We Speak Music
Dailla’s Alt-Pop Grows Boldly on ‘Garden’
There’s a certain kind of artist who doesn’t chase the spotlight—they create a world so vivid and emotionally resonant that the light naturally bends toward them. Dailla is one of those rare voices. With a sound rooted in soft piano melodies, lush string arrangements, and a lyrical style that reads like whispered poetry, she’s quietly becoming one of alternative pop’s most evocative storytellers. Her latest single, “Garden,” is not just a song—it’s a full-bodied emotional experience.
“Garden” arrives like a spring breeze: subtle, cinematic, and disarmingly intimate. At just a few seconds in, it’s clear that Dailla is not interested in superficial hooks or overproduced gloss. Instead, she invites the listener into a space of vulnerability—one where love is not just sung about, but grown, nurtured, and explored like a living thing.
That philosophy rings true across her growing body of work. With a sound that blends the confessional honesty of Olivia Rodrigo, the gentle grandeur of Lana Del Rey, and the lyrical depth of Ethel Cain, Dailla stands firmly in the lineage of young artists redefining what pop can be. But she’s not here to imitate—she’s here to excavate something deeply personal.
On “Garden,” she distills the dizzying dance of romantic vulnerability into four breathtaking minutes. “Like a butterfly, I fly so high, it hurts,” she sings, her voice tremulous but certain. The line lands like a sigh and a revelation all at once. The production, filled with natural ambience—chirping birds, gentle reverb, swelling strings—mirrors the emotional terrain: soft, yet brimming with life.
What makes Dailla’s work so striking is her ability to hold contradiction. Her music is delicate but never weak, poetic but never abstract. There’s a clarity to her storytelling that cuts through the noise of the algorithm-driven music world. She’s not here for virality—she’s here for impact.
Raised on a blend of folk, indie, and cinematic scores, Dailla credits her emotional instincts to a lifelong obsession with words and soundtracks. With “Garden,” Dailla continues to build a sonic identity that feels both grounded and dreamlike. She’s not rushing to release an album or chase trends—she’s planting seeds, one track at a time. And if this release is any sign of what’s to come, Dailla’s future isn’t just promising—it’s in full bloom.
Imbermind, the cutting-edge musical collective pushing the boundaries between electronic purity and alternative pop, has officially released their hotly anticipated debut album, Never Ending. A bold and immersive sonic experience, the 11-track album is now available on all major streaming platforms—cementing the group’s arrival as one of the most exciting new acts in contemporary music.
Crafted by the visionary minds of Edu Imbernon, Luis Clemente, Nico Casal, and Álvaro Monreal, Never Ending is an electrifying journey through sound. Fusing the shimmering textures of synth-pop, the pulse of indie dance, and the emotional gravity of alternative pop, the album stands as a fearless artistic statement. With sweeping cinematic moments and introspective lyrical depth, Never Ending evokes comparisons to icons like Depeche Mode, Pet Shop Boys, RÜFÜS DU SOL, Moderat, Bicep, and Metronomy, yet retains a distinct identity all its own.
Imbermind first turned heads with their stunning official remix of Depeche Mode’s “Wagging Tongue”, taken from the legendary band’s 2023 album Memento Mori. The rework offered a masterclass in sonic reinvention—paying homage to the original while introducing a layered, contemporary soundscape that marked the group as one to watch.
That promise only deepened with the release of “Thousand Miles” in December 2024. The emotionally charged debut single explored resilience and perseverance, earning critical acclaim for its meticulous production and haunting vocal performance. The track became a signpost for the sonic ethos of Never Ending—a world where emotional storytelling meets expansive electronic innovation.
At the heart of Imbermind’s appeal is the fusion of four distinct artistic voices. Edu Imbernon, a global DJ and producer with a decade-spanning career, brings festival-tested energy and production finesse. Nico Casal, a classically trained pianist and celebrated film composer, injects cinematic depth and narrative flow. Luis Clemente adds versatility as a multi-instrumentalist and indie-electronic producer, while Álvaro Monreal, the unmistakable voice of the project, channels emotional resonance and acoustic mastery.
Together, the quartet creates music that defies easy categorization. Never Ending is not just an album—it’s an experience. From the euphoria of club-ready anthems to tender, stripped-down moments of reflection, the record invites listeners into an ever-shifting emotional landscape that feels both fresh and timeless.
As Imbermind takes their place on the global stage, Never Ending stands as a testament to their shared vision: fearless, genre-defying, and deeply human. Whether you’re a fan of forward-thinking electronic music or just discovering the genre, Imbermind is a name you won’t forget.
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