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ASH: Redefining Alternative R&B with Bold New EP ‘Holding Water’

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Emerging from the intricate crosscurrents of Alternative R&B, Indie, and Neo-Soul, ASH is rapidly establishing herself as one of the most captivating new voices in contemporary music. With a signature sound that transcends genre boundaries, this rising artist blends bilingual lyricism, innovative production, and an evocative vocal style that sets her apart. Her debut EP, Holding Water, solidifies her place in the alternative music scene, revealing a richly layered exploration of emotional release, introspection, and artistic growth.

ASH’s musical journey has been anything but conventional. Raised in Beijing’s vibrant international community, she began her classical piano training at the age of four, laying the foundation for her intricate understanding of music theory and composition. As a teenager, she expanded her instrumental prowess by teaching herself guitar, bass, and drums, setting the stage for the genre-bending production style that defines her music today.

Her academic pursuits brought her to the prestigious University of Pennsylvania, where she balanced her education with a deep passion for the performing arts. Afterward, a scholarship to The New School in New York City opened the door to a more immersive music career. It was here that ASH fully embraced music production, and the seeds of Holding Water were sown. This project would go on to catch the attention of Grammy Award-winning mixing engineer Jeff Ellis, who has worked with the likes of Frank Ocean and Doja Cat, signalling that ASH’s music was ready to make waves on a much larger scale.

At the heart of ASH’s artistry is her ability to weave together diverse musical influences. From the soulful grooves of R&B to the introspective moodiness of Indie Rock, her sound is a reflection of her multicultural upbringing and broad musical education. On, Holding Water, these influences come together in a seamless, genre-defying project that showcases her versatility and willingness to push creative boundaries.

The EP opens with “Infatuated,” a haunting ballad that plunges listeners into the emotional depths of unrequited love. The heavy, atmospheric production mirrors the song’s lyrical themes of desire and heartbreak, setting the tone for the emotional journey that follows. ASH’s vocal performance is raw and captivating, embodying the devastation of longing with a delicately restrained intensity.

On “Pearl,” ASH shifts focus toward self-reflection and empowerment, crafting an introspective anthem about prioritising one’s own needs. The track’s electronic-infused production enhances the sense of transcendence as she navigates themes of self-assurance and personal freedom. It’s a sonic departure that highlights her ability to experiment while maintaining emotional depth.

“Reverse Psychology,” the EP’s standout single, is an emotional storm of release. Built around looped vocal harmonies and intricate guitar work, the track details the final moments of a turbulent relationship. ASH’s lyrics and delivery capture the push-pull dynamic of emotional turmoil, offering listeners both catharsis and resolution.

“Blue Interlude” and “These Clouds” continue the EP’s narrative with poignant reflections on the complexity of human emotions. “Blue Interlude” is a delicate, melancholy lullaby that speaks to the liminal space between passion and dread. The brief but emotionally charged track leaves a lasting impression, while “These Clouds” serves as a moment of respite. With its lush instrumentation and a saxophone solo that invites listeners into a cosy cocoon of comfort, the track is a reminder of ASH’s talent for crafting immersive sonic environments.

Finally, the EP’s title track, “Holding Water,” is a powerful statement of creative self-assurance. Completely acapella, the song is a showcase of ASH’s vocal range and versatility. It’s a raw and vulnerable track that encapsulates the EP’s themes of self-discovery, release, and the fluidity of identity. ASH pours her hopes and fears into the song, trusting her intuition and letting go of the need to define herself by external standards.

With, Holding Water, ASH has created a deeply personal project that speaks to the universality of emotional experiences while pushing the boundaries of contemporary music. Her fearless approach to blending genres, combined with her bilingual lyricism and unique vocal style, positions her as a trailblazer in the alternative R&B scene.

ASH’s music is not just a fusion of sounds—it’s a reflection of her own multifaceted identity and the journey she’s embarked on to define herself as an artist. In a world where genre lines are increasingly blurred, ASH stands out for her ability to create music that is both emotionally resonant and sonically innovative. As she continues to grow as a musician and producer, there’s no doubt that ASH is poised to leave a lasting mark on the global music landscape.

With, Holding Water, she has not only introduced herself as a bold new voice in music but also delivered a project that resonates with listeners on a deeply personal level. The future for ASH is boundless, and this EP is just the beginning of a career that promises to be as dynamic and boundary-pushing as the artist herself.

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Long Island’s Next Big Thing: The Chads Are Ready to Unleash

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There’s a particular kind of hunger that defines a band on the verge — that combustible mix of raw talent, hard-won momentum, and the unmistakable sense that everything they’ve been building is about to break wide open. The Chads, the pop-punk-ska fireballers out of Sayville, New York, have that hunger in abundance. And in 2026, they are ready to feed it.



The foundation is already in place. The four-piece — Joy, Mike, Mark, and Santino — spent the past year stacking wins that most bands spend a decade chasing. They took home the WEHM Battle of the Bands, earned a coveted spot on the Jumbalaya Stage at the Great South Bay Music Festival, and walked into a WPIX Morning Show segment that put their faces and their music in front of a New York City-wide audience. For a band still in the early stages of their career, it is a résumé that commands attention.



Their debut single “The Neighbors” — a razor-sharp, high-energy pop-punk-ska hybrid pulled straight from a true story of Long Island life — announced their arrival with a wink and a riff. Tongue-in-cheek in tone but tight as a drum in execution, the song showcases exactly what makes The Chads stand out in a crowded regional scene: they can make you laugh and make you move at the same time, which is a far rarer skill than it sounds. The track is available on Spotify and has been making steady inroads on radio, building the kind of organic buzz that no marketing budget can manufacture.


Now comes the next chapter. The Chads are heading into Dream Studios with producer Jason Mekler to record their new EP — a project that represents the most significant creative investment of their career to date. Mekler’s production experience combined with the band’s live-honed instincts makes for a pairing with serious promise. If “The Neighbors” was the introduction, the EP is the statement — the recorded proof that what audiences have been experiencing in clubs and on festival stages across Long Island translates just as powerfully through speakers.

The tri-state area has been the proving ground. The world is next.

Pop-punk has always thrived on authenticity — on bands that sound like they mean it, that write songs about real places and real people and real absurdities of everyday life.

The Chads check every one of those boxes. They are a Long Island band in the truest sense: specific enough to feel genuine, relatable enough to travel far beyond the island that made them.

Watch for the EP. Watch for the tour dates. Watch for the name.
The Chads are coming — and they are bringing Sayville with them.

Watch The Chads “MFH” music video on youtube here:

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