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Drake set to claim a second week at Number 1

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It looks like Drake won’t be moved from the top of the Official Singles Chart this week as his latest single, God’s Plan, is set to claim a second week at Number 1.

Last week the rapper and singer stormed to the top of the chart to claim his third Number 1 with the track, which features on his new Scary Hours EP.

Drake makes two more appearances in today’s Official Chart Update; on Migos’ Walk It Talk It from his new album Culture II, new at Number 30, and at 36 with Diplomatic Immunity, the other track from his EP.

Rising star Ramz holds firm at Number 2 with his breakthrough hit Barking, and Eminem’s River ft. Ed Sheeran is at 3.

Norwegian singer and winner of BBC’s Sound Of 2018 Sigrid could be claiming her first Top 10 single with Strangers, currently up ten places to Number 4, and Craig David’s I Know You ft. Bastille jumps from 10 to 5 following the release of his new album, The Time Is Now.

New entries and high climbers

US band Portugal The Man are on the cusp of entering the Top 10 this week with Feel It Still, so far up 11 places to Number 9, and Rudimental’s new single These Days ft. Jess Glynne and Macklemore is set to make a big climb, currently up 16 places to Number 17.

Further down, Justin Timberlake is on track to land his second Top 40 hit from his upcoming Man of the Woods album with Say Something (31), and Birmingham rapper Mist could be making his Top 40 debut with Game Changer, currently at Number 35

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Mutual Shock’s Nervous Systems Showcases The Architecture of Alienation

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Seattle’s ever-shifting musical landscape has long given rise to voices that thrive in the gray areas—between genres, between moods, between identities. Dan Powers, the artist behind Mutual Shock, adds a new entry into that canon with Nervous Systems, a debut album that operates as both sonic exorcism and sociocultural diagnosis. At its core, the record is a meditation on life under late capitalism—a terrain where dread, detachment, and digital blur are not just thematic textures, but everyday conditions.

Emerging from the shadowy emotional terrain explored on his 2024 EP Stimulus Progression, Powers takes his vision further here—not louder, but deeper. Nervous Systems doesn’t seek to overwhelm. Instead, it seeps in. It’s less an album you “hear” and more one you slowly inhabit, like a strange new architecture that reveals its structure room by room. The choice of analog synths and skeletal drum programming isn’t retro affectation; it’s a design choice rooted in feeling, in tension, in deliberate control.

Mutual Shock sits in conversation with a lineage of outsider electronic music—Drab Majesty’s theatrical alienation, Molchat Doma’s post-Soviet nostalgia, the mechanized introspection of Nine Inch Nails—but avoids being pinned down by any one aesthetic. Powers is less interested in genre homage than he is in emotional architecture. Each sound feels like a corridor leading somewhere disorienting yet familiar, like a half-remembered dream of an office building at night.

Thematically, the album is deeply of this moment. It’s about burnout, yes, but not in the way we meme it. It’s about the deeper erosion beneath the hustle: the spiritual confusion, the existential rootlessness, the constant digital hum that keeps us from ever fully arriving in our own lives. Powers channels these anxieties not with histrionics, but with careful understatement—letting the atmosphere do the heavy lifting. It’s as much sociology as it is art.

What makes Nervous Systems so vital is that it doesn’t offer escape. Instead, it offers recognition. In a time when much of culture aims to distract, Mutual Shock chooses to reflect. Powers holds a mirror to the disquiet and lets it speak—not with panic, but with precision. The result is an album that lingers long after the final note, not as a soundtrack to alienation, but as a language for it.

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