We Speak Music
Katie Dauson Will Have You Nodding Along to ‘Will You Won’t You’
Toronto singer-songwriter Katie Dauson returns with “Will You Won’t You,” a spirited, high-flying single sure to keep any listener moving. Always eager to explore the sounds of generations past, Dauson takes a valiant stab here at 1950s rockabilly. “Will You Won’t You” is a worthy homage to the bygone genre, a synthesis of modern energy and vintage flair. The single bursts with passion and leaves listeners hooked nodding along to the beat.
“Will You Won’t You” sees Dauson inspired by 1950s rockabilly, especially groups like The Crickets, and she echoes the 1970s revivalists like Blondie and George Thorogood who reimagined the style. Thorogood’s introduction of the saxophone to rockabilly instrumentation was particularly influential to Dauson. “I love George Thorogood’s guitar playing, and the fact that he added a saxophone player to his band in 1980,” Dauson explains. “Saxophone is such an important instrument in rock and roll and rockabilly, it really elevated his music.”
Produced by James Nickle, “Will You Won’t You” was recorded with care and intention that balance modern technique and Dauson’s retro influences. The rhythm guitar was recorded with a G&L Comanche, a unique selection chosen for the tonal character of its Z-coil pickups. Dauson also added a fuzz pedal to add a layer of modern grit into the mix. Careful choices like these are what make “Will You Won’t You” so effective in bringing rockabilly into the 21st century.
“Will You Won’t You” is lyrically quite simple, but if anything that serves to supplement the authenticity with which Dauson evokes rockabilly tradition. The straightforward lyrical structure makes the song feel etched in time, with a spirit apt for a milkshake parlor or dance hall. As Dauson croons “Will you won’t you love me too,” it’s hard to not be drawn back to the 50s alongside her.
“Will You Won’t You” is a triumph in adaptation: not just because Katie Dauson is willing to dredge up a genre from the annals of music history, but because she does so with palpable passion for that sound. Dauson once again proves her merit as a genre shapeshifter, bringing rockabilly to life as only she can. The track has an air of spontaneity, giving it a raw and authentic feel sure to win listeners over.
We Speak Entertainment
Avohee Avoher Releases “Avohee Meets Bach”A Spiritual Collision of Bach, Choral Power and Modern Dance Energy -Now Available Worldwide
Johann Sebastian Bach wrote music that moved with force. Beneath the structure lived tension, release, devotion and emotion. More than three centuries later, that energy returns through Avohee Meets Bach, the third release in Avohee Avoher’s Addicted to Classics series.
This is not a remake. It is a rebirth.
Inspired by the emotional weight and architecture of Bach’s Chaconne in D minor from Partita No. 2, BWV 1004, and the legendary piano transcription tradition of Ferruccio Busoni, Avohee Meets Bach transforms classical intensity into a modern dance experience built for movement, atmosphere and emotional release.

Ancient meets modern.
Operatic choir rises through hypnotic rhythm. Sacred Latin phrases intertwine with haunting German whispers. Spiritual energy collides with underground pulse. Emotion builds, pressure rises, tension releases.
Kyrie eleison.
Lux aeterna.
The result is cinematic, uplifting, sensual and powerful.
Created for the dance floor but carrying the weight of classical tradition, Avohee Meets Bach moves between worlds. It belongs equally in the underground club, the international festival arena and the listener seeking something deeper inside electronic music.
This is not nostalgia.
It is transformation.
Watch the Avohee Meets Bach music video here:: https://youtu.be/gebEqQTo960
Stream Avohee Meets Bach on Spotify here:
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