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Bear Bolton Unveils Debut Album ‘Time To Revive’

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Bear Bolton has spent most of her life surrounded by music, yet it has taken her until the age of 40 to finally call herself a singer-songwriter. Raised in a family where singing, harmonies, piano, and guitar were part of everyday life, music was always woven into the fabric of her existence. But for years, it remained a private passion, a quiet companion rather than a public identity. “I needed evidence,” she says of her debut album “Time To Revive,” “evidence that I could actually do this, that I was allowed to call myself an artist.” That evidence arrived in the form of ten deeply personal tracks, written over three years and released as she marks a milestone birthday, a collection that documents not just her musical journey but the entire tapestry of her life.

The album arrives after a period of profound personal transformation, one that saw Bolton navigate the complexities of marriage, military life, motherhood, separation, and mental health. It is a body of work that refuses to shy away from difficult subjects, embracing vulnerability with a courage that is genuinely admirable. “I’m a naturally private person,” she admits, “so sharing these stories hasn’t come easily. But I can only write about real life, real feelings. And if, by the end of the final track, listeners feel less alone, then the album’s done what I hoped it would do.” This commitment to authenticity is evident in every track, from the tequila-fuelled nostalgia of “Tequila Talkin'” to the devastating honesty of “Sentivo solo la pioggia,” a Italian-language reflection on postnatal depression.

The musical range on display throughout “Time To Revive” is remarkably eclectic, spanning blues, reggae, rock, folk, and classical influences with an ease that suggests a natural musicality. The laid-back blues of “Sunday Blues” sits comfortably alongside the reggae-infused dreaminess of “Last Night,” while the rock-driven empowerment of the title track offers a powerful conclusion to the album’s narrative arc. This diversity is not a sign of indecision but rather a reflection of Bolton’s refusal to be confined by genre, a quality that marks her as an artist who prioritizes storytelling above all else. Each track feels like a distinct chapter, yet together they form a cohesive and deeply satisfying whole.

Family remains central to the project, with Bolton’s stepbrother and nephew contributing musically while her sister handled photography and videography. This collaborative spirit transforms the album from a solo memoir into a celebration of connection, a reminder that art is often at its most powerful when it is a shared experience. “This album is not just mine,” Bolton reflects. “It belongs to everyone who supported me, everyone who believed in me when I didn’t believe in myself.” The involvement of family adds a beautiful layer of warmth to the project, making it feel less like a commercial release and more like a gift, a testament to the power of creative collaboration and the bonds that sustain us.

Bolton is refreshingly candid about the imperfections of her debut, admitting that she can hear things she would do differently now. But rather than diminishing the work, this honesty enhances it. “Life isn’t perfect,” she says. “I was learning how to produce and release music while navigating one of the most turbulent periods of my life. This album reflects that, and I wouldn’t change it.” This acceptance of imperfection is a sign of artistic maturity, a recognition that art is often most powerful when it embraces the messiness of life. The album becomes not just a collection of songs but a document of a particular moment, a snapshot of an artist in the process of becoming.

The album’s title track encapsulates the central theme of the entire project: the courage required to reclaim yourself after years of putting everyone else first. It is a powerful rock anthem that encourages women to embrace their identity and their voice, to recognize that it is never too late to begin again. This message resonates throughout the album, from the reflections on past relationships in “Faded Pictures” to the exploration of fantasy and attraction in “Me and My Mind.” Bolton writes with the wisdom of someone who has lived, and her songs carry the weight of that lived experience in every note. It is this authenticity that gives the album its enduring power.

“Time To Revive” marks the beginning of an exciting new chapter for Bear Bolton, a debut that introduces an artist of considerable talent and emotional depth. It is an album that speaks to anyone who has ever felt lost or forgotten, anyone who has ever needed the courage to start over. With warmth, vulnerability, and musical versatility, Bolton has created a work that is both intimately personal and universally resonant. “This is less a first chapter than the beginning of an exciting second act,” she says, and if this debut is any indication, that second act promises to be truly remarkable. Bear Bolton has finally found her voice, and the world is richer for it.

Find Bear Bolton: Instagram, Spotify | PR: Danielle Holian, Decent Music PR

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Phoebe June Traces Love, Distance and Heartbreak on New EP ‘Kiss Me Over The Garden Gate’

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For Phoebe June, some stories are easier to tell through music.

Her new EP, ‘Kiss Me Over The Garden Gate’, is an intimate collection that traces the emotional journey of a relationship from the exhilaration of falling in love to distance, uncertainty, heartbreak and, ultimately, learning to let go.

Inspired by artists including Gracie Abrams, Taylor Swift and Phoebe Bridgers, Phoebe June combines diary-like lyricism with melancholic ballads, subtle uptempo moments and an understated, emotionally honest production style.

At the centre of the project is ‘Thursday’, a bittersweet track about loving someone from a distance and holding onto the hope that the connection might survive.

Written after Phoebe left a country that held deep personal meaning, and left someone she cared about behind, the song looks back at the relationship from its beginning. Even its title is personal: the two first met on a Thursday.

The song captures the complicated feeling of walking away from something meaningful without believing that it necessarily has to be over. It’s about distance, memory and the possibility of finding your way back to someone, while recognising that hope only works when it goes both ways.

Across six tracks, the EP develops that story in sequence.

‘Everything You Are’ opens the project with the warmth of new love, while ‘Dead Sea’ explores the security of finding someone who helps you stay afloat through difficult times. As the story progresses, ‘Thursday’ introduces separation before ‘Getaway Car’ moves into the aftermath; unanswered questions, lingering attachment and the realisation that someone can profoundly affect your life while still being unhealthy for you.

‘One Day’ leaves the door open to the possibility of a future reunion, balancing hope with the understanding that some relationships may only exist in memory.

The EP closes with ‘Ophelia’, its emotional breaking point. Inspired in part by Friedrich Heyser’s painting of the same name, the track confronts the pain of feeling manipulated and unappreciated after giving everything to someone else.

The result is a project that deliberately moves from light to dark. Phoebe June considered not only the narrative but the emotional progression when sequencing the EP, allowing the brightness of its opening to gradually give way to the heartbreak of its closing moments.

Even the title reflects that feeling.

‘Kiss Me Over The Garden Gate’ takes its name from a flower, with the image of a gate separating two people becoming a metaphor for a love that remains beautiful but just out of reach. To reach over it requires effort, just as maintaining a connection across distance, uncertainty and changing circumstances does.

Ultimately, Phoebe June isn’t interested in simply documenting her own heartbreak.

She wants listeners to recognise themselves in it.

‘Kiss Me Over The Garden Gate’ is a collection about love, nostalgia, hope and regret and about what remains when something beautiful ends up on the other side of the gate.

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