We Speak Music

Ol’ June Sings Soul Music for a New Generation of Listeners on “Violets”

Published

3 years ago

October 16, 2023

New and up and coming soul music artist, Ol’ June, has released his debut single with the heartfelt song called, “Violets”. On “Violets”, Ol’ June’s voice is pure vibrant brilliance. His tone and ability to hold beautiful notes is only matched by his vocal range and seemingly effortless breath control. This song is co-written by Ol’ June, whose birth name is Julian Wilcoxson, along with Reginald Troutman; with music production provided by Antoine Franklin and Trent Becknell. All musicians involved with the creation of “Violets” have done an impeccable job at bringing an old school feeling back to modern day soul music. His vocal performance and melodies are reminiscent of timeless classic love songs mad by soul music legends. The musical instrumentation is subtle, yet strong. In a world where today’s R&B music I lacking in heart and soul, “Violets” delivers what true love should sound like. Ol’ June is the beginning of a resurgence of pure soul music.

Follow @oljunemusic

“VIOLETS” (YouTube clip)

Ol’ June – Biography

Ol’ June is a soul singer from the Midwest. His childhood was punctuated by back of the school bus commutes immersed in the comfort of songwriting escape. Hours spent writing, singing and arranging…all to himself. As a shy kid, he concentrated his talents on music production, opting to hold back his true gift of singing and songwriting.

Things changed when he joined the church choir and found his voice. The heartbeat of his personal music journey was marked by long family car rides, sound tracked by the songs of Commissioned and The Winans. He later found himself discovering artists such as Donny Hathaway and Marvin Gaye. Their music had feeling. Taken by the emotion in their lyrics and the tone of their voices, he found his passion.

Since stepping out of his shyness and into the public arena, collaborators consistently take note on the ease of which he composes, crafting stories about love, God and the state of humanity through song.

And now, he’s ready to share his offerings with the rest of the world.

Follow @powerblastworldwide

Management & Booking:
Julian Wilcoxson
Olejunemusic@gmail.com

Marketing & Distribution:
Powerblast Worldwide
PowerblastMusicMarketing@gmail.com
(305) 978-8121

Related Topics:Cincinnati featured music New ol june rnb singer singer-songwriter song songwriter soul we speak media

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Mané’s ‘The Goddess in the Room’ Turns Self-Discovery Into Sonic World-Building

Published

3 hours ago

June 2, 2026

Philomena Marie

There is a remarkable sense of intention running through The Goddess in the Room, the latest project from Swiss artist Mané. Blending alternative electronic pop with ritualistic percussion and spiritual symbolism, the album presents itself as both a personal statement and a carefully constructed narrative. Across its nine tracks, Mané explores identity, healing, queerness, and empowerment with impressive clarity of vision.

The opening track, “The GODDESS in the Room,” functions as both invitation and thesis statement. It introduces listeners to a world where intuition and self-trust become guiding principles, while establishing the atmospheric production style that shapes much of the record. The song’s spacious arrangement creates room for reflection, a quality that becomes one of the album’s defining characteristics.

That introspection deepens on “perles de sang” and “sappho.” The former grapples with inherited pain and bodily experience, while the latter offers a moving celebration of queer identity. Throughout these songs, Mané avoids reducing complex themes to slogans, instead allowing emotional nuance to emerge through carefully crafted songwriting and evocative imagery.

Musically, the album reaches some of its most intriguing moments on “)O(” and “moonstones.” Both tracks highlight Mané’s growing confidence as a sonic architect, blending electronic textures with organic rhythmic elements inspired by shamanic practice. The resulting sound feels immersive and transportive without losing its emotional immediacy.

Meanwhile, “j’serai tjr là” and “chocolate con sangre” provide some of the record’s most vulnerable moments. Here, Mané strips back some of the conceptual grandeur to focus on connection, memory, and emotional endurance. These songs reveal an artist equally capable of intimate storytelling and ambitious world-building.

The penultimate track, “Witches,” injects a surge of collective energy into the album’s narrative. Drawing on themes of resistance and feminine power, it stands as one of the project’s most direct statements while retaining its atmospheric sophistication. It is both politically resonant and emotionally charged.

By the time “ALIGNED” closes the record, the journey feels complete. Not because all questions have been answered, but because the search itself has become meaningful. The Goddess in the Room succeeds through its commitment to authenticity and vision, establishing Mané as an artist unafraid to follow her own path, wherever it may lead.

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