We Speak Indie Artist
Plain Mister Smith Pieces Together a World of Sound on Bric-À-Brac Attack
Plain Mister Smith returns with Bric-À-Brac Attack, a beautifully offbeat collection of indie-folk, pop and atmospheric songwriting. Released via Amelia Records, the album finds the Vancouver and London-based multi-hyphenate turning fragments of memory, relationships and everyday absurdity into something quietly cinematic.
At its centre is “Grindavik”, a shimmering, reflective track inspired by the Icelandic town shaped by recent volcanic activity. Bright acoustic guitars and steady drums carry a constantly shifting chord progression, mirroring the song’s central metaphor of a relationship under pressure and the hope that its fissures can eventually heal. Featuring Jordan Klassen and Kitt, the track captures the emotional tension that runs throughout the album.
Elsewhere, Bric-À-Brac Attack moves effortlessly between playful guitar-driven moments, lush arrangements and more introspective passages. “Miss Sunshine” brings infectious energy, while collaborations with Findlay Brown, Leeroy Stagger, Krystle Dos Santos and Tyson Mostenbocher add colour to an already eclectic record.
Former guitarist of Canadian darkwave band Moev and a cellist with the Vancouver Philharmonic Orchestra, Plain Mister Smith brings an unusually broad musical perspective to his songwriting. Yet Bric-a-Brac attack never feels overly calculated. Instead, it has the charm of something discovered rather than constructed.
Warm, strange, melodic and emotionally searching, Bric-À-Brac Attack is a record that rewards getting lost in its details. Plain Mister Smith may remain deliberately mysterious, but the music itself speaks with remarkable clarity.
Photo credit: Sandra Lockwood
A song written during months of recovery from spinal surgery might be expected to sound a little heavy. jon scott’s “YOU ARE SO REAL” takes a different route.
The single came together while scott was bedbound and working through rehabilitation. It reflects the support he received from family, friends and others who reached out, as well as the happiness of returning to creative work. Yet the finished track is not weighed down by that story. It sounds like someone who has found a reason to put the kettle on, turn up the music and enjoy the day.
The retro-inspired production gives it a relaxed, classic feel, while the vocals keep things upbeat and joyful. The chorus is direct, and the instrumental section lets the song settle into its own rhythm.
That contrast is what makes the track interesting. The circumstances behind it are serious, but the song itself is about what makes life worth celebrating. It is not trying to turn recovery into a dramatic musical statement. Instead, it takes the support that helped scott through and gives it a joyous soundtrack.
“YOU ARE SO REAL” is a song about feeling better, but it gets there through a good mood rather than a heavy explanation. That is a refreshing way to approach a subject that could easily have gone in another direction. Have a listen for yourself below, courtesy of Now Listen.
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