We Speak Music
Yijia Lights the Way with ‘Yi The Sun’
With her single “Yi The Sun”, Yijia redefines what it means to fuse tradition and innovation. The track is a shimmering anthem that transports listeners into a future where the past still sings, where ancient voices echo across electronic landscapes. At once meditative and electrifying, it is a bold statement from an artist who refuses to be confined by genre.
The backstory adds another layer of poignancy. Initially drawn to a field recording of the Yi ethnic minority’s music, Yijia only later discovered her own Yi ancestry. This serendipitous revelation makes the track an act of identity reclamation, giving new breath to sounds that might otherwise remain unheard. It is both personal excavation and artistic offering.
Thematically, “Yi The Sun” embraces a vision of return. Its lyrics speak of coming back to Earth after generations away, searching for human connection in a changed world. This narrative resonates with our collective sense of displacement in a fast-evolving age, while also expressing Yijia’s intimate journey toward rediscovering her cultural roots.
Sonically, the song is mesmerizing. A trance-like rhythm pulses beneath ethereal vocals and ancient tonalities, creating an atmosphere that feels ritualistic yet futuristic. Yijia has crafted something genre-defying—part ancestral hymn, part club anthem. The result is both hypnotic and healing, a soundtrack for those who feel suspended between worlds.
As part of her upcoming album TU, “Yi The Sun” signals a project that is as ambitious as it is heartfelt. By blending Chinese folk traditions with modern composition and electronic textures, Yijia positions herself as a cultural trailblazer. This track is not just a listening experience—it’s an invitation to dance with history, memory, and identity under a cosmic sun.
Michele Ducci has unveiled the second single, ‘Woman Like You’, from his forthcoming album and animated film ‘Snail in the Clouds’.
‘Woman Like You’ pairs bright distorted electric guitar with an electronic drumbeat, adding in Ducci’s soulful vocals and a catchy uplifting chorus with Letizia Mandoleisi’s sweet vocal harmonies. A vintage organ pedalboard operated by Ducci simultaneously generates chords, bass and rhythm, like a one-man band. Shane Kennedy (Girl in the Year Above) joins in on guitar. Simon Milner (Is Tropical, Ysing) recorded and produced the track at his 4am Studios in London.
The album and film tell the story of a planet called ‘Snail’, inhabited by hybrids – primarily a mixture between scorpions, snails and humans – who lead a life according to the style of Pythagoras, devoted to music. There is also a cloud man named Agostos, a writer of musical operettas, who together with a talking smoke machine called Doctor Subtilis, begins to kill all hybrids, targeting in particular the hybrid musician Diodoros and his band, in an effort to steal the ark of melodies, an ancient ship that allows the whole planet to survive with music and joy.
The video for the single, created and animated by Ducci and Mandoleisi, delves further into the realm of planet ‘Snail’:
Says Ducci, “The ark of melodies, after various attempts, finally starts to work and fly in the planet Snail, while the shady Doc. Sub. and Agostos, with their platoon of soldiers made of foggy smoke, spy the miracle, planning to steal the ark for their evil and tyrannical purposes.”
About the track, Michele says, “I wrote this song for my love Letizia. Love seen from the mind is the sound we make. Sound is the love of matter.
We used a Technics synthesizer organ from a flea market. I tried to find a mood that was right for the song and I started using the bass of the pedal board together with the synth and the drums, and it was magical to hear the song reveal itself all coming from a single instrument. Leti was singing with me and we recorded everything live in one shot. Then we made Shane do the guitar flight, as if he came out of the window. The idea was to maintain disproportions, guitar thrust and synth drum thinness a la Haroumi Hosono, so as to create an estrangement, but naturally: it’s about how I listen, with close up something that captures me in its nuance as element of a larger orchestra somewhere. I’m glad we decided in the studio with Simon to use the layers of arrangement as the close-ups in the cinema; they look like strange enlargements that perch on parts of a mutated orchestra. I’m happy to come back with this love song at a time when everything seems to opt, even my labor in managing the flows of selfishness that have poured out on me while doing this album, for the sound of war. I’m here happy to be able to say that the sound of love always wins as did for me. Snail in the clouds is one of the most important works in my life and I am glad to start from pure love for this album that is my son.”
The album and full-length film will be released on the 5th of June on Monotreme Records.
Michele and Letizia’s previous musical short film, ‘The Great Book of Nature’, is an official selection for the 2026 Venice Shorts Film Festival.
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