We Speak Music
Acoustic techno trio Smag På Dig Selv announce UK shows
Danish acoustic techno trio Smag På Dig Selv (SPDS) have released “Like A Word I Never Knew,” the final single ahead of their forthcoming new album “This Is Why We Lost”, set for release on 6th March 2026. The track marks a darker, more mature turn for the band and signals a clear evolution in their sound.
Recorded during the final phase of the album sessions, “Like A Word I Never Knew” captures a moment of transition. As summer faded into autumn and the band wrapped up their final shows of the season, SPDS entered the studio with a noticeably calmer, more introspective energy. The result is a track stripped of irony and driven instead by focus, restraint, and emotional weight.
The song reflects the core ambition behind the upcoming album: to create music that can exist within a trance or club-oriented setting while still carrying a strong melodic and narrative arc. Hypnotic and immersive, “Like A Word I Never Knew” balances propulsion with vulnerability, inviting listeners into a slowly unfolding, melodic story.
Formed in 2018, Smag På Dig Selv consists of Oliver Lauridsen (tenor sax), Thorbjørn Øllgaard (baritone and bass sax), and Albert Holberg (drums). The trio have built an international reputation as one of Scandinavia’s most intense and unconventional live acts, blending acoustic instrumentation with techno structures, punk energy, and references to 90s dance culture. Their performances have taken them from major festivals in Europe to SummerStage in Central Park, New York, as well as showcase platforms such as SXSW, The Great Escape, and Eurosonic.
Following their debut album SPDS (2024), which established the group as a boundary-pushing force within contemporary instrumental music, the trio are now entering a new chapter. The forthcoming album will be supported by an extensive international tour throughout 2026, including dates across Europe and the UK.
With “Like A Word I Never Knew,” Smag På Dig Selv continue to challenge the conventions of instrumental music — merging the openness of jazz with the physicality of electronic music and the raw intensity of underground club culture.
The live dates scheduled are as follows:
February
21/2: Nordklang Festival, CH
April
15/4 Pustervik, Göteborg, SE
16/4 Blaa, Oslo, NO
17/4 Debaser, Stockholm, SE
18/4 Plan B, Malmø, SE
22/4 Lark, Berlin, DE
25/4 Atelier Café, Cluj, RO
26/4 Control Club, Bucharest, RO
29/4 A38, Budapest, HU
May
6/5 Gazarte Ground Stage, Athens, GR
7/5 Soul Skg, Thessaloniki, GR
16/5 Rough Trade, London, UK
20/5 Hug and Pint, Glasgow, UK
21/5 Voodoo Daddy’s, Norwich, UK
22/5 Shindig, Charlton Park, UK
23/5 Bearded Theory, UK
There is a sense of arrival woven into every moment of Edwina van Kuyk’s new single, “Here To Stay.” The Irish pop-soul artist has steadily built momentum with each release, but this latest offering feels like a defining statement—one that showcases both her artistic growth and her willingness to dream bigger. Rich with warmth, heart, and ambition, the track captures an artist stepping confidently into her next chapter.
At the centre of the song is an uplifting fusion of contemporary pop-soul and gospel-inspired grandeur. Produced by Cian O’Donoghue, the arrangement gradually unfolds into something expansive and deeply moving, allowing Edwina’s expressive vocals to shine. The addition of the choir from St. Kevin’s Community College in Clondalkin proves transformative, adding a sense of community and emotional scale that elevates the song beyond a traditional pop release.
What makes “Here To Stay” particularly compelling is its sincerity. The influence of gospel music is felt not only in the choir arrangements but in the spirit of the track itself. There is an uplifting quality running through the song that feels earned rather than manufactured, driven by genuine passion and conviction. Edwina’s vocal performance anchors every moment, balancing vulnerability with strength.
The collaboration with the St. Kevin’s choir also brings an inspiring local dimension to the release. Their voices add richness and texture, creating moments that feel celebratory without sacrificing intimacy. It’s a reminder that some of the most powerful musical moments come from collective expression rather than individual spotlight.
As Edwina’s profile continues to grow, “Here To Stay” stands as her most accomplished release yet. It is ambitious without losing its emotional core, polished without feeling distant, and uplifting without becoming predictable. Most importantly, it feels like the work of an artist who knows exactly where she is headed—and who has every intention of staying there.
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