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Eminem on course to claim his 9th UK No.1 single

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Eminem could be claiming his ninth UK Number 1 single this week as his latest single River sets course for the top spot on the Official Singles Chart.

The rapper’s current track features Ed Sheeran and is taken from his latest album Revival, which topped the Official Albums Chart last month.

After three weeks at Number 2, River is set to topple Ed Sheeran‘s Perfect (2) from the top spot, currently 3,000 downloads and streaming equivalent sales ahead at the halfway stage of the chart week.

Eminem already claims the most Number 1 singles for a rap artist in the UK and could extend that record to nine this Friday (Jan 19). Eminem’s previous Number 1s are: The Real Slim Shady (2000), Stan (2000), Without Me (2002), Lose Yourself (2002), Just Lose It (2004), Like Toy Soldiers (2005), Smack That (2006, with Akon), and The Monster (2013, with Rihanna).

Meanwhile, Craig David is set to leap up the Top 10 with I Know You ft. Bastille, currently up seven places to Number 3, Ramz‘s Barking holds firm at 4, and Jason Derulo‘s Tip Toe ft. French Montana is currently up seven places and on track to break the Top 10 at Number 5.

New entries and high climbers

Two more singles are set to make their Top 10 debut this week: Jax Jones‘ Breathe ft. Ina Wroldsen jumps from 14 to Number 6, and Sigrid‘s Strangers vaults 86 places to Number 8 following her BBC Sound Of 2018 win.

Camila Cabello‘s latest effort Never Be The Same edges closer to the Top 10, up 16 spots to 13, Portugal The Man‘s Feel It Still lifts 11 places to 21, and Dua Lipa‘s IDGAF has so far climbed 12 places this week to Number 26.

Further down, BRITs Critics’ Choice winner Jorja Smith could make her Top 40 debut with Let Me Down ft. Stormzy at Number 35, Andra Day‘s 2015 single Rise Up re-enters at 37 after its appearance on The Voice UK over the weekend, and rising star Tom Walkermoves 13 places to 39 with Leave A Light On.

 

 

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We Speak Music

Vinyl Floor’s Balancing Act Proves That Honest Rock Still Matters

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Vinyl Floor

“Balancing Act” by Vinyl Floor is a real treat. It is the sixth record from brothers Daniel and Thomas Charlie Pedersen sounds like it was made for right now and how they blend the ’60s and ’70s with modern elements never feels forced.

The production is clear and thoughtful. Every string, every horn, every vintage keyboard has space to exist. “Puppet Laureate” opens strong with real energy, while “The Swan of Eileen Lake” catches you off guard with folk warmth. “Adelaide” might be the best track, built on a lovely piano line with vocals that cut through cleanly. No hiding behind effects here.

The title track closes things out with the reflection the album’s been working toward. The core idea of finding hope in a fractured world could tip into despair easily, but Vinyl Floor stays honest about it. They’re not offering false comfort, but they’re not drowning either.

Progressive rock this restrained is rare. The arrangements serve the songs instead of overshadowing them. If anything, some moments could use more breathing room, but that’s small in a record made by people who clearly care about what they’re saying.

This is for anyone who wants rock that actually wrestles with real ideas. It counts for something.

You can listen here.

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