We Speak Music
A Political Christmas Spectacle with Beldon Haigh’s Signature Edge On ‘White House Meltdown Christmas Day’

Beldon Haigh’s ‘White House Meltdown Christmas Day’ is the perfect antidote to cookie-cutter holiday songs, delivering a biting, satirical punch wrapped in glittering festive cheer. From the very first line, the song sets the stage for an audacious and laugh-out-loud parody, featuring Donald Trump reveling in his “biggly” accomplishments alongside his equally infamous pals, Vladimir Putin and Kim Jong Un. The lyrics are sharp, irreverent, and brilliantly prophetic, making the track feel as much like a political commentary as a festive anthem.
Musically, the band masterfully channels the grandeur of the 1970s Christmas classics, with soaring melodies, rich instrumentation, and a chorus that’s impossible not to sing along with. Lines like “We’re gonna have a White House Meltdown Christmas Day” are both absurdly catchy and surprisingly poignant, reflecting the chaos and humor of modern geopolitics. The production is lush and vibrant, capturing the spirit of the season while delivering a hefty dose of sardonic wit.
The accompanying video is a true tour de force, transforming the White House into a gaudy winter wonderland. Trump-themed baubles and a custom tree-topper set the scene for a surreal holiday gathering, as the trio of authoritarian leaders squabble over games and gifts, culminating in a farcical argument about the big red (nuclear) button. The chaotic energy is perfectly punctuated by a cameo from Boris Johnson, who storms in to smash a cake, leaving a lasting impression of holiday hilarity.
Beldon Haigh has once again proven their ability to combine humor, storytelling, and musicianship into a uniquely compelling package. After a year of hits like Elected and a stellar run with their rock opera Dystopia, this Christmas cracker feels like a victory lap for a band at the top of their game. With its mix of festive fun and razor-sharp satire, White House Meltdown Christmas Day is a holiday anthem for our times—bold, brilliant, and unforgettably entertaining.
We Speak Music
Waz-u drops ambient gem ‘Vermillion’ ft. Lilyg

London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.
Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’
‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.
Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.

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