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'Top 5' Weekly Music Round-Up

BrianKing Gets Listeners In The ‘Mood’ With Sultry Vocals On Latest Release

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Highly skilled and sultry-singing artiste, BrianKing is officially out with a new erotic song dubbed “Mood” that explores desire, intimacy, and lovemaking.

“Mood,” now available on all digital streaming platforms, is an intensive record with a tense ambience amplified by an impressive Soucedupbeats production which elevates BrianKing’s sensual vocals filled with mystery and attraction.

Masterfully crafted by the mixing and mastering hands of Webzy, the emotional Hip-Hop track’s rhythm and flow engross the listener in a world of desire and longing which reflect the intensity and seduction of the moment.

BrianKing shows his stunning vocal range as he passionately and playfully sings about attraction, seduction, wild sexual fantasies, and the thrill of the forbidden.

The lyrics, with a bit of humming and probably hesitation but without mincing words on the opening line of the song, as it goes: “I’m in the moooodddddd,” set out the clear intention of the entire record.

BrianKing fine-tunes the rest of the song but comes off even more intense with detailed descriptions of intent painting a provocative encounter filled with anticipation and sensuality.

On “Mood,” the burgeoning talent simply puts the listener in the mood and is compelled to ring that sweet ex, lover, or fling, for an unforgettable make-out session.

Not forgetting the listener still needs to add “Mood” to that sex playlist to set the right mood to increase their chances.

BrianKing is on a positive trajectory with back-to-back releases under his name already this year, and nothing is stopping him yet as this latest release forms part of a seven-song extended play (EP) titled “Dominion” – scheduled for official release on November 6, 2024.

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ABOUT BRIANKING

Rapper and musician Brian Ekow Baffoe, better known by his stage name BrianKing, began to rhyme at the age of 12, where he embraced his vision and fearlessly chose to make music his life’s path. His decision to dive into the trap scene in Ghana, a place where the genre wasn’t widely recognized, showcases his unwavering determination and bold spirit. Despite the odds, BrianKing stayed true to his love for music, carving a unique space for himself in the industry.

His unique approach and inventiveness promise to captivate listeners everywhere as he steps into the international scene, bridging cultural divides with the common language of music.

Brian King’s upcoming project, “Dominion EP,” demonstrates the strength of perseverance and demonstrates how genuine expression can cut across barriers and touch people all over the world.

'Top 5' Weekly Music Round-Up

WESPEAKMEDIA: TOP 5 WEEKLY MUSIC ROUND-UP (15.11.24)

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Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.

Laughing Cats ‘Jerk’

“Jerk,” the latest single from Laughing Cats, is a testament to the duo’s ability to transform classic influences into something wholly original. Lauren Schiff’s poignant lyrics tell a story of self-realization, while Tony Fredianelli’s musicianship delivers a punchy, melodic backdrop. The song’s roots in rock and new wave make it a nostalgic delight, but the duo’s inventive approach injects it with contemporary relevance. The introspective nature of “Jerk” and its anthemic message suggest Laughing Cats’ debut album, Funny Money, will be an album for fans who appreciate both the soul of classic rock and the allure of new-age sounds.

Longplayer ‘I Saw You Turning Around’

With “I Saw You Turning Around,” Mikey Long redefines the boundaries of contemporary rock through his solo project, Longplayer. The song intricately weaves a narrative of reflection and closure, inspired by an unexpected encounter with an ex-lover. The lush instrumentation, reminiscent of George Harrison’s work, is complemented by carefully crafted guitar layers that enhance the emotional weight of the lyrics. Long’s collaboration with Jay Watson brings an added rhythmic vitality to the track, while Shags Chamberlain’s synth contributions create an immersive listening experience. This single is a beautifully crafted piece that showcases Long’s growing prowess as a songwriter and producer.

Amelie Aldner ‘Touch Me’

Set against the lush, emotive backdrop of her Scandinavian roots, Amelie Aldner’s new single ‘Touch Me’ is an alluring glimpse into Aldner’s upcoming album, anticipated for release in 2025. ‘Touch Me’ shines with Aldner’s trademark style—gentle, layered vocals and deeply personal lyrics, inviting listeners to explore themes of intimacy and connection. With subtle gospel undertones, ‘Touch Me’ steps outside conventional pop, blending soul with a timeless warmth. Aldner’s emotional delivery is matched by a seamless fusion of folk, soul, and gospel sounds, showcasing her ability to create music that feels both deeply personal and universally relatable

ION ‘You Hear Her Too?’

ION’s new single “You Hear Her Too?” unfolds as a captivating exploration of the duality of witchcraft, presenting two contrasting perspectives in a seamless musical journey. The first part immerses listeners in the inner sanctum of witches, portraying them as benevolent healers deeply attuned to nature and its spirits. In stark contrast, the second half exposes the long-held societal perceptions that depict witches as malevolent and insane, creating a powerful commentary on the tension between acceptance and fear. The track masterfully blends alternative and ambient soundscapes with intense moments, inviting listeners to grapple with the choice of dismissing these voices as mere delusion or embracing the rich, mystical reality they have inhabited for centuries. In doing so, ION challenges us to reconsider our understanding of the occult and its profound connection to the human experience.

Kendra & The Bunnies ‘Manic Pixie Nightmare’

Kendra & the Bunnies’ latest release, “Manic Pixie Nightmare,” is a fierce commentary on self-identity and a sonic rebellion against the “manic pixie dream girl” stereotype. Kendra Muecke’s storytelling shines, as she narrates a journey of breaking free from the confining labels placed upon women, delivering a fresh perspective that’s refreshingly authentic. Her raspy, soulful voice carries an almost cathartic energy, blending seamlessly with the edgy instrumentals to evoke a sense of liberation and power. Set against the Los Angeles subway, the music video brings this ethos to life, showing Muecke at home among the city lights and chaos, unapologetically owning her individuality. “Manic Pixie Nightmare” is a manifesto for anyone ready to find themselves beyond the expectations and to “live for the plot.”

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