We Speak Music
Dead Tooth Drops New Single ‘You Never Do Shit’
In “You Never Do Shit,” Brooklyn’s Dead Tooth deliver a snarling, urgent post-punk single that distills their barbed energy into under four minutes of sharp-tongued wit and scuffed-up sonics. It’s a track that bristles with disdain—Zach Ellis’ vocal delivery is acidic, at times theatrical, and often more spoken than sung. There’s a punk rock immediacy here, but with the knowing wink of someone who’s watched the scene curdle and still wants to dance through the ashes.
The song began its life in a different medium—written for a fictional band on City on Fire—but the real-life iteration carries more weight. There’s a palpable satisfaction in Ellis’ decision to reclaim it, and that freedom seeps into every detail: the unkempt rhythm section, the jarring saxophone lines from John Stanesco, and the deliberate looseness that characterizes its structure.
Dead Tooth are at once participants and commentators in the culture they inhabit. Their songs are alive with noise, but also with intent—tracking the psychic hangover of nightlife, subcultural collapse, and underground scenes that burn bright and disappear too soon. Ellis’ lyrical observations land like tossed-off critiques, but underneath the smirk is something deeper, almost desperate: a desire for connection, even through chaos.
With their debut album looming, “You Never Do Shit” feels like a thesis statement. Not just of sound, but of ethos: reject slickness, embrace noise, tell the truth—even if it’s ugly. In a year when punk has mostly whispered or wandered, Dead Tooth has chosen to scream.
A Song for Family, Love, and Life’s Beautiful Complexity
Acclaimed cellist, vocalist, and composer Hope Easton announces the release of her latest single, “3D Life,” a vibrant, funny, and deeply personal song written for her niece and goddaughter, Leylan, on the occasion of her wedding to David. The song is now available on all major streaming platforms.
Blending humor, sentimentality, and a rich musical palette, “3D Life” captures the spirit of a modern wedding anthem—with a wink. Easton draws from inside family jokes, generational wisdom, and musical traditions to craft a piece that feels as timeless as it is tailor-made.
“It’s her wedding song—with a little humor, it could easily be in Wedding Crashers,” says Easton with a smile. “It’s really about life, and how we go through everything together.”
The track reflects on family legacy—quoting the bride’s grandfather’s dry wit (“You can’t always be happy” after watching someone get married) and celebrating the bride’s connection to her talented maternal grandmother, Easton’s own mother. With loving candor, Hope jokes that Leylan is the only one of six nieces who can’t sing—but inherited all the other gifts. “In the end,” Easton says, “it’s about love. We’re all here to love one another, or we wouldn’t be here.”
“3D Life” concludes with a nod to the couple’s new shared last name, now known affectionately as “The Swifts.”
About Hope Easton
Hope Easton is a genre-defying musical force. Classically trained at Cleveland Institute of Music, New England Conservatory, and as a Fulbright Scholar under Ralph Kirshbaum in the UK, she has performed as a soloist since her teenage years—including appearances at Carnegie Hall and Lincoln Center at age 15. She has performed in renowned festivals such as Aspen, Banff, Meadowmount, and Yellow Barn.
Now based in Los Angeles, Easton fuses her classical foundation with pop, jazz, and original songwriting. She’s toured with Sheila Nicholls, formed her own band Hope & The Russians, and frequently performs solo using electric and acoustic cello. Her ensemble, Sonos Chamber Players, provides high-end music for private events, corporate gigs, and public venues, including TV appearances on The Bold and the Beautiful and more.
Hope has collaborated with artists such as Adele, Sheryl Crow, OneRepublic, Garth Brooks, Don Henley, Frank Ocean, and many others. Her studio credits span top networks and commercials, including The Voice, American Idol, The Tonight Show, and multiple national ad campaigns.
She continues to perform with orchestras across Southern California, record for film/TV scores, and share moments of her eclectic musical journey via social media.
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