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Rising Star Margo Messenger Shares “Viva La Vida”

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Photo by Al Stuart (@redcapphoto)

Budding musician Margo Messenger unveils her third single, “Viva La Vida.” “Viva La Vida” follows Margo Messenger’s award-winning song/music video, “Here’s to Love.” The songstress’ latest track showcases her mellifluous, polished vocals and fuses Slavic Folk with booming Eurodance. 

“Viva La Vida” is a life anthem, as the title suggests. The record is an uplifting jam that emphasizes living life to the fullest, and embracing and cherishing loved ones. “‘Viva la Vida’ is a hymn to life and the healing power of friendship.” Margo Messenger continues, “The song is a celebration of choosing hope, embracing life, and finding light after difficult times.” 

The catchy song also pays homage to Margo Messenger’s Eastern European roots, giving the record an emotive, personal touch. “‘Viva la Vida’ is a heartfelt tribute to where I grew up, the Baltic region of Kaliningrad, so it serves as both a reminder of my roots and an act of self-empowerment,” Margo Messenger explains. 

“Viva La Vida” was produced by renowned drummer and producer Katie Cole. The forthcoming music video is the brainchild of Margo Messenger and Annaliisa Asveit. The visual, filmed and edited by award-winning director Ben Winston, explores themes of transformation, friendship, and reclaiming one’s inner light. 

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Phoebe June Traces Love, Distance and Heartbreak on New EP ‘Kiss Me Over The Garden Gate’

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For Phoebe June, some stories are easier to tell through music.

Her new EP, ‘Kiss Me Over The Garden Gate’, is an intimate collection that traces the emotional journey of a relationship from the exhilaration of falling in love to distance, uncertainty, heartbreak and, ultimately, learning to let go.

Inspired by artists including Gracie Abrams, Taylor Swift and Phoebe Bridgers, Phoebe June combines diary-like lyricism with melancholic ballads, subtle uptempo moments and an understated, emotionally honest production style.

At the centre of the project is ‘Thursday’, a bittersweet track about loving someone from a distance and holding onto the hope that the connection might survive.

Written after Phoebe left a country that held deep personal meaning, and left someone she cared about behind, the song looks back at the relationship from its beginning. Even its title is personal: the two first met on a Thursday.

The song captures the complicated feeling of walking away from something meaningful without believing that it necessarily has to be over. It’s about distance, memory and the possibility of finding your way back to someone, while recognising that hope only works when it goes both ways.

Across six tracks, the EP develops that story in sequence.

‘Everything You Are’ opens the project with the warmth of new love, while ‘Dead Sea’ explores the security of finding someone who helps you stay afloat through difficult times. As the story progresses, ‘Thursday’ introduces separation before ‘Getaway Car’ moves into the aftermath; unanswered questions, lingering attachment and the realisation that someone can profoundly affect your life while still being unhealthy for you.

‘One Day’ leaves the door open to the possibility of a future reunion, balancing hope with the understanding that some relationships may only exist in memory.

The EP closes with ‘Ophelia’, its emotional breaking point. Inspired in part by Friedrich Heyser’s painting of the same name, the track confronts the pain of feeling manipulated and unappreciated after giving everything to someone else.

The result is a project that deliberately moves from light to dark. Phoebe June considered not only the narrative but the emotional progression when sequencing the EP, allowing the brightness of its opening to gradually give way to the heartbreak of its closing moments.

Even the title reflects that feeling.

‘Kiss Me Over The Garden Gate’ takes its name from a flower, with the image of a gate separating two people becoming a metaphor for a love that remains beautiful but just out of reach. To reach over it requires effort, just as maintaining a connection across distance, uncertainty and changing circumstances does.

Ultimately, Phoebe June isn’t interested in simply documenting her own heartbreak.

She wants listeners to recognise themselves in it.

‘Kiss Me Over The Garden Gate’ is a collection about love, nostalgia, hope and regret and about what remains when something beautiful ends up on the other side of the gate.

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