We Speak Music
Eleanor Unleashes Stunning New EP ‘There’s No Quiet, There’s Little Relief’
Eleanor’s There’s No Quiet, There’s Little Relief doesn’t ask for your attention — it demands it, with a steady, storm-brewing intensity. Across seven stunning tracks, the rising artist builds a world that’s equal parts intimate confession and cinematic spectacle. You don’t just listen to this EP — you step into it, like walking into a velvet-curtained theatre moments before the curtain lifts on something heartbreaking, beautiful, and brave.
Rooted in blues and classical but dressed in the polish of modern alt-pop, the EP offers a rich palette of sound and emotion. Opener ‘Ghost’ eases you into the haze, Eleanor’s voice drifting like smoke over minimal textures. But it’s ‘Cold Day in Hell’ where things start to quake — a brooding, simmering track that burns slow and deep. From there, the EP shapeshifts with confidence: ‘Prey’ swells into orchestral grandeur, while ‘Copper’ glows with quiet melancholy, each song revealing a new corner of Eleanor’s emotional architecture.
The standout, ‘Sugar’, pulses with a different kind of energy — sultry, groove-heavy, and full of sly self-awareness. With its slinky bassline and playful vocal phrasing, it’s a song that knows exactly what it’s doing, striking a perfect balance between temptation and vulnerability. It’s also where Eleanor lets loose the most, offering a rare moment of swagger among the shadows. There’s a clear sense that she’s not afraid to poke fun at her own emotional chaos — and that makes the chaos all the more real.
But it’s the EP’s final act — the two-part ‘Stuck on Loving You’ — that truly cements its emotional core. Starting with a stripped-down, aching intro before rising into full orchestral release, it captures that impossible feeling of loving someone who’s long gone. The strings swell, the harmonies ache, and Eleanor’s voice — always expressive, always raw — cracks in just the right places. It’s catharsis through sound, heartbreak turned into high art.
There’s No Quiet, There’s Little Relief is a remarkable debut statement from an artist who understands the power of contradiction — softness and strength, elegance and ache, control and collapse. Eleanor has built something fearless here: a deeply personal collection that doesn’t shy away from the mess, but instead turns it into something lush, immersive, and unforgettable. This is not just music to hear — it’s music to feel.
Imbermind, the cutting-edge musical collective pushing the boundaries between electronic purity and alternative pop, has officially released their hotly anticipated debut album, Never Ending. A bold and immersive sonic experience, the 11-track album is now available on all major streaming platforms—cementing the group’s arrival as one of the most exciting new acts in contemporary music.
Crafted by the visionary minds of Edu Imbernon, Luis Clemente, Nico Casal, and Álvaro Monreal, Never Ending is an electrifying journey through sound. Fusing the shimmering textures of synth-pop, the pulse of indie dance, and the emotional gravity of alternative pop, the album stands as a fearless artistic statement. With sweeping cinematic moments and introspective lyrical depth, Never Ending evokes comparisons to icons like Depeche Mode, Pet Shop Boys, RÜFÜS DU SOL, Moderat, Bicep, and Metronomy, yet retains a distinct identity all its own.
Imbermind first turned heads with their stunning official remix of Depeche Mode’s “Wagging Tongue”, taken from the legendary band’s 2023 album Memento Mori. The rework offered a masterclass in sonic reinvention—paying homage to the original while introducing a layered, contemporary soundscape that marked the group as one to watch.
That promise only deepened with the release of “Thousand Miles” in December 2024. The emotionally charged debut single explored resilience and perseverance, earning critical acclaim for its meticulous production and haunting vocal performance. The track became a signpost for the sonic ethos of Never Ending—a world where emotional storytelling meets expansive electronic innovation.
At the heart of Imbermind’s appeal is the fusion of four distinct artistic voices. Edu Imbernon, a global DJ and producer with a decade-spanning career, brings festival-tested energy and production finesse. Nico Casal, a classically trained pianist and celebrated film composer, injects cinematic depth and narrative flow. Luis Clemente adds versatility as a multi-instrumentalist and indie-electronic producer, while Álvaro Monreal, the unmistakable voice of the project, channels emotional resonance and acoustic mastery.
Together, the quartet creates music that defies easy categorization. Never Ending is not just an album—it’s an experience. From the euphoria of club-ready anthems to tender, stripped-down moments of reflection, the record invites listeners into an ever-shifting emotional landscape that feels both fresh and timeless.
As Imbermind takes their place on the global stage, Never Ending stands as a testament to their shared vision: fearless, genre-defying, and deeply human. Whether you’re a fan of forward-thinking electronic music or just discovering the genre, Imbermind is a name you won’t forget.
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