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WØLZT Drops Atmospheric Album ‘Tapes From The Maze’

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For French artist WØLZT, music is a maze of echoes, emotions, and stories waiting to be unearthed. His latest album, Tapes From The Maze, is a bold venture into what he calls “hypnagogic rock,” an innovative fusion of ambient, post-rock, and cinematic music that reflects his fascination with sound as an immersive experience. With just three long tracks, WØLZT takes listeners on a journey through dystopian landscapes and cosmic realms, exploring moods that range from haunting to meditative.

Each track on, Tapes From The Maze, is an exploration in itself. In “Noise,” he combines minimalist synths with subtle, haunting arpeggios, setting a suspenseful tone that feels like the opening scene of a sci-fi thriller. Then, with “Driving Out,” WØLZT delves into a darker, more introspective space, combining textured synths and brooding bass that feel like a descent into an urban dreamscape, something akin to a John Carpenter soundtrack but with a modern twist. By the time we reach “Signal,” the album’s climactic track, we’re in a realm that feels both vast and intimate, a cosmic space painted with pulsing bass and otherworldly synths that evoke the wonder of interstellar exploration.

WØLZT’s sound design is key to the album’s magnetic pull. By using restraint and allowing each note to breathe, he gives listeners a sense of scale and depth that makes this album unforgettable. Every sound feels intentional, like a puzzle piece in the album’s broader sonic tapestry. His use of pauses, sparse instrumentation, and gradual builds make each moment feel as much about silence as it is about sound, creating a meditative space that’s both immersive and introspective.

Tapes From The Maze, reveals WØLZT’s capacity to craft not just music but a transportive experience that blurs the lines between reality and dreams. Through the layered intricacies of, Tapes From The Maze, WØLZT is redefining how listeners engage with music, making it less of a passive experience and more of an interactive journey. This album is a testament to his skill and artistry, and an invitation to listeners everywhere to step inside the maze of sound he’s so meticulously crafted.

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AratheJay Joins Apple Music’s Africa Rising Class of 2025

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Ghanaian artist AratheJay is the latest talent to join Apple Music’s Africa Rising Class of 2025. An artist development program that has helped shape the careers of African stars like Tems, Amaarae, and Rema. The program celebrates the continent’s rising stars, and AratheJay’s inclusion is a testament to his growing influence in the global music scene. 

Since his breakout, AratheJay has been making waves with a distinctive sound that blends African storytelling with contemporary influences. His debut project, “Finding Nimo Series: The Capsule” introduced listeners to his emotive songwriting and captivating melodies. Tracks like “Jesus Christ II” with Black Sherif, “C’est La Vie”, “Sankofa”, and “Grenade” have already established him as one of Ghana’s most exciting new voices.  

Alongside fellow rising artists like KAESTYLE, FOLA, Njerae, and Lusanda, AratheJay is ready to push boundaries and share his music with the world. Discover the Africa Rising Playlist here.

Reacting to the honour, AratheJay shared his excitement: “I’m truly honoured to be a part of Apple Music’s Africa Rising Class of ’25, and being chosen as one of the cover stars is the icing on the cake! 2025 is shaping up to be an exciting year, and I can’t wait to share the journey ahead. The best is yet to come! Stay tuned for some surprises from Ghana, Africa and beyond, because this year is going be my year of global domination, all by the grace of God.”  

As part of this recognition, AratheJay is featured in an exclusive “Africa Now Radio” episode with Nandi Madida which aired on January 17th. His inclusion in the Africa Rising Class is a clear signal that Ghanaian music is being heard globally and fans can expect even more from him this year.

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