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'Top 5' Weekly Music Round-Up

WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (08.11.24)

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Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.

Argyle ‘Heal Me’

Argyle’s “Heal Me” is a moving exploration of existential pain and the pursuit of peace in a fractured world. Lyrically daring, the song confronts the futility of human judgment and highlights the hypocrisies embedded within institutional ideologies. Argyle’s voice, earthy yet ethereal, navigates each verse with vulnerability, weaving in his cultural heritage to create a sonically rich experience. Fans of soul-stirring music with a message will find solace in this track; “Heal Me” doesn’t merely entertain—it provokes, offering a call for empathy in a time when it’s most needed.

Kiwiani ‘Close’

Kiwiani’s ‘Close’ brings together the best of experimental downtempo and visual artistry, offering fans an entrancing escape into his unique audio-visual world. Known for pushing boundaries in sound design, Kiwiani leans into his inspirations from electronic luminaries like Flume and Sophie, resulting in a track that feels both experimental and accessible. The subtle interplay between bitcrushed synths and intricate rhythms invites listeners to get lost in its haunting beauty. The accompanying audio-reactive visualizer, teased on his Instagram, is another layer to the experience, making ‘Close’ not just a single, but a complete sensory experience. Kiwiani continues to define his own lane in electronic music, and with ‘Close’, he’s solidified his place among the genre’s most innovative voices.

Suki Summer ‘Nothing At All’

With ‘Nothing At All’, singer-songwriter Suki Summer reinvents pop-rock by blending 70s rock grit and 80s synth in a track that feels both nostalgic and fiercely modern. Her lyrics speak to self-confidence and the freedom to enjoy relationships on her own terms, challenging outdated stigmas with an empowering message. The song’s rich production and Suki’s commanding vocal presence make ‘Nothing At All’ a memorable, dynamic entry in the realm of empowered pop-rock.

Last Grasp ‘Creature of Your Kind’

Last Grasp’s latest single, “Creature of Your Kind,” strikes a perfect balance between nostalgic darkwave aesthetics and fresh, modern intensity. With shimmering synths and a driving bassline, the track feels like a descent into a world of shadowy allure, anchored by Matthew DeFeis’s commanding vocals. Producer Boris Stojanović brings his own remote magic from Serbia, layering a haunting yet crisp sound that amplifies the track’s underlying themes of longing and mystery. It’s clear Last Grasp has their finger on the pulse of goth revival, crafting an immersive sound that both respects and reinvents the genre.

Elizma ‘What’s In My Head’

With the backing of legendary rock producer Jeff Glixman and a rapidly growing fan base, Elizma is poised for greatness. Her sound, a captivating blend of modern pop influences reminiscent of Billie Eilish and Lana Del Rey, is distinctly her own, showcasing her artistic identity. Live performances, including her debut at the Beacon Theatre and an opening slot for Dave Mason, have solidified her reputation as a promising live act. As she prepares to release a highly anticipated collaboration with Japanese artist IAGlowb in January 2025, it’s clear that Elizma is not just a fleeting talent; she is a future icon ready to make her mark on the music landscape for years to come.

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'Top 5' Weekly Music Round-Up

WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (20.06.25)

Published

on

Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.

GRAE ‘Hollywood’

On “Hollywood,” GRAE delivers a bittersweet farewell to fame and the facade of perfection, wrapping up 7 Minutes ’Til Heaven with an emotional punch. The track glitters with a soft, cinematic sheen—like the final scene of a film where the lights dim, and the curtain falls. GRAE’s ethereal vocals drift through the track, capturing the fragile balance between desire and disillusionment, as she reflects on the hollow allure of stardom. It’s a haunting, yet beautiful closer that showcases GRAE’s knack for turning melancholy into something utterly magnetic—like a star’s final bow, leaving you mesmerized and wanting more.

Layla Kaylif ‘God’s Keeper’

“God’s Keeper” is the kind of song that wraps around you like velvet and lingers long after it ends. Layla Kaylif delivers vocals that feel both celestial and deeply human, backed by a dreamy, slow-building production that feels tailor-made for your next main-character moment. It’s introspective, spiritual, and surprisingly catchy — like a pop confessional for your soul.

Chechii ‘Mi Paddi’

Chechii delivers the musical equivalent of a cultural potluck with “Mi Paddi”, and every flavor hits. Blending her rich Afrosoul vocals with Afrobeat percussion, pop hooks, and R&B smoothness, she cooks up a celebratory tune that’s impossible not to move to. With Kracktwist and Samza bringing extra heat, the track feels like a cross-continental jam session you wish you were invited to. Spoiler: you are—just press play.

Seb Adams ‘Guitar Hero III’

‘Guitar Hero III’ is Seb Adams at his most nostalgic and relatable, turning childhood memories and pixelated dreams into a bittersweet pop-punk anthem that hits right in the feels. With jangly guitars, a singalong chorus, and just the right amount of emotional chaos, it’s a track that feels like digging through your old bedroom and finding your favorite band tee still fits. Equal parts emo diary entry and rock-out catharsis, it’s a standout moment on Bittersweet Nostalgia that proves growing up doesn’t mean letting go of who you were.

Peter Doran ‘Never Say Goodbye’

“Never Say Goodbye” stands as a masterclass in lyrical depth and sonic atmosphere, revealing Peter Doran at his most contemplative and assured. The song flows like an ocean tide, pulling listeners into its maritime mythology with rich, folky textures and a stirring vocal performance. Anchored by the poignant closing line, “God Bless The Now And Evermore,” Doran captures both the ache of impermanence and the enduring power of presence.

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