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Anna Catharina ‘Eyes On Me’ – A Soulful Journey into Self-Discovery

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Anna Catharina’s new single ‘Eyes On Me’ is a bold and captivating statement from the rising pop artist. Following the critical success of ‘Chico’, Anna takes her artistry to the next level, delivering a track that combines introspective lyrics with genre-crossing production. ‘Eyes On Me’ is a musical exploration of the vulnerability and complexity of self-discovery, a theme that Anna explores with both grace and emotional depth.

The song’s production is a standout feature, as Anna skillfully blends elements of pop, R&B, and world music. The fusion of these styles creates a sound that feels fresh and distinct, while still remaining accessible to mainstream audiences. There’s an undeniable warmth to the song, with atmospheric instrumentals that wrap around Anna’s emotive vocals, providing the perfect backdrop to the themes of the song. The subtle yet intricate production choices highlight Anna’s growth as a musician, further cementing her unique place in the contemporary pop landscape.

Anna’s vocal performance on ‘Eyes On Me’ is nothing short of mesmerizing. Her voice is rich and textured, moving effortlessly between soft, vulnerable moments and powerful, soaring crescendos. The emotional range she brings to the track is remarkable, and she taps into the raw, vulnerable energy of the lyrics with an authenticity that makes every word feel deeply personal. It’s clear that Anna’s vocal ability has evolved, and she uses this to draw listeners into her world, making ‘Eyes On Me’ an unforgettable listening experience.

The song’s lyrical content is where Anna’s storytelling truly shines. ‘Eyes On Me’ is a meditation on identity, self-awareness, and the challenges of being seen for who you truly are. It tackles the complex emotions that come with navigating one’s place in the world, with a message that feels both empowering and relatable. The song’s introspective nature invites listeners to reflect on their own journey of self-acceptance, adding a layer of emotional depth to the track that resonates long after it ends.

‘Eyes On Me’ is a testament to Anna Catharina’s growth as an artist. The track is not only a reflection of her Bulgarian-Austrian heritage but also a sign of her ability to blend personal themes with universal appeal. Her powerful vocals, unique sound, and relatable storytelling make ‘Eyes On Me’ a standout single in her growing catalog. With this release, Anna proves that she’s an artist with something meaningful to say, and fans can only look forward to what comes next in her ever-evolving musical journey.

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Acclaimed US singer-songwriter Juliet Lloyd to tour the UK for the first time this summer.

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Shortly after releasing her sophomore album in 2007, US-based singer-songwriter Juliet Lloyd walked away from music completely for more than 10 years, feeling burned out and unhappy with her career progression like so many other independent artists. After going through a divorce in 2019 and in the midst of a global pandemic, she found herself pulled back toward the siren call of songwriting and again making the leap to pursue it full time. Her latest album ‘Carnival’, released in 2024, is in many ways the culmination of those decisions, and the reintroduction of an artist who now has the wisdom of experience.

There’s an unmistakable urgency you can feel when a song is written and performed from a place of complete honesty. That feeling permeates ‘Carnival’. “I’ve always been envious of writers who say they write songs because they have to, because they had these things they just had to get out of themselves,” Juliet says. “I had never really felt that way until this album. I’ve become someone who writes because they have to.”

Stylistically, ‘Carnival’ draws on a range of influences from Laurel Canyon-era singer/songwriters, to Lilith Fair rockers, to confessional country/folk balladeers, to indie pop. The central theme of the record and that of its title track is not being too precious about any one experience or decision. Take them for what they are, live in the moment, and move on when they’re done. It acknowledges also that memory can be subjective, and ambiguous—was an experience ultimately a good thing or a bad thing? And whose memory can you rely on to determine the answer to that question?

‘Carnival’ doesn’t just deal with the complexities of ending relationships, it also deals with all the feelings that come with moving on. The album’snine songs feature evocative storytelling that reveals a simple truth: when the carnival inevitably leaves town, you’re left with an empty parking lot. And how you remember, it is a choice. As Juliet sings in the title track, “If only there was a way you could bottle up that feeling / and you’d drink it in / when the days are short and you long.”

Across her 20+ year career, Juliet has been admittedly stylistically non-monogamous. Her first full-length album, ‘All Dressed Up’, was released in 2005 and was heavily jazz-influenced- a label that she rejected at the time. “I am a piano player and a woman, so I was immediately compared to Norah Jones—and I bristled at that,” Juliet says. “Listening back now, I can totally see that it was true, and it of course wasn’t a bad thing.” Her follow-up release ‘Leave the Light On,’ came out two years later and featured a slick piano-pop production that led to five of its songs being placed on reality TV shows on MTV and VH1. Coming back after her 10-year break from writing and recording, Juliet released ‘High Road’, a collection of five Americana/soul-tinged songs produced by Jim Ebert (Meredith Brooks, Shai) that earned her widespread recognition and songwriting awards both in her home region of DC as well as nationally.

Now with her first ever UK tour scheduled for July 2025, Juliet has also dropped a completely brand-new single ‘Wild Again’, which like ‘Carnival’, was written with and produced by Todd Wright (Lucy Woodward, Butch Walker, Toby Lightman). ‘Wild Again’, however, charts yet another new step in Juliet’s journey.

Carnival’, is full of deeply personal songs that are drawn from my real-life experiences and relationships. Coming out of that album cycle, I was feeling a little exhausted by my own navel-gazing and I was craving inspiration elsewhere. So, a lot of the songs I’m writing now are an evolution of sorts – focused more on external stimuli and finding the personal stories and humanity in that. Wild Again is a perfect example of this,” she explains.

The idea for ‘Wild Again’ was born out of a NY Times podcast Juliet listened to about the real-life efforts to return the whale that played Willy in the iconic movie ‘Free Willy’ back into the wild.

“It’s an insane, heartbreaking story that asks all kinds of thorny questions about human responsibility and humility and what’s the “right” thing to do and is that the same as the “kind” thing to do. There was a line that one of the trainers said in the podcast, explaining that they were trying to “train him to be wild again.” The complete absurdity of that statement hit me in the moment, and I immediately started jotting down lyrical ideas”, Juliet says.

Catch Juliet Lloyd on her UK tour this July:

1st July: The Folklore Rooms / Brighton
2nd July: The Hyde Tavern / Winchester
3rd July: Hen and Chicken / Bristol (CRH Music promotions)
4th July: Artisan Tap Hartshill / Stoke-on-Trent

5th July: Waggon & Horses, Nottingham

6th July: Cafe#9 / Sheffield
7th July: Hyde Park Book Club / Leeds
10th July: FortyFive Vinyl Café / York
11th July: The Muddy Puddle / London
13th July: The Wrotham Arms / Broadstairs

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