We Speak Music
X Revolution Returns with New Single ‘GENERALS THEME’: A Deep Dive into Human Nature’s Dark Side

In a powerful comeback, artist X Revolution has unveiled his latest single, ‘GENERALS THEME,’ a track that plunges listeners into the murky depths of human nature. Defined by its brooding and destructive sound, the song serves as a raw portrayal of internal conflict and power dynamics, merging elements of Hip-Hop, Rap, and Darkwave with an intensity that mirrors the artist’s own turbulent journey.
For fans of El-P, Lorn, and IC3PEAK, this track is an essential listen. X Revolution’s music has always challenged conventional perceptions, and ‘GENERALS THEME’ is no exception. The artist delves into life’s most daunting questions, pondering why humans often present themselves as virtuous while concealing a darker side. Raised in an environment marked by harsh realities, X Revolution scrutinizes the very essence of morality and the mental gymnastics people engage in to justify their actions.
The track reflects a profound personal exploration of power, as he questions whether it is ever genuinely wielded for oneself or merely a tool to dominate others. ‘GENERALS THEME’ taps into these reflections, transforming them into a cathartic outpouring of emotion, pain, and raw truth.
Describing the single, X Revolution shares, “I’ve seen quite a few things growing up that would affect anyone badly, so I refer to the song as ‘GENERALS THEME,’ because I feel like an old-time war general who has been through too much and would prefer not to see or be involved in any more conflict.” This introspective lens gives the song its weight, fueling its anger and intensity with years of bottled-up emotions.
The creation of the track involved a meticulous creative process, where X Revolution experimented with a variety of percussion and drum samples, skillfully chopping and manipulating them to craft the dark, heavy beats that anchor the song. Employing only outboard gear, including the Sequential Prophet 6 and Moog Matriarch for bass and melodies, he successfully created an immersive soundscape. Additionally, after years away from the guitar, he revisited the instrument to incorporate a haunting solo, further enhancing the track’s emotional impact.
“Contemplating the track, I decided to get back into playing some guitar. I recorded some progressions and a little solo, which brought out some deep-seated emotions. The lyrics mean something profound to me, especially when I recorded them. This time felt different when I laid down the rap parts,” he explains.
X Revolution’s music explores the rawest aspects of human nature, reflecting the darker realities he faced in his youth. His songs serve as a mirror to the internal struggles that many grapple with. Through his philosophical inquiries, intricate production, and cutting lyrics, he invites listeners to confront the full spectrum of the human condition with honesty and vulnerability.
Looking ahead, X Revolution has confirmed that ‘GENERALS THEME’ is just the beginning, with more releases planned in the coming months. His fearless exploration of power, morality, and the darker truths of life continues to challenge conventions. With a sound that defies boundaries and lyrics that provoke deep reflection, X Revolution’s music beckons listeners to confront their own inner battles and reassess their perceptions of good and evil.
We Speak Music
Acclaimed US singer-songwriter Juliet Lloyd to tour the UK for the first time this summer.
Shortly after releasing her sophomore album in 2007, US-based singer-songwriter Juliet Lloyd walked away from music completely for more than 10 years, feeling burned out and unhappy with her career progression like so many other independent artists. After going through a divorce in 2019 and in the midst of a global pandemic, she found herself pulled back toward the siren call of songwriting and again making the leap to pursue it full time. Her latest album ‘Carnival’, released in 2024, is in many ways the culmination of those decisions, and the reintroduction of an artist who now has the wisdom of experience.
There’s an unmistakable urgency you can feel when a song is written and performed from a place of complete honesty. That feeling permeates ‘Carnival’. “I’ve always been envious of writers who say they write songs because they have to, because they had these things they just had to get out of themselves,” Juliet says. “I had never really felt that way until this album. I’ve become someone who writes because they have to.”
Stylistically, ‘Carnival’ draws on a range of influences from Laurel Canyon-era singer/songwriters, to Lilith Fair rockers, to confessional country/folk balladeers, to indie pop. The central theme of the record and that of its title track is not being too precious about any one experience or decision. Take them for what they are, live in the moment, and move on when they’re done. It acknowledges also that memory can be subjective, and ambiguous—was an experience ultimately a good thing or a bad thing? And whose memory can you rely on to determine the answer to that question?
‘Carnival’ doesn’t just deal with the complexities of ending relationships, it also deals with all the feelings that come with moving on. The album’snine songs feature evocative storytelling that reveals a simple truth: when the carnival inevitably leaves town, you’re left with an empty parking lot. And how you remember, it is a choice. As Juliet sings in the title track, “If only there was a way you could bottle up that feeling / and you’d drink it in / when the days are short and you long.”
Across her 20+ year career, Juliet has been admittedly stylistically non-monogamous. Her first full-length album, ‘All Dressed Up’, was released in 2005 and was heavily jazz-influenced- a label that she rejected at the time. “I am a piano player and a woman, so I was immediately compared to Norah Jones—and I bristled at that,” Juliet says. “Listening back now, I can totally see that it was true, and it of course wasn’t a bad thing.” Her follow-up release ‘Leave the Light On,’ came out two years later and featured a slick piano-pop production that led to five of its songs being placed on reality TV shows on MTV and VH1. Coming back after her 10-year break from writing and recording, Juliet released ‘High Road’, a collection of five Americana/soul-tinged songs produced by Jim Ebert (Meredith Brooks, Shai) that earned her widespread recognition and songwriting awards both in her home region of DC as well as nationally.
Now with her first ever UK tour scheduled for July 2025, Juliet has also dropped a completely brand-new single ‘Wild Again’, which like ‘Carnival’, was written with and produced by Todd Wright (Lucy Woodward, Butch Walker, Toby Lightman). ‘Wild Again’, however, charts yet another new step in Juliet’s journey.
“Carnival’, is full of deeply personal songs that are drawn from my real-life experiences and relationships. Coming out of that album cycle, I was feeling a little exhausted by my own navel-gazing and I was craving inspiration elsewhere. So, a lot of the songs I’m writing now are an evolution of sorts – focused more on external stimuli and finding the personal stories and humanity in that. Wild Again is a perfect example of this,” she explains.
The idea for ‘Wild Again’ was born out of a NY Times podcast Juliet listened to about the real-life efforts to return the whale that played Willy in the iconic movie ‘Free Willy’ back into the wild.
“It’s an insane, heartbreaking story that asks all kinds of thorny questions about human responsibility and humility and what’s the “right” thing to do and is that the same as the “kind” thing to do. There was a line that one of the trainers said in the podcast, explaining that they were trying to “train him to be wild again.” The complete absurdity of that statement hit me in the moment, and I immediately started jotting down lyrical ideas”, Juliet says.
Catch Juliet Lloyd on her UK tour this July:
1st July: The Folklore Rooms / Brighton
2nd July: The Hyde Tavern / Winchester
3rd July: Hen and Chicken / Bristol (CRH Music promotions)
4th July: Artisan Tap Hartshill / Stoke-on-Trent
5th July: Waggon & Horses, Nottingham
6th July: Cafe#9 / Sheffield
7th July: Hyde Park Book Club / Leeds
10th July: FortyFive Vinyl Café / York
11th July: The Muddy Puddle / London
13th July: The Wrotham Arms / Broadstairs

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