We Speak Indie Artist

CRITICALLY ACCLAIMED DIGITAL SERIES “GIANTS” RETURNS #FORTHECULURE, MORE DISRUPTIVE THAN EVER ON FEB. 21

Published

7 years ago

February 19, 2018

umeektv

Returning to claim its position as a must-watch digital series for the “culture,” season two of Giants premieres Wednesday, February 21, 2018 on Issa Rae’s YouTube channel.

Giants is a scripted drama digital series created by and starring James Bland (USA’s upcoming crime series, “Unsolved”), alongside Vanessa Baden Kelly (“Kenan & Kel,” “Gullah Gullah Island,” and “Rosewood”) and Sean Samuels (SyFy channel’s “Toxic Shark”). Season one of Giants was praised for authentically capturing the black millennial experience and tackling stigmatized issues including mental health, sexual identity, and unconventional means of economic survival.

“I created Giants with the intent of addressing taboo topics that weren’t often seen on mainstream television, but are universal and relatable,” said Bland. “I think the success of our first season signifies a desire to not only see these challenges played out on screen, but also to start conversations about them off-screen.”

Giants is executive produced by Empire star Jussie Smollett and talent development intermediary LeadersUp. In an effort to help increase diversity and create on-ramps into the entertainment industry, Giants partnered with LeadersUp to provide young adults of color with the opportunity to gain experience as production assistants. The series is distributed under ColorCreative.tv, an initiative within two-time Golden Globe-nominee Issa Rae’s production company.

Giants returns bigger and bolder with six, half-hour episodes and an hour-long finale in its second season. Nothing will be the same for Malachi (Bland), Journee (Baden Kelly) and Ade (Samuels), who find themselves sharing a tiny, one-bedroom apartment and are forced to face their inner giants while on full display to one another. This season dives deeper into each character’s past and peels back the layers of their insecurities to find the root of their issues. In true Giants fashion, season 2 pushes the envelope by exploring real-life issues such as abortion, drug abuse, black masculinity and the parameters of sexual assault.

“Season two really raises the stakes for these characters and their problems rise to a level of hurt that leaves us wondering if they can ever come back from this,” said Bland. “By season’s end we learn that not all giants can be slayed. Some we tame and learn to live with.”

This season, the cast is joined by talented guest stars including Emmy-nominated Kelsey Scott (AMC’s “Fear the Walking Dead,” ABC’s “How to Get Away with Murder”), Will Catlett (CW’s “Black Lightning,” OWN’s “Love is ___”), KJ Smith (OWN’s “Queen Sugar,” CW’s “Dynasty”), Woody McClain (BET’s “The New Addition Story”), and J. August Richards (ABC’s “Kevin Probably Saves the World,” “Agents of SHIELD”), who also wrote and directed two episodes. Other notable guest directors include Carey Williams, whose short film Emergency won the Special Jury Award at the 2018 Sundance Film Festival, as well as Xavier Burgin, who is a Sundance Institute Fellow.

Giants received six Indie Series Awards nominations, including Best Drama against Amazon’s The Bay, and is an official selection of the 2018 Houston Black Film Festival, Pan African Film Festival, and HollyWeb Festival.

The series is produced by CJ Faison and Takara Joseph for James Bland Productions.

Check out the trailer now and tune in for the season two premiere of Giants on February 21^st at youtube.com/issarae.

We Speak Indie Artist

Marz Starlife Makes A Striking First Impression With Healing

Published

2 weeks ago

April 4, 2025

Music4U

Every once in a while, a debut comes along that doesn’t just introduce an artist – it reveals a soul. Marz Starlife’s first EP, Healing, is exactly that. It’s raw, it’s heartfelt, and it doesn’t pretend to have everything figured out. Instead, it leans into the messiness of real life – the mistakes, the heartbreak, the isolation – and tries to make sense of it all through music. Born in Jamaica, raised in the UK, and now back on the island, Marz brings a cross-cultural perspective to his storytelling, but at the heart of Healing is something deeply human: the need to reckon with the past in order to move forward.

Across the project’s standout tracks, Marz doesn’t hold back. In Bad Memories, he opens up about years lost to incarceration, fractured relationships, and the weight of regret. “Spent four birthdays locked up, baby remember me please,” he raps, in a tone that’s both matter-of-fact and aching. The production stays subdued and moody, letting the lyrics breathe. There’s no glorification of the streets here, only reflection. He admits to being young and caught up in the chase for fast money, but he also shows growth, making it clear that he’s not the same person he once was. It’s a track that lingers, not because it tries to be flashy, but because it feels real.

The title track, Healing, is where everything clicks. Marz taps into something almost spiritual as he raps, “I turn pain into power, darkness to light.” The song is layered with poetic lines and subtle emotional shifts, balancing toughness with tenderness. There’s a determination to rise above, even when the scars still sting. He reflects on his upbringing, his time in the streets, and the inner battles he continues to fight. “No shrink can understand how I’m feeling,” he says, and honestly, it’s hard not to believe him. The pain here is too specific, too lived-in. But instead of letting it swallow him, he uses it to fuel something greater.

What’s refreshing about Healing is that it doesn’t try to fit neatly into any one genre or narrative. Marz blends elements of UK hip-hop, Jamaican rhythm, and emotional rap into something that feels uniquely his own. He’s not here to be the loudest or the flashiest; he’s here to be honest. And in a world full of over-produced, over-polished music, that honesty stands out.

With Healing, Marz Starlife has given us more than a debut; he’s given us a mirror into his journey, and maybe even our own. Whether you’ve lived through similar struggles or are just someone who appreciates music with depth and heart, this EP is worth your time. It’s a reminder that healing isn’t linear, but it’s possible, and that sometimes telling your story is the most powerful thing you can do.