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ASH: Redefining Alternative R&B with Bold New EP ‘Holding Water’
Emerging from the intricate crosscurrents of Alternative R&B, Indie, and Neo-Soul, ASH is rapidly establishing herself as one of the most captivating new voices in contemporary music. With a signature sound that transcends genre boundaries, this rising artist blends bilingual lyricism, innovative production, and an evocative vocal style that sets her apart. Her debut EP, Holding Water, solidifies her place in the alternative music scene, revealing a richly layered exploration of emotional release, introspection, and artistic growth.
ASH’s musical journey has been anything but conventional. Raised in Beijing’s vibrant international community, she began her classical piano training at the age of four, laying the foundation for her intricate understanding of music theory and composition. As a teenager, she expanded her instrumental prowess by teaching herself guitar, bass, and drums, setting the stage for the genre-bending production style that defines her music today.
Her academic pursuits brought her to the prestigious University of Pennsylvania, where she balanced her education with a deep passion for the performing arts. Afterward, a scholarship to The New School in New York City opened the door to a more immersive music career. It was here that ASH fully embraced music production, and the seeds of Holding Water were sown. This project would go on to catch the attention of Grammy Award-winning mixing engineer Jeff Ellis, who has worked with the likes of Frank Ocean and Doja Cat, signalling that ASH’s music was ready to make waves on a much larger scale.
At the heart of ASH’s artistry is her ability to weave together diverse musical influences. From the soulful grooves of R&B to the introspective moodiness of Indie Rock, her sound is a reflection of her multicultural upbringing and broad musical education. On, Holding Water, these influences come together in a seamless, genre-defying project that showcases her versatility and willingness to push creative boundaries.
The EP opens with “Infatuated,” a haunting ballad that plunges listeners into the emotional depths of unrequited love. The heavy, atmospheric production mirrors the song’s lyrical themes of desire and heartbreak, setting the tone for the emotional journey that follows. ASH’s vocal performance is raw and captivating, embodying the devastation of longing with a delicately restrained intensity.
On “Pearl,” ASH shifts focus toward self-reflection and empowerment, crafting an introspective anthem about prioritising one’s own needs. The track’s electronic-infused production enhances the sense of transcendence as she navigates themes of self-assurance and personal freedom. It’s a sonic departure that highlights her ability to experiment while maintaining emotional depth.
“Reverse Psychology,” the EP’s standout single, is an emotional storm of release. Built around looped vocal harmonies and intricate guitar work, the track details the final moments of a turbulent relationship. ASH’s lyrics and delivery capture the push-pull dynamic of emotional turmoil, offering listeners both catharsis and resolution.
“Blue Interlude” and “These Clouds” continue the EP’s narrative with poignant reflections on the complexity of human emotions. “Blue Interlude” is a delicate, melancholy lullaby that speaks to the liminal space between passion and dread. The brief but emotionally charged track leaves a lasting impression, while “These Clouds” serves as a moment of respite. With its lush instrumentation and a saxophone solo that invites listeners into a cosy cocoon of comfort, the track is a reminder of ASH’s talent for crafting immersive sonic environments.
Finally, the EP’s title track, “Holding Water,” is a powerful statement of creative self-assurance. Completely acapella, the song is a showcase of ASH’s vocal range and versatility. It’s a raw and vulnerable track that encapsulates the EP’s themes of self-discovery, release, and the fluidity of identity. ASH pours her hopes and fears into the song, trusting her intuition and letting go of the need to define herself by external standards.
With, Holding Water, ASH has created a deeply personal project that speaks to the universality of emotional experiences while pushing the boundaries of contemporary music. Her fearless approach to blending genres, combined with her bilingual lyricism and unique vocal style, positions her as a trailblazer in the alternative R&B scene.
ASH’s music is not just a fusion of sounds—it’s a reflection of her own multifaceted identity and the journey she’s embarked on to define herself as an artist. In a world where genre lines are increasingly blurred, ASH stands out for her ability to create music that is both emotionally resonant and sonically innovative. As she continues to grow as a musician and producer, there’s no doubt that ASH is poised to leave a lasting mark on the global music landscape.
With, Holding Water, she has not only introduced herself as a bold new voice in music but also delivered a project that resonates with listeners on a deeply personal level. The future for ASH is boundless, and this EP is just the beginning of a career that promises to be as dynamic and boundary-pushing as the artist herself.
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SCARECROW’s John Blaze Delivers a Career Milestone With “Twisted” and Earns Josie Music Awards Song of the Year Nomination
John Blaze has spent nearly four decades fronting SCARECROW, the New York hard-rock outfit he founded in 1989, and in 2026 he delivered one of the most ambitious releases of his career with “Twisted.” Now, the song has reached another major milestone: “Twisted” has been nominated for Song of the Year in the Metal/Alternative category at the Josie Music Awards.
The nomination places Blaze and SCARECROW among this year’s recognized independent artists and songwriters at the Josie Music Awards, with the awards ceremony set to take place at Nashville’s legendary Grand Ole Opry. For an artist whose career has been built on persistence, independence and decades of hard-rock storytelling, the recognition gives “Twisted” an entirely new chapter.

Written by John Blaze and Chaffin, “Twisted” pulls together a lineup of guest players that reads like a rock family reunion, built around Blaze’s long-standing friendship with Dee Snider and the legacy of Twisted Sister, a band woven into SCARECROW’s story from its earliest days.
That connection goes all the way back to the beginning. SCARECROW’s original lineup featured guitarist Eddie Ojeda, best known for his work in Twisted Sister, and the two camps have remained connected ever since. “Twisted” makes that history explicit: Dee Snider appears on the record with guest vocals during the track’s climactic second verse and chorus, lending the song an instantly recognizable jolt of arena-rock power.
Snider isn’t the only marquee name in the credits. Mark Wood, founding violinist of Trans-Siberian Orchestra, contributes electrifying violin work that gives “Twisted” a cinematic sweep uncommon in modern hard rock. Rounding out the track are TJ Jordan on lead guitar and Bobby Marks on drums, creating a powerful, road-tested foundation behind Blaze’s signature gritty vocal delivery.
The Josie Music Awards nomination feels particularly fitting because “Twisted” isn’t simply another SCARECROW release. It brings together different eras of Blaze’s musical life while pushing the band’s sound forward. There’s history in the recording, but there’s also urgency. It doesn’t sound like a band looking backward. It sounds like one with unfinished business.

For Blaze, the nomination also represents recognition of a career that has largely been built outside the traditional machinery of the mainstream music business. Independent rock artists rarely survive for decades without a fierce commitment to what they do, and SCARECROW’s longevity speaks for itself. From the band’s early years and its 1991 debut, through the Blood, Sweat and 20 Years retrospective and the theatrical production I Am SCARECROW, Blaze has continued developing a world around the music rather than simply releasing songs.
That makes the Song of the Year nomination especially meaningful. After nearly four decades of building SCARECROW, Blaze now heads to the Josie Music Awards at the Grand Ole Opry with one of his most ambitious songs recognized in the Metal/Alternative category.
And there’s something wonderfully appropriate about the song that got him there.
“Twisted” connects SCARECROW’s beginnings to its present, reunites Blaze musically with figures tied to the band’s history, and demonstrates just how much fire remains in the project. With Snider and Wood contributing to the record and Blaze still driving the band he created from the ground up, the track feels less like a nostalgic reunion than a statement of survival.
Now it’s also an award-nominated song.
For John Blaze and SCARECROW, nearly four decades into the journey, “Twisted” has become more than another entry in the catalog. It’s a career milestone — and this September, that milestone is taking SCARECROW all the way to the Grand Ole Opry.
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