We Speak Indie Artist
Disney’s ‘A Wrinkle in Time’ and ‘Black Panther’ Compete for the Weekend’s Top Spot
FRIDAY AM UPDATE: Disney’s A Wrinkle in Time delivered $1.3 million from Thursday night previews. This is well ahead of the $725k brought in by Tomorrowland ahead of its $33 million three-day and just behind Alice Through the Looking Glass, which brought in $1.5 million from Thursday previews ahead of a $34 million debut.
Aviron’s The Strangers: Prey at Night brought in $610,000from Thursday evening previews, which is better than both Kidnap and You’re Next, which we used as comparisons in our preview below, and just behind the $735k brought in by 47 Meters Down prior to its $11.2 million debut last June.
STX’s release of Amazon Studios’s Gringo brought in $190,000 from Thursday night screenings.
We’ll take a closer look at things tomorrow morning once Friday estimates come in. For now you can check out our weekend preview below.
WEEKEND PREVIEW: After a record-breaking February saw calendar grosses top $1 billion for the first time ever, March is hoping to maintain that momentum. Although, last weekend’s new releases didn’t exactly blow the doors off, but Disney and Marvel’s Black Panther kept things moving along and with the film entering its fourth weekend in release it faces its first true test for the #1 spot at the weekend box office. Interestingly enough, it’s another Disney title serving as the challenger as A Wrinkle in Time looks to top the weekend’s list of newcomers, which also include The Hurricane Heist, Gringo and The Strangers: Prey at Night.
At the top of the box office it’s a two horse race. On the one hand, Disney and Marvel’s Black Panther is looking to become the first film in the Marvel Cinematic Universe to top the weekend box office in its first four weekends. On the other hand, Disney is anticipating their release of A Wrinkle in Time will debut with $35 million from nearly 4,000 theaters, which would be well below the average of $61.6 million for Disney films opening in anywhere from 3,800-4,000 theaters, but we’ll get more into A Wrinkle in Time shortly, let’s first take a look at Black Panther.
Black Panther has held on better than previous top Marvel openers in its second and third weekends and we’re expecting similar success this weekend. Of the top MCU openers, the 34% fourth weekend drop for The Avengersis the best, which took place over Memorial Day weekend 2012. For Black Panther‘s senior effort we’re anticipating a performance slightly ahead of Age of Ultron‘s Memorial Day weekend 44% drop, anticipating a 42-43% dip and a weekend around $38 million, pushing the film’s domestic gross just shy of $560 million. Additionally, eyes will be firmly glued to the film’s performance internationally as Black Panther‘s worldwide gross currently totals over $930 million and, with its release in China on Friday, will become the fifth film in the MCU to top $1 billion globally by the end of the weekend.
All that being said, will Black Panther‘s domestic gross be enough to top the weekend?
As noted, Disney is expecting a $35 million opening for A Wrinkle in Time from 3,980 locations. It’s an expectation that looks low compared to other titles that debuted in that many theaters, though if you take the mixed reviews into consideration (it currently holds a rating of 54 on Metacritic) and the $33 million three-day opening for Tomorrowland — to which Wrinkle is being closely compared — $35 million begins to look a little more reasonable.
What’s reasonable, however, is up for interpretation. Removing animated titles and Marvel films from the equation, here’s a look at the films Disney has released in 3,800-4,000 theaters and their opening weekends:
- Oz The Great and Powerful – $79.11M opening from 3,912 theaters
- Maleficent – $69.43M opening from 3,948 theaters
- Cinderella – $67.88M opening from 3,845 theaters
- The Chronicles of Narnia: Prince Caspian – $55.03M opening from 3,929 theaters
- National Treasure: Book of Secrets – $44.78M opening from 3,832 theaters
- Tomorrowland – $33.03M opening from 3,972 theaters
- The Lone Ranger – $29.21M* opening from 3,904 theaters
* The Lone Ranger opened on a Wednesday and brought in $48.7 million in its first five days
Should we limit our comparison to Tomorrowland, Disney’s $35 million expectations might look on point if not optimistic. However, that film could also be considered the outlier. To look at IMDb page views leading up to release we see Wrinkle dramatically outperforming a film such as Pete’s Dragon and in recent days it has shown significant gains, catching up with films such as Cinderella and Maleficent. And while it isn’t outperforming either of those latter titles over the two weeks leading up to release, or expected to deliver an opening similar to either film, the performance comparison helps maintain some perspective whereas we might have otherwise grown a little too confident in forecasting an opening in the low 30s.
All that being said, while Wrinkle certainly could settle right around Disney’s anticipated $35 million debut, we’re seeing evidence supporting a debut closer to $40-45 million. Helping support this fact is online ticket retailer Fandango.com tells BoxOfficeMojo that Wrinkle is the site’s top seller over all titles, including Black Panther, heading into the weekend. Add to that, Wrinkle should also tap into a whole new family demographic that even Peter Rabbit didn’t target. While the tepid reviews suggest the film might not find increasing momentum throughout the weekend, dialing back chances for a $45M+ opening, we expect the audience members already anticipating the film heading into the weekend will be enough to top $40 million, if not push a bit higher.
Internationally, Wrinkle is opening in limited markets this weekend, among them Spain, Russia, Ukraine, Vietnam, Singapore and Malaysia, and will have an extended rollout throughout the spring and early summer.
In third we expect to find the second of the weekend’s new wide releases, Aviron’s resurrection of the Strangersfranchise, ten years after the first film delivered $52.5 million. The first film’s performance prompted talk of a sequel in 2009, talk that seemed to disappear once Relativity purchased Rogue Pictures shortly thereafter, eventually finding new life in 2017 under the direction of 47 Meters Down helmer Johannes Roberts. The road to release ends with The Strangers: Prey at Night debuting this weekend in 2,464 locations with the studio anticipating an opening in the high single digits.
Our analysis has us looking at films such as 47 Meters Down ($11.2m opening) as well as Aviron’s Kidnap ($10m opening) and Lionsgate’s You’re Next ($7m opening) for comparisons and all analysis suggests an opening anywhere from $7-10 million and we’re leaning toward the higher end of that range, anticipating a $9+ millionopening.
Look for Fox’s Red Sparrow to land in fourth in its second weekend, which we anticipate will drop around 50% for a sophomore weekend around $8.3 million, giving the film a domestic cume around $31 million come Sunday.
Rounding out the top five is MGM’s Death Wish, which is looking to drop around 47% or so for a $6.9 millionsecond weekend and a domestic cume around $24 million after ten days in release.
Outside the top five we still have two more new releases to discuss, beginning with Entertainment Studios’s The Hurricane Heist. Opening in 2,402 locations, this $40 million feature adds a little criminality to your average disaster pic and tracking as of last week had a rather wide range of expectation from $3-8 million. Based on our analysis we’re shrinking that range to $3-5 million. Looking at films such as Brick Mansions ($9.5m opening), Homefront ($6.9m opening) and Triple 9 ($6.1m opening) and Bullet to the Head ($4.5m opening) we have been hard-pressed to find any suggestion this film will live up to the openings for those films. Interest simply just doesn’t seem to be there, forcing us to forecast an opening that could come up shy of $4 million.
The weekend’s final new wide release is STX’s release of Amazon Studios’s Gringo, an R-rated dark comedy from director Nash Edgerton debuting in 2,404 locations. Similar to The Hurricane Heist, there’s a rather large range when it comes to industry expectations, suggesting an opening anywhere from $3-7 million, and once again we’re skewing toward the lower end of expectations. A title such as this needs some kind of advanced buzz to push it along and that just doesn’t appear to be there and reviews aren’t going to help as its current Metacritic score of 45 isn’t going to attract many moviegoers debating what to see. A $2-5 million debut is the range we’re currently expecting, somewhat optimistically forecasting an opening around $3 million for the three day.
In moderate release, Focus Features will open their Sundance 2017 acquisition Thoroughbreds in 549 locations, while limited releases include Sony Classics’s The Leisure Seeker in 28 theaters and IFC will release Armando Iannucci‘s The Death of Stalin into four locations.
This weekend’s forecast is directly below. This post will be updated on Friday morning with Thursday night preview results followed by Friday estimates on Saturday morning, and a complete weekend recap on Sunday morning.
- A Wrinkle in Time (3,980 theaters) – $42.0 M
- Black Panther (3,942 theaters) – $38.0 M
- Strangers: Prey at Night (2,464 theaters) – $9.5 M
- Red Sparrow (3,064 theaters) – $8.3 M
- Death Wish (2,882 theaters) – $6.9 M
- Peter Rabbit (3,112 theaters) – $6.2 M
- Game Night (3,061 theaters) – $5.8 M
- The Hurricane Heist (2,402 theaters) – $3.8 M
- Jumanji: Welcome to the Jungle (2,157 theaters) – $3.4 M
- Gringo (2,404 theaters) – $3.0 M
We Speak Hip-Hop
NY Rapper Kendu 718 Defines “Gritty” (Single & Exclusive Interview)
Kendu 718 is taking over the scene with his latest single “Gritty,” produced by Juxx Diamondz of Back Block Music Group LLC. The NY rapper shows off his signature blend of storytelling and lyricism woven with slick metaphors. He’s simply writing bars and putting out heat; his deliverance though is aggressive and slightly intimidating; true NY style. Stream “Gritty” and get to know Kendu 718 in the interview below.
MJ: Before we jump into your new single “Gritty,” take a moment to let the world know who Kendu 718 is.
Kendu 718: Kendu 718 is someone who really lives what he talks about. I come from the pain of the ghetto—both my mother and father struggled with drug addiction, and growing up, all I saw was crime, poverty, and hardship. That was my environment. But through God’s grace, I was able to change my life. I left the streets behind 17 years ago, and I’ve been clean and abstinent from drugs and alcohol ever since.
MJ: When I think of gritty New York Hip Hop, you fit the mark. Define your lane in Hip Hop.
Kendu 718: I’m part of the culture, this isn’t something I picked up, it’s something I’ve lived. Hip-hop is a lifestyle, not just something you do in the studio. I’m not chasing trends or trying to fit into what’s popular. I represent authenticity, experience, and real New York energy. I’ve been doing this for years, and my lane is staying true to the essence of the culture.
MJ: Let’s talk about the new single “Gritty.” What can listeners expect once they hit play?
Kendu 718: The truth. Straight up. Real-life stories that reflect what I’ve been through and what I’ve seen in the streets. It’s raw, it’s honest, and it shows survival. When you hit play, you’re stepping into reality—no gimmicks, no filters. “Gritty” is my story. It’s everything I lived and everything I witnessed. But more importantly, it’s a message—just because we come from struggle doesn’t mean we have to stay there. We can grow, change, and build responsible, productive lives.
MJ: How did you link up with Juxx Diamondz and Back Block Music Group LLC?
Kendu 718: That connection goes back. I met Juxx through a mutual friend—rest in peace to the OG Benny Hill from Harlem, who managed both of us around 2011–2012. That foundation built real chemistry, and from there, everything developed naturally.
MJ: Can audiences anticipate a visual to “Gritty?”
Kendu 718: Definitely. Me and Juxx Diamondz are currently putting the treatment together now. The visual is going to match the energy of the track—raw, authentic, and true to the story.
MJ: What is next for Kendu 718? What are you currently working on?
Kendu 718: Right now, I’m working on my EP titled From God’s Mouth to Y’all Ears: The Sermon. It’s produced by myself and Juxx Diamondz, with additional production from SaulyOBeats, SkullzAngels, and my guy Dreadful Krueger. Everybody brought heat to the project. We also have some dope features on it.
MJ: Give audiences a little more insight into the sound and movement behind the project.
Kendu 718: We’re putting this out independently through Back Block Music Group, with distribution through Roc Nation. The project is a combination of strong lyricism, real-life storytelling, and powerful features. We represent that golden era sound—we’re keeping that foundation alive. And we’re always boots on the ground, staying connected to the people and the culture.
MJ: Let everyone know where they can find your music and stay connected.
Kendu 718: You can find my music on all digital streaming platforms. Follow me @Kendu_718 on Instagram to stay locked in. This is just the beginning—it’s going to be a hot summer. Peace.

Stream “Gritty” on preferred platforms – Gritty
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