'Top 5' Weekly Music Round-Up
We Speak Media | ‘Top 5’ Weekly Music Round-Up (31.05.24)
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Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.
Sterling Spence ‘What You Mean by Home’
The introspective indie-folk song “What You Mean by Home” was composed in a small Missouri hamlet during a pandemic. Serving as a song about both lamenting and enjoying the areas where he was raised, Sterling Spence was reflecting on the families he encountered and the challenges of finding meaning in a place that may at times feel like a trap. There is an odd trauma that accompanies us into adulthood. No matter how hard our family or community tries, we will always have some wounds from the locations we used to call home.
Barrett ‘Don’t Tell’
Nashville-based Barrett aims to spotlight the EP’s opening track, “Don’t Tell,” as their beloved debut EP, “Quit Dreaming,” is now making waves. This latest offering, which honed even more of that audacious and anthemic alt-rock intensity for which they are renowned, is very powerful from beginning to end.
ahaComa ‘Servant of Fear’
With their genre-bending self-titled album, “ahaComa,” the band ahaComa redefines music. The issue of putting everything on the line when one is “all in” for the prospect of failure is explored in the indie-pop-rock song “Servant of Fear.” They stand out as genuine pioneers in the field of modern music because of their dedication to creativity and experimentation.
Sone ‘Happy’
“Happy” marks a critical turning point in Sone’s creative and personal development. The song, which was written when she was on a stroll and reflecting, explores her difficulties in finding true happiness after quitting a committed relationship. A personal, relatable story is created by the honest, introspective lyrics and moving orchestration, which strikes a deep chord with listeners.
InBetween Honey ‘Your Eyes’
“Your Eyes,” a song that pays tribute to the Brit Pop genre, is a gloomy, confident piece from InBetween Honey with a personality that will satisfy fans of indie, rock, and everything genres in between. The happy song makes a strong social criticism of the consumerism of contemporary culture. With its upbeat production, catchy guitars, heavy percussion beats, and vocals that will have you belting out every word, this song is sure to get you moving.
'Top 5' Weekly Music Round-Up
WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (31.01.25)
![](https://wespeakmedia2.com/wp-content/uploads/2023/11/top-5-1-scaled.jpg)
Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.
Naesia ‘Mr. Mysterious’
Naesia’s, Indecisive, EP is a masterclass in vulnerability and artistic prowess, wrapped in a soundscape that’s equal parts daring and familiar. “Mr. Mysterious” perfectly captures the EP’s essence, with its hypnotic blend of R&B smoothness and Trap urgency, reflecting the exhilarating yet maddening dance of uncertain romance. Naesia’s ability to channel emotional nuance through her silky yet powerful voice makes each lyric linger long after the track ends. Moving to London seems to have infused her sound with a cosmopolitan edge, creating music that’s unapologetically raw and irresistibly magnetic.
messier ‘Baskervilles’
Messier’s latest single, ‘Baskervilles’, is an emotionally electric masterstroke that cements their reputation as indie rock alchemists. Huumonen and Orajärvi channel the raw, unsettling allure of catastrophizing into a sonic journey that’s both intimate and apocalyptic. The track’s layered instrumentation oscillates between eerie minimalism and explosive crescendos, perfectly capturing the inner turbulence it portrays. Haunting yet addictive, ‘Baskervilles’ is the sound of a band not just embracing their creative evolution but fearlessly soaring into the unknown. It’s a tantalizing promise of what’s to come in ‘Stream of Guilty Consciousness’.
Lolli Wren ‘All Mine’
Lolli Wren’s ‘All Mine’ is the kind of track that lingers long after the final note fades—a stirring blend of dark alt-rock and soaring, evocative vocals. The song’s driving guitars and thunderous drums create an ominous yet uplifting atmosphere, perfectly complementing Lolli’s rich, emotive delivery. Shades of Kate Bush’s theatrical storytelling and Stromae’s sonic depth infuse the track with a unique dynamism, making it both intimate and larger-than-life. With ‘All Mine’, Lolli turns pain into poetry, crafting an anthem of resilience that resonates deeply. This is music that doesn’t just speak—it shouts, it aches, it triumphs.
Patrick Staniforth ‘English Garden’
In English Garden, Patrick Staniforth invites listeners into a deeply intimate chapter of his life, capturing the fragile beauty of love and loss with stunning clarity. The song’s delicate yet anthemic arrangement, reminiscent of Coldplay and Michael Kiwanuka, perfectly underscores Patrick’s earnest vocals, drawing the listener into the garden where he met his brother for the first—and last—time. The track flourishes with melodic guitar work, understated percussion, and a haunting sense of nostalgia, proving once again that Patrick has mastered the art of turning personal moments into universal truths.
The fin. ‘Echoes’
“Echoes” by The fin. is a spellbinding exploration of identity, nostalgia, and the powerful pull of one’s past. Yuto Uchino’s smooth, floating vocals are paired with intricate layers of shimmering synths, creating a soundscape that feels both otherworldly and deeply personal. The song starts off with the gentle hum of nature before building into a groovy, psychedelic rhythm that begs you to sway along. It’s a beautiful meditation on change, memories, and the process of rediscovery. “Echoes” invites listeners to reconnect with themselves through the lens of their past, offering a peaceful retreat for the soul.
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