style of Pythagoras, devoted to music. There is also a cloud man named Agostos, a writer of musical operettas, who together with a talking smoke machine called Doctor Subtilis, begins to kill all hybrids, targeting in particular the hybrid musician Diodoros and his band, in an effort to steal the ark of melodies, an ancient ship that allows the whole planet to survive with music and joy.
The video for the single, created and animated by Ducci and Mandoleisi, delves further into the realm of planet ‘Snail’:
Says Ducci, “The ark of melodies, after various attempts, finally starts to work and fly in the planet Snail, while the shady Doc. Sub. and Agostos, with their platoon of soldiers made of foggy smoke, spy the miracle, planning to steal the ark for their evil and tyrannical purposes.”
About the track, Michele says, “I wrote this song for my love Letizia. Love seen from the mind is the sound we make. Sound is the love of matter.
We used a Technics synthesizer organ from a flea market. I tried to find a mood that was right for the song and I started using the bass of the pedal board together with the synth and the drums, and it was magical to hear the song reveal itself all coming from a single instrument. Leti was singing with me and we recorded everything live in one shot. Then we made Shane do the guitar flight, as if he came out of the window. The idea was to maintain disproportions, guitar thrust and synth drum thinness a la Haroumi Hosono, so as to create an estrangement, but naturally: it’s about how I listen, with close up something that captures me in its nuance as element of a larger orchestra somewhere. I’m glad we decided in the studio with Simon to use the layers of arrangement as the close-ups in the cinema; they look like strange enlargements that perch on parts of a mutated orchestra. I’m happy to come back with this love song at a time when everything seems to opt, even my labor in managing the flows of selfishness that have poured out on me while doing this album, for the sound of war. I’m here happy to be able to say that the sound of love always wins as did for me. Snail in the clouds is one of the most important works in my life and I am glad to start from pure love for this album that is my son.”
The album and full-length film will be released on the 5th of June on Monotreme Records.
Michele and Letizia’s previous musical short film, ‘The Great Book of Nature’, is an official selection for the 2026 Venice Shorts Film Festival.
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