We Speak Music
Cagri Raydemir Latest EP ‘Absence’ Explores His Observations on the Human Condition
“I would prefer to create something unique and rather not have a resemblance to other artists. I
believe the EP is a combination of different genres and elements.” Cagri Raydemir comments on his music.
Cagri Raydemir is a singer-songwriter and music producer making a return with his brand-new four-track EP, Absence.
Absence, is a genre-blending alternative, rock, and progressive release. The production includes typical instruments of the genre (guitars, keys, drums, vocals), and also additional ones (trumpet, percussion, and folk instruments like caglama, kopuz).
Every aspect of the four-track EP – lyrics, music, vocals, instruments (excluding featured guests), programming, arrangements, recording, mixing, and mastering – was done by Cagri Raydemir in his custom-built home studio.
Regarding the lyrical concept, this new EP and; his previous releases are Cagri Raydemir’s observations on the human condition overall and up to the listener’s interpretation.
TRACKLIST
- Absence of Patience (feat. Julian Hesse)
- Absence of Candor
- Absence of Courtesy
- Absence of Tolerance
ARTIST BIO
Currently residing in Munich, Germany, Cagri Raydemir discovered his love for music at the age of 13. After taking part in various bands, he concentrated on his own work, sang, and played live occasionally. Since 2010, he has been focusing on music production. To date, he has released 12 albums and 7 EPs. Alongside his musical proficiency, he holds business management and engineering degrees.
Samuel Evanson closes out his defining year with ‘Christmas Bells’, a glistening synth-pop cut that feels both nostalgic and sharply future-facing. In typical Evanson fashion, the track wraps big emotion inside clean, crystalline production, pairing shivering synths with a drum pulse that flickers like fairy lights. It’s steeped in the glittery sentiment of 1980s holiday pop, but Evanson’s voice—raw, warm, and a little unsure—keeps it grounded firmly in the present.
There’s an intimacy running beneath the sparkle, a tug of vulnerability that recalls the earliest, most delicate stages of a new romance. Evanson leans into that emotional ambiguity, shaping a festive anthem that isn’t interested in perfection but in possibility. The track’s candied melodies mask a nervous heart, and that juxtaposition is exactly where his artistry thrives.
‘Christmas Bells’ ultimately lands as an unforced evolution from his acclaimed debut album. Evanson continues proving himself a master of mood and melody, and here he turns holiday tropes into something quietly affecting. It’s both a seasonal delight and a subtle reminder of why he’s become one of indie-pop’s most magnetic new voices.
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