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Zkeletonz release ‘Wild for the Weekend’

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‘Wild for the Weekend’ is the 2nd single from Zkeletonz’ forthcoming debut album ‘OUT!’—self-produced and featuring mixing and mastering by Sam Wheat (Nile Rodgers) and Alex Gopher (Chromeo, Ed Banger).

This is independent electro-disco at full power, channelling the spirits of Breakbot, Phoenix, Daft Punk’s Homework, and classic Ed Banger French Touch, but from the UK scene. The band blend synth-pop, disco, and indie and create music designed for movement, with a distinctively stylish and ironic edge.

DIY-built, the band is bringing synth pop to a new generation and selling out 500-capacity London venues 100% independently. Gracing festival stages in their hometown of Coventry and across the UK for BBC Introducing in addition to touring internationally in Berlin, Amsterdam and Malta, as well as hitting radio airwaves like BBC 6Music’s Fresh Finds and John Kennedy’s X-Posure, the band has built a reputation for high-energy performances, sharp visuals, and an uncompromising artistic vision.

Debut Zkeletonz album ‘OUT!’ is a sonic love letter to London club culture and late-night events. But with a focus on the unique and unforgettable experience only live music can provide. As the band continue to crowdfund the Vinyl / CD production of the Album, the album’s full supporting campaign for the album will launch Fri 30th May with an explosive free Gig at The Finsbury, in advance of in-store appearances and a physical Vinyl drop in August, before finally a huge show at Camden Underworld (500 capacity) on Fri 12th Dec. 

This incredible achievement from Zkeletonz with no label, management or agency will follow self-promoted headline gigs at Highbury Garage and Hackney OSLO, plus regular slots at huge UK festivals like Feastival with CHIC & Nile Rodgers; All Points East, London alongside Foals and Jamie XX; and in Camden with Shalamar and Soul II Soul.

On the new single, Zkeletonz said, “”Wild for the Weekend” means the world to us. It’s the final track on ‘OUT!’—an epic, emotional closer that captures the essence of our recent experiences exploring music together. We’re lucky to be 3 best friends who have persevered for years as a creative collective, since high school. But this is the first song we’ve ever made entirely through a studio-based process, layering up that classic Korg M1 synth while we were deep-diving into Detroit Techno, Chicago House, and the many legends from postmodern French electronica. Lyrically it’s about how partying—those wild, crazy weekends—can sometimes be something that fixes or stabilises a turbulent romance. It’s raw, it’s alive, and we absolutely cannot wait to share this one with a crowd.”

As always, production by the band’s own electronic drummer and multi-instrumentalist member Ed Trotsky (also Runrummer, Coin Operated Boy) forms the centrepiece of Zkeletonz as a creative project and endeavour, weaving sonically from 1980s and 2000s synth influences including classic pop by the Pet Shop Boys and Human League, and tasteful, contemporary blogwave, alternative and indie sounds similar to Confidence Man, Sofi Tukker and The Dare.

Upcoming 2025 Zkeletonz tour dates:

FRI MAY 30th @ THE FINSBURY, ISLINGTON for GoToBeat, free entry:
https://gotobeat.com/gig/zkeletonz-live-in-finsbury/
FRI JUN 13th @ PAPER DRESS VINTAGE, HACKNEY with Concrete Natives:
https://paperdressvintage.co.uk/
SAT JUN 21st @ DASH THE HENGE record shop, CAMBERWELL, 5pm
https://dashthehengestore.com/

SAT DEC 12th @ CAMDEN UNDERWORLD (self-promoted Headline).

Tickets on sale from 22/6

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Kilder Unveils Stunning New Music Video for Single “Dusk Till Dawn”

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There’s something hypnotic about the way Kilder captures motion in his music. With “Dusk Till Dawn,” the Amsterdam-based producer leans into his genre-fluid sensibilities to deliver a track that’s as emotional as it is danceable. It’s the kind of single that transports you instantly — from fluorescent office lighting to the glow of a neon-lit street, from the mundane to the magical.

Sonically, “Dusk Till Dawn” is a lush blend of house, techno, and UK garage – but Kilder doesn’t just mix genres, he moulds them into something uniquely his. Every kick feels purposeful, every synth line like it has its own emotional arc. There’s a warmth to the track that wraps around you, even as the beat pushes forward with that late-night urgency.

The music video adds a deeply human layer to the experience. Following the journey of a man shedding his daytime persona, it’s a powerful metaphor for reclaiming selfhood in a world that often asks us to suppress it. The visuals move seamlessly from drab routines to liberating nightlife, echoing the sonic transformation that happens across the track’s runtime.

Kilder is no stranger to acclaim, and “Dusk Till Dawn” feels like another chapter in what’s becoming a very exciting story. His previous collaborators and co-signs – from Issey Cross to BBC Radio 1 – suggest an artist with both underground credibility and mainstream reach. The Spotify playlist placements and syncs with Apple only reinforce that he’s being heard in all the right places.

What’s most exciting is the promise of what’s to come. With an EP due in July and a growing catalogue of boundary-pushing tracks, Kilder is shaping a space where emotion, rhythm, and storytelling collide. “Dusk Till Dawn” isn’t just a single – it’s a statement of intent, and one that positions Kilder as one of the most compelling names in electronic music right now.

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