'Top 5' Weekly Music Round-Up
WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (15.11.24)

Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.
Laughing Cats ‘Jerk’
“Jerk,” the latest single from Laughing Cats, is a testament to the duo’s ability to transform classic influences into something wholly original. Lauren Schiff’s poignant lyrics tell a story of self-realization, while Tony Fredianelli’s musicianship delivers a punchy, melodic backdrop. The song’s roots in rock and new wave make it a nostalgic delight, but the duo’s inventive approach injects it with contemporary relevance. The introspective nature of “Jerk” and its anthemic message suggest Laughing Cats’ debut album, Funny Money, will be an album for fans who appreciate both the soul of classic rock and the allure of new-age sounds.
Longplayer ‘I Saw You Turning Around’
With “I Saw You Turning Around,” Mikey Long redefines the boundaries of contemporary rock through his solo project, Longplayer. The song intricately weaves a narrative of reflection and closure, inspired by an unexpected encounter with an ex-lover. The lush instrumentation, reminiscent of George Harrison’s work, is complemented by carefully crafted guitar layers that enhance the emotional weight of the lyrics. Long’s collaboration with Jay Watson brings an added rhythmic vitality to the track, while Shags Chamberlain’s synth contributions create an immersive listening experience. This single is a beautifully crafted piece that showcases Long’s growing prowess as a songwriter and producer.
Amelie Aldner ‘Touch Me’
Set against the lush, emotive backdrop of her Scandinavian roots, Amelie Aldner’s new single ‘Touch Me’ is an alluring glimpse into Aldner’s upcoming album, anticipated for release in 2025. ‘Touch Me’ shines with Aldner’s trademark style—gentle, layered vocals and deeply personal lyrics, inviting listeners to explore themes of intimacy and connection. With subtle gospel undertones, ‘Touch Me’ steps outside conventional pop, blending soul with a timeless warmth. Aldner’s emotional delivery is matched by a seamless fusion of folk, soul, and gospel sounds, showcasing her ability to create music that feels both deeply personal and universally relatable
ION ‘You Hear Her Too?’
ION’s new single “You Hear Her Too?” unfolds as a captivating exploration of the duality of witchcraft, presenting two contrasting perspectives in a seamless musical journey. The first part immerses listeners in the inner sanctum of witches, portraying them as benevolent healers deeply attuned to nature and its spirits. In stark contrast, the second half exposes the long-held societal perceptions that depict witches as malevolent and insane, creating a powerful commentary on the tension between acceptance and fear. The track masterfully blends alternative and ambient soundscapes with intense moments, inviting listeners to grapple with the choice of dismissing these voices as mere delusion or embracing the rich, mystical reality they have inhabited for centuries. In doing so, ION challenges us to reconsider our understanding of the occult and its profound connection to the human experience.
Kendra & The Bunnies ‘Manic Pixie Nightmare’
Kendra & the Bunnies’ latest release, “Manic Pixie Nightmare,” is a fierce commentary on self-identity and a sonic rebellion against the “manic pixie dream girl” stereotype. Kendra Muecke’s storytelling shines, as she narrates a journey of breaking free from the confining labels placed upon women, delivering a fresh perspective that’s refreshingly authentic. Her raspy, soulful voice carries an almost cathartic energy, blending seamlessly with the edgy instrumentals to evoke a sense of liberation and power. Set against the Los Angeles subway, the music video brings this ethos to life, showing Muecke at home among the city lights and chaos, unapologetically owning her individuality. “Manic Pixie Nightmare” is a manifesto for anyone ready to find themselves beyond the expectations and to “live for the plot.”
'Top 5' Weekly Music Round-Up
WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (09.05.25)

Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.
Soapman ‘Y. L. T. Y.’
Soapman’s “Y. L. T. Y.” doesn’t walk into the room—it kicks the door down with jittery guitars, caffeine-fueled vocals, and a tempo that refuses to sit still. It’s a wild, weird alt-pop ride that sounds like your inner monologue set to a mosh pit soundtrack, and somehow it’s both chaotic and incredibly catchy. If you’ve ever wanted to dance through an existential crisis, this one’s for you.
Shawn Matthew ‘Work To The Beat’
“Work to the Beat” feels like someone dropped a grenade in a rave—and we mean that as a compliment. Shawn Matthew’s new single is a reckless blend of gritty vocals, teeth-grinding bass, and trap drops that go full beast mode. It’s like a sonic rollercoaster with no brakes, and we’re grinning the whole way down.
Stephen Sol ‘Forever Changed’
Warning: “Forever Changed” may cause spontaneous staring out the window during a rainstorm, even if it’s sunny. Stephen Sol delivers a heartfelt indie folk gem that sounds like Ben Howard wandered into a candlelit therapy session. Equal parts soothing and soul-crushing, the track is a warm hug for anyone still emotionally invested in “what could’ve been.”
Peso The Misfit ‘New Age Love’
“New Age Love” by Peso The Misfit is like that cool friend who always smells good, gives great advice, and somehow turns every situation into a movie scene. Smooth R&B grooves meet hip-hop confidence in this flirty, laid-back track that’s built for warm nights, good company, and a little romantic chaos. Peso delivers a vibe that’s cheeky and charismatic, with just enough mystery to keep you hitting replay—and yes, there’s a line in here that’ll make you laugh out loud.
Zweng ‘Marianne’
Zweng’s Marianne is an achingly beautiful tribute to the maternal strength that often goes unnoticed. Written in honor of his mother, the track is a “persona” song that imagines what the partner she deserved—but never had—might have said. With tenderness and quiet grace, Zweng crafts a redemptive narrative, one that delves into the complex layers of generational pain, forgiveness, and love. The stripped-back arrangement lets his raw, emotive voice carry the weight of the song’s poignant message, while the subtle instrumentation adds a sense of timelessness to the track. Marianne is a soul-stirring meditation on healing and empathy, showcasing Zweng’s ability to transform personal experience into universal truth. It’s a song that quietly resonates, holding a mirror up to the often unspoken sacrifices of maternal love. Beautifully vulnerable and deeply reflective, Marianne is a standout moment in Zweng’s ongoing journey of self-discovery and artistic rebirth.
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