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Actor Travis Lee Eller appears in ‘Elkhorn’, a new TV series about the young Roosevelt

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Travis Lee Eller is known for appearing in Westerns, but unlike other Hollywood actors he also supplies the costume department with authentic-looking outlaw hats! Originally from North Carolina and now based in LA, Travis started in entertainment as a TV stage manager and since 2012 has appeared in numerous films, many of them Westerns. He also has his own hat-making business, Ugly Outlaw Hats. He wrote and directed the short film ‘The Killer: A Fight in July’, which was nominated for Best Supporting Actor and Actress at the Wild Bunch Film Festival 2016. He also wrote and starred in the short film ‘Bad Men And The Devil’, for which he won a Best Actor award and the film won Best Western Short at the Genre Celebration Film Festival 2017. Now Travis is appearing in the TV series ‘Elkhorn’, about Theodore Roosevelt abandoning politics to become a cattleman in the lawless Dakota Badlands; it is available to watch on the INSP network and various streaming platforms from 11 April 2024. 

What was it like working on ‘Elkhorn’?

“It was amazing!”

“The entire cast and crew were a pleasure to work with.”

“It was great seeing it all come together, from the audition process to the sets being built and finally to that first moment you hear the director call: ‘Action!’. I loved every minute of it. The Western genre is something I’m extremely interested in and having this opportunity to work in this environment again and tell this particular story got me really excited, especially knowing there’s a true history behind it.” 

Can you tell us a bit about your role? 

“I play Joe Ferris, who became a dear friend to Teddy Roosevelt. He’s a shopkeeper in the Dakota Territory town of Medora. Joe’s a nice guy, he knows everyone and everything about the town, but at the same time he’s no pushover and is stern when he has to be. He loves his town and wants to see it thrive. He also acts as the town postmaster and bookkeeper for Roosevelt’s business affairs. Joe was an interesting role for me to take on. I was so used to playing a villain in Westerns, that when it was time to be the good guy I had a moment of thinking: ‘How am I going to do this?’ Then I realised how ridiculous that sounded for an actor to say, and I screwed my head on straight again and jumped in.” 

Who will enjoy this TV series? 

“I hope as many people as possible will tune in. If you’re a history buff, interested in Theodore Roosevelt, or a Westerns fan in general, then ‘Elkhorn’ will be right up your alley. It’s great because there’s so much literature on Teddy Roosevelt and his life as President and conservationist, but there’s not really too much out there to watch. I’ve never seen any show or film about this particular time of his life.”

“I hope viewers have the same interest and sense of discovery I had when learning about this part of his history.” 

What have been your favourite projects to date?

“I’ve had a few great projects I’ve been part of, including guest-starring roles on major network shows and lead roles in independent films, but I think some of my favourite roles were in smaller productions in my early pursuit of acting. It was all about the learning experience, and the knowledge I took away from each of those, be it technical or emotional. If I had to pick a film of mine that I really enjoyed doing, it would be the short Western ‘Only God Forgives’, which is available to watch on Amazon Prime.”

What are you up to next?

“Negotiations and auditions are happening, but other than that I’m continuing with my hobby, which is hat-making. I own a small business called Ugly Outlaw Hats, which allows me to stay busy with my hands. It’s also offered me an avenue into film and television, as I’ve made a few hats for various productions, including ‘Elkhorn’.”

To find out more about Travis, visit www.travisleeeller.com

Featured photo credit: Morgan Weistling

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We Speak Actors

Chi Lewis-Parry takes on the role of Phoebus in Ridley Scott’s ‘Gladiator II’

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Chi Lewis-Parry, actor and accomplished stunt performer, steps into the arena as Phoebus in Ridley Scott’s highly anticipated ‘Gladiator II’. Opposite acclaimed actor Paul Mescal, Lewis-Perry joins an impressive cast, including the legendary Denzel Washington and the esteemed Derek Jacobi. As he brings the mythological figure of Phoebus to life on the big screen, Lewis-Perry shares a glimpse into the demanding process, the intensity of the role, and what it’s like to work alongside cinematic icons in this monumental sequel.

Can you walk us through the journey of landing the role in ‘Gladiator II’? What was that experience like for you?

“Absolutely, I’ll never forget it. My agent called me in for an audition, only hinting that it was a Ridley Scott film and advising me to prepare for a physically demanding day with the stunt team—which was music to my ears. The audition was intense; we filmed various fight sequences and pre-visualizations that were sent to Ridley. As fate would have it, the fight choreographer for ‘Gladiator II’ was my close friend, Cali Nelle. A few days later, he reached out to let me know Ridley had seen my tape and was considering me for a specific role. The whole experience was unforgettable, right down to the bruises and exhaustion afterwards (laughs). The rest is history.”

Photo credit: Paramount Pictures

In ‘Gladiator II’, you play the role of Phoebus. What specific training or research did you undergo to bring this character to life?

“After landing the role, I went straight into character exploration, eager to bring depth and authenticity to Phoebus. In Greek mythology, Phoebus is another name for Apollo, the god of the sun, light, and truth, symbolising both divine strength and enlightenment. He’s also associated with music, poetry, and healing—a complex figure embodying qualities of beauty, power, and even a sense of justice. I spent time researching these facets of Apollo, looking at classical art and sculpture to understand how he was portrayed across centuries.

At first, I focused on his physicality—his stance, his posture, even subtle gestures that might convey his god-like nature—but ultimately, I realised that overanalysing wasn’t helping. When I finally set foot in the very arena where Maximus (Russell Crowe) once fought Commodus (Joaquin Phoenix), I felt an indescribable energy, almost as if the legacy of the first film was imprinted in the sand.

“That ancient atmosphere brought an electricity to my performance, making me feel connected to something greater.”

“It was in that moment that Phoebus truly came to life, not just as a mythical figure but as a warrior who understood both the beauty and brutality of his world.”

Who were your main scene partners in the film, and how did you work together to bring out the story’s intensity?

“Most of my scenes were with the lead, Paul Mescal, which was an incredible experience. I also had the privilege of sharing the space with the legendary Denzel Washington and the remarkable Derek Jacobi. It was surreal working alongside such icons.”

Photo credit: Aidan Monaghan

How would you describe your overall experience working on this film, especially considering its scale and historical legacy?

“This experience is something truly rare—there’s only been one Gladiator before, and that was 24 years ago, so stepping into this sequel feels historic. To be the right age and the right person for this second instalment, alongside such incredible talent, is such a privilege. It’s humbling beyond words to be part of a project with this kind of legacy, and I say that with the deepest respect and gratitude for everyone who made it possible.”

Do you have any upcoming projects on the horizon that you’re particularly excited about?

“Gladiator II has prepared me in so many ways for what’s on the horizon, particularly by pushing me to new limits physically and creatively.”


“I’m especially thrilled about reuniting with Danny Boyle soon; he’s someone I deeply respect as both an artist and a visionary director. He has an incredible eye for storytelling, and working with him feels like a masterclass. There are a few things I can’t reveal just yet, but let’s just say, I’m very excited for what’s next, and I think the audience will be too!”

Featured photo credit: Full Frame Atelier

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