'Top 5' Weekly Music Round-Up

WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (24.01.25)

Published

4 months ago

January 24, 2025

Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.

Jake Exavier ‘Voodoo’

Jake Exavier’s “Voodoo” draws you in with its intoxicating blend of rhythm and romance. From the moment the beat drops, you’re transported to a world where love’s magic feels palpable. Jake’s skillful lyricism and buttery vocals are complemented by a production that evokes the soulful charm of classic R&B while keeping the energy fresh and modern. This track is a testament to Jake’s artistry and his ability to craft music that feels both deeply rooted and refreshingly innovative.

June6xteen ‘Me Myself & I’

June6xteen’s “Me Myself & I” is a sparkling gem in the world of modern pop, radiating with confidence and emotional depth. Her velvety voice glides over an exhilarating fusion of drum & bass and dreamy synths, creating a soundscape that feels both intimate and expansive. The lyrics, brimming with self-affirmation, remind us of the power of embracing who we truly are. It’s a song that lifts the spirit, leaving listeners feeling stronger and more connected with each play.

Muscle Memory ‘Get Lost’

The latest offering from Muscle Memory, “Get Lost,” is a mesmerizing dance anthem that merges retro influences with fresh, cutting-edge production. The track is a shimmering synthpop dream that evokes a sense of timelessness, blending the wistful beauty of Fleetwood Mac with the electric pulse of Giorgio Moroder’s production style. The duo’s knack for fusing their rock backgrounds with electronic music shines through in this release, which is further elevated by remixes from Midnight Magic and Muscle Memory themselves. Their ability to seamlessly meld live performance and DJ sensibilities makes them a standout act in NYC’s dynamic dance scene.

BLVDS ‘Two Sides’

BLVDS, the brainchild of Ryan Hayes and Jake Goldberg, has just dropped their electrifying new single, “Two Sides,” and it’s an absolute game-changer. A unique fusion of Synthwave, Retrowave, Darkwave, and electronic elements, the track creates a captivating sonic landscape that instantly pulls you in. The song’s darker undertones are contrasted beautifully with electrifying energy, calling to mind the likes of The Midnight and Dance with the Dead, while still carving out its own signature sound. A collaboration with Righteous Vendetta adds a metal-infused twist, blending the band’s heavy past with their forward-thinking, genre-defying present. “Two Sides” is a perfect example of BLVDS’ ability to blend two contrasting worlds into one cohesive, unforgettable track.

Charlie Turner ‘Mrs Other’

Charlie Turner’s latest single, ‘Mrs Other,’ is nothing short of a revelation. By weaving together influences as diverse as jazz’s improvisational soul, punk’s raw edge, and rock’s dynamic power, Turner delivers a track that’s as thought-provoking as it is addictive. Born from a period of personal upheaval, the song channels its origins into a reflection on time and self-awareness, with lyrics that linger long after the last note fades. Whether you’re a fan of Turner’s early work or new to his sound, ‘Mrs Other’ is a shining example of an artist fearlessly embracing growth—both musically and personally.

'Top 5' Weekly Music Round-Up

WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (09.05.25)

Published

1 week ago

May 9, 2025

Philomena Marie

Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.

Soapman ‘Y. L. T. Y.’

Soapman’s “Y. L. T. Y.” doesn’t walk into the room—it kicks the door down with jittery guitars, caffeine-fueled vocals, and a tempo that refuses to sit still. It’s a wild, weird alt-pop ride that sounds like your inner monologue set to a mosh pit soundtrack, and somehow it’s both chaotic and incredibly catchy. If you’ve ever wanted to dance through an existential crisis, this one’s for you.

Shawn Matthew ‘Work To The Beat’

“Work to the Beat” feels like someone dropped a grenade in a rave—and we mean that as a compliment. Shawn Matthew’s new single is a reckless blend of gritty vocals, teeth-grinding bass, and trap drops that go full beast mode. It’s like a sonic rollercoaster with no brakes, and we’re grinning the whole way down.

Stephen Sol ‘Forever Changed’

Warning: “Forever Changed” may cause spontaneous staring out the window during a rainstorm, even if it’s sunny. Stephen Sol delivers a heartfelt indie folk gem that sounds like Ben Howard wandered into a candlelit therapy session. Equal parts soothing and soul-crushing, the track is a warm hug for anyone still emotionally invested in “what could’ve been.”

Peso The Misfit ‘New Age Love’

“New Age Love” by Peso The Misfit is like that cool friend who always smells good, gives great advice, and somehow turns every situation into a movie scene. Smooth R&B grooves meet hip-hop confidence in this flirty, laid-back track that’s built for warm nights, good company, and a little romantic chaos. Peso delivers a vibe that’s cheeky and charismatic, with just enough mystery to keep you hitting replay—and yes, there’s a line in here that’ll make you laugh out loud.

Zweng ‘Marianne’

Zweng’s Marianne is an achingly beautiful tribute to the maternal strength that often goes unnoticed. Written in honor of his mother, the track is a “persona” song that imagines what the partner she deserved—but never had—might have said. With tenderness and quiet grace, Zweng crafts a redemptive narrative, one that delves into the complex layers of generational pain, forgiveness, and love. The stripped-back arrangement lets his raw, emotive voice carry the weight of the song’s poignant message, while the subtle instrumentation adds a sense of timelessness to the track. Marianne is a soul-stirring meditation on healing and empathy, showcasing Zweng’s ability to transform personal experience into universal truth. It’s a song that quietly resonates, holding a mirror up to the often unspoken sacrifices of maternal love. Beautifully vulnerable and deeply reflective, Marianne is a standout moment in Zweng’s ongoing journey of self-discovery and artistic rebirth.