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Ava Delaney Shares New Album ‘everything’

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The multi-faceted music artist Ava Delaney first took the stage at four years old or a local production of The Sound of Music, playing Liesel, and practically didn’t ever leave. She claims that her mother implies she leaped out of the womb, singing Joni Mitchell and Norah Jones. She attributes her musical proclivities to the whirling sounds of sage lyrical ladies who fostered her musical propensity. She recently relocated to New York City to follow her musical theatre and music ambitions after earning her degree from The Royal Central School of Speech and Drama.

Her latest offering, everything, is an imaginative and expansive collection of songs. The 11-track record was recorded in 2022 with producer Brian Kennedy (Rihanna, Kelly Clarkson, Rascal Flats, The Weekend) at his home studio in Van Nuys.

Ava Delaney went on a journey of emotional, artistic, and spiritual discovery, and she placed a great deal of importance on establishing a serene, potent studio atmosphere when creating this album. She kept a copy of “Be Here Now” and her deck of spirit animal oracle cards close at hand, and she burned Inscesnce every day.

With every release, she reveals the sincerity and sensitivity found in her songs, driven by her creative exploration of new sounds and desire to establish a stronger connection with her audience.

everything, is an empowering storytelling offering while transporting listeners into a realm of engaging soundscapes. This collection of tracks in particular seems to embody her essence as a musician and artist—yet another superb effort. She is dedicated to making music that resonates deeply with audiences as she progresses in the music industry.

On the release, Ava Delaney comments, “‘everything’ was a journey of fully investigating and giving a voice to all the swimming, yearning, curious parts within me. It’s titled ‘everything’ because the deeper I go, the more infinite words there are to discover within. This album is a quest to find an oar, a spiritual center, an anchor, within the wild whirling tides of the sea of life.”

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Michele Ducci teases new album with uplifting indie single ‘Woman Like You’

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Michele Ducci has unveiled the second single, ‘Woman Like You’, from his forthcoming album and animated film ‘Snail in the Clouds’.

‘Woman Like You’ pairs bright distorted electric guitar with an electronic drumbeat, adding in Ducci’s soulful vocals and a catchy uplifting chorus with Letizia Mandoleisi’s sweet vocal harmonies. A vintage organ pedalboard operated by Ducci simultaneously generates chords, bass and rhythm, like a one-man band. Shane Kennedy (Girl in the Year Above) joins in on guitar. Simon Milner (Is Tropical, Ysing) recorded and produced the track at his 4am Studios in London.

The album and film tell the story of a planet called ‘Snail’, inhabited by hybrids – primarily a mixture between scorpions, snails and humans – who lead a life according to the style of Pythagoras, devoted to music. There is also a cloud man named Agostos, a writer of musical operettas, who together with a talking smoke machine called Doctor Subtilis, begins to kill all hybrids, targeting in particular the hybrid musician Diodoros and his band, in an effort to steal the ark of melodies, an ancient ship that allows the whole planet to survive with music and joy.

The video for the single, created and animated by Ducci and Mandoleisi, delves further into the realm of planet ‘Snail’:

Says Ducci, “The ark of melodies, after various attempts, finally starts to work and fly in the planet Snail, while the shady Doc. Sub. and Agostos, with their platoon of soldiers made of foggy smoke, spy the miracle, planning to steal the ark for their evil and tyrannical purposes.


About the track, Michele says, I wrote this song for my love Letizia. Love seen from the mind is the sound we make. Sound is the love of matter.

We used a Technics synthesizer organ from a flea market. I tried to find a mood that was right for the song and I started using the bass of the pedal board together with the synth and the drums, and it was magical to hear the song reveal itself all coming from a single instrument. Leti was singing with me and we recorded everything live in one shot. Then we made Shane do the guitar flight, as if he came out of the window. The idea was to maintain disproportions, guitar thrust and synth drum thinness a la Haroumi Hosono, so as to create an estrangement, but naturally: it’s about how I listen, with close up something that captures me in its nuance as element of a larger orchestra somewhere. I’m glad we decided in the studio with Simon to use the layers of arrangement as the close-ups in the cinema; they look like strange enlargements that perch on parts of a mutated orchestra. I’m happy to come back with this love song at a time when everything seems to opt, even my labor in managing the flows of selfishness that have poured out on me while doing this album, for the sound of war. I’m here happy to be able to say that the sound of love always wins as did for me. Snail in the clouds is one of the most important works in my life and I am glad to start from pure love for this album that is my son.

The album and full-length film will be released on the 5th of June on Monotreme Records.

Michele and Letizia’s previous musical short film, ‘The Great Book of Nature’, is an official selection for the 2026 Venice Shorts Film Festival.

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