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Anne Ryan’s Invisible Rooms Is Relatable In The Best Way

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Everyone has that running commentary in their head. The one that replays conversations, questions decisions and occasionally keeps you awake at 2am wondering if you replied to a text correctly three days ago. Anne Ryan clearly knows that voice well, because her debut EP Invisible Rooms feels like a soundtrack for exactly those moments.

Rather than pretending to have everything figured out, Ryan leans into the uncertainty. The seven tracks on Invisible Rooms explore the internal spaces people tend to keep to themselves. Doubt, reflection and the slow process of making peace with your own thoughts all make an appearance, but the EP never feels heavy or overly serious.

Part of that comes down to the music itself. Ryan works within a modern alt-pop framework, layering soft electronic production with melodies that are easy to latch onto. The sound is polished without feeling artificial, and the songs move quickly enough that the record keeps a natural momentum.

“Set Me Free” is a perfect example of what Ryan does well. The track captures the frustration of feeling stuck in your own head while still delivering a hook that is immediately memorable. It is the kind of song that manages to sound thoughtful and catchy at the same time, which is not always an easy balance to pull off.

Elsewhere, the EP reveals a songwriter who knows how to keep things focused. Each track contributes something slightly different, but everything still fits together neatly by the end. Nothing feels wasted and nothing overstays its welcome.

What makes Invisible Rooms such an enjoyable listen is how relatable it is. Ryan is not presenting herself as someone with all the answers. She is simply documenting the process of working things out.

For a debut, that honesty works in her favour. Anne Ryan comes across as self-aware, thoughtful and quietly confident, which makes Invisible Rooms a very interesting first introduction.

Invisible Rooms is out now on all major platforms via Now Listen.

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Wes Banderson celebrate the music of Wes Anderson films with four special UK shows this September!

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A unique show for film buffs and music lovers alike is set to tour the UK & Europe this September.

‘Wes Banderson: The Music of Wes Anderson’, a celebration of the original score music and deep cut needle-drops from the films of Wes Anderson, is scheduled to come to Manchester, Bristol, London and Birmingham for four special shows this year.

Performing in Team Zissou livery, the five-piece ensemble effortlessly switch between instruments as they move between the soundtracks of ‘Rushmore’, ‘The Grand Budapest Hotel’, ‘The Royal Tenenbaums’, ‘The Life Aquatic With Steve Zissou’, ‘Moonrise Kingdom’, ‘The Darjeeling Limited’, ‘Fantastic Mr. Fox’ and beyond.

The group performs pieces from composers Mark Mothersbaugh, Alexander Desplatt, Sven Libaek, Shankar-Jakishan, Maurice Ravel and more, accompanied by live projected visuals.

Creator/Director Adam Znaidi, who you may also know as the bass player of The Go! Team and co-founder of The Physics House Band, says: “The aim for this show was to make it feel like a ‘gig’, something that anyone could enjoy, even if they weren’t that familiar with Wes Anderson’s films. It gets really loud, it gets really quiet and takes you on a journey through a whole load of genres.”

For a taster, watch Wes Banderson perform ‘Shark Attack Theme’ from Wes Anderson’s ‘The Life Aquatic With Steve Zissou’ here:

You won’t hear this music being performed anywhere else, so don’t miss out and get to one the following dates:

9 Sept – Manchester – Yes Pink Room

10 Sept – Bristol – Jam Jar

11 Sept – London – Hootananny

12 Sept – Birmingham – Hare And Hounds

17 Sept – Turin, Italy – Hiroshima Mon Amour

18 Sept – Milan, Italy – Arci Bellezza

19 Sept – Bologna, Italy – TEST Prototipo Urbano

20 Sept – Rome, Italy – Monk

21 Sept – Livorno, Italy – Teatro Goldoni

23rd Sept – Paris, France – Bus Palladium

For tickets visit: https://wesbanderson.com/

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