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Dom Malin Drops New Single ‘bloodmoon’

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With bloodmoon, Dom Malin delivers a hauntingly beautiful meditation on connection, memory, and the quiet gravity of human emotion. Rooted in his signature indie-folk warmth and tinged with subtle Americana, the British singer-songwriter’s latest release is a compelling addition to his growing catalog of introspective gems. It’s the kind of song that doesn’t just settle in your ears — it lingers in your chest, resonating with that unspoken ache we all carry for people and places that still live in our hearts.

Malin’s songwriting here is deceptively simple yet deeply poetic. The metaphor of the blood moon — rare, magnetic, quietly powerful — becomes a vessel for exploring the enduring bonds we share with those who may no longer be in our lives but remain a part of us. He paints with light: the glow of memory, the pull of distant affection, the delicate comfort of knowing someone out there still holds a piece of your soul. There’s a timeless quality to the way he captures this feeling — it’s nostalgic, yes, but also grounded and true.

The production on bloodmoon is rich and immersive, with amber-toned instrumentation that builds organically around Malin’s vulnerable vocals. Gentle acoustic strums, ambient textures, and restrained percussion form a soundscape that feels both intimate and cinematic. Influences from his time in the States — touches of Americana and roots rock — blend effortlessly with his UK folk sensibilities, creating a track that feels familiar yet fresh, grounded yet expansive.

At the heart of bloodmoon is Malin’s voice — earnest, weathered in just the right way, and full of quiet conviction. He doesn’t overreach emotionally; instead, he lets the song breathe, giving space for the listener to feel alongside him. There’s a rawness in his delivery that makes every line land a little deeper, especially when he sings about the comfort of a distant presence still bringing warmth to one’s life.

Bloodmoon is not just another single — it’s a statement. It marks a confident step forward for Dom Malin as he prepares to release his collaborative EP with Luna Keller later this year. Thoughtful, cinematic, and emotionally resonant, this track reaffirms Malin’s place as one of the UK’s most promising indie-folk voices. Bloodmoon is a gentle reminder that some connections — like lunar events — are rare, radiant, and unforgettable.

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Acclaimed US singer-songwriter Juliet Lloyd to tour the UK for the first time this summer.

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Shortly after releasing her sophomore album in 2007, US-based singer-songwriter Juliet Lloyd walked away from music completely for more than 10 years, feeling burned out and unhappy with her career progression like so many other independent artists. After going through a divorce in 2019 and in the midst of a global pandemic, she found herself pulled back toward the siren call of songwriting and again making the leap to pursue it full time. Her latest album ‘Carnival’, released in 2024, is in many ways the culmination of those decisions, and the reintroduction of an artist who now has the wisdom of experience.

There’s an unmistakable urgency you can feel when a song is written and performed from a place of complete honesty. That feeling permeates ‘Carnival’. “I’ve always been envious of writers who say they write songs because they have to, because they had these things they just had to get out of themselves,” Juliet says. “I had never really felt that way until this album. I’ve become someone who writes because they have to.”

Stylistically, ‘Carnival’ draws on a range of influences from Laurel Canyon-era singer/songwriters, to Lilith Fair rockers, to confessional country/folk balladeers, to indie pop. The central theme of the record and that of its title track is not being too precious about any one experience or decision. Take them for what they are, live in the moment, and move on when they’re done. It acknowledges also that memory can be subjective, and ambiguous—was an experience ultimately a good thing or a bad thing? And whose memory can you rely on to determine the answer to that question?

‘Carnival’ doesn’t just deal with the complexities of ending relationships, it also deals with all the feelings that come with moving on. The album’snine songs feature evocative storytelling that reveals a simple truth: when the carnival inevitably leaves town, you’re left with an empty parking lot. And how you remember, it is a choice. As Juliet sings in the title track, “If only there was a way you could bottle up that feeling / and you’d drink it in / when the days are short and you long.”

Across her 20+ year career, Juliet has been admittedly stylistically non-monogamous. Her first full-length album, ‘All Dressed Up’, was released in 2005 and was heavily jazz-influenced- a label that she rejected at the time. “I am a piano player and a woman, so I was immediately compared to Norah Jones—and I bristled at that,” Juliet says. “Listening back now, I can totally see that it was true, and it of course wasn’t a bad thing.” Her follow-up release ‘Leave the Light On,’ came out two years later and featured a slick piano-pop production that led to five of its songs being placed on reality TV shows on MTV and VH1. Coming back after her 10-year break from writing and recording, Juliet released ‘High Road’, a collection of five Americana/soul-tinged songs produced by Jim Ebert (Meredith Brooks, Shai) that earned her widespread recognition and songwriting awards both in her home region of DC as well as nationally.

Now with her first ever UK tour scheduled for July 2025, Juliet has also dropped a completely brand-new single ‘Wild Again’, which like ‘Carnival’, was written with and produced by Todd Wright (Lucy Woodward, Butch Walker, Toby Lightman). ‘Wild Again’, however, charts yet another new step in Juliet’s journey.

Carnival’, is full of deeply personal songs that are drawn from my real-life experiences and relationships. Coming out of that album cycle, I was feeling a little exhausted by my own navel-gazing and I was craving inspiration elsewhere. So, a lot of the songs I’m writing now are an evolution of sorts – focused more on external stimuli and finding the personal stories and humanity in that. Wild Again is a perfect example of this,” she explains.

The idea for ‘Wild Again’ was born out of a NY Times podcast Juliet listened to about the real-life efforts to return the whale that played Willy in the iconic movie ‘Free Willy’ back into the wild.

“It’s an insane, heartbreaking story that asks all kinds of thorny questions about human responsibility and humility and what’s the “right” thing to do and is that the same as the “kind” thing to do. There was a line that one of the trainers said in the podcast, explaining that they were trying to “train him to be wild again.” The complete absurdity of that statement hit me in the moment, and I immediately started jotting down lyrical ideas”, Juliet says.

Catch Juliet Lloyd on her UK tour this July:

1st July: The Folklore Rooms / Brighton
2nd July: The Hyde Tavern / Winchester
3rd July: Hen and Chicken / Bristol (CRH Music promotions)
4th July: Artisan Tap Hartshill / Stoke-on-Trent

5th July: Waggon & Horses, Nottingham

6th July: Cafe#9 / Sheffield
7th July: Hyde Park Book Club / Leeds
10th July: FortyFive Vinyl Café / York
11th July: The Muddy Puddle / London
13th July: The Wrotham Arms / Broadstairs

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