We Speak Music
Eric Hazael & Molato Sing Praises, Show Gratitude on Latest Song ‘Aseda’
Fast-rising Ghanaian Gospel Musician, Eric Hazael has officially released his latest gospel single “Aseda” featuring talented singer Molato. Listen Here.
The new song “Aseda” – a Ghanaian Ashanti word which means “Gratitude or Thanksgiving,” is simply a beautiful gospel record about the goodness of God.
It’s all praise, thanksgiving and glory-giving on the under three minutes song. Known for having super-creative instincts, writing bible-backed verses and singing soul-uplifting songs, Eric Hazael sings the first verse on “Aseda” and effortlessly allures the listener to join in on the praise session.
The chorus backed by Molato, reverberates the song’s chief leitmotif of thanksgiving and sets the groove right for a wholesome heavenly experience of glorification.
Just like the songs “Yahweh” and “Testify” of his “KNGDM & PWR EP” released last year, Eric Hazael uplifts the maker and testifies of the good works of the Lord with a mellifluous voice.
Bringing distinct range, unparalleled storytelling abilities, Molato sings in English, Pidgin and Twi about God’s word of honour.
On “Aseda,” both singers complement each other perfectly as they lead the spiritual charge of gratitude.
Eric Hazael spoke to Amplify Ghana about God’s divine interventions in his life which was the main catalyst for the production of the song.
He said the latest single, “Aseda is my thanksgiving to God for not deserting me when my sin separated me from his loving embrace.”
“It shows my struggles, my victories and my sense of joy knowing I am being led unto the shining path which leads into his burning presence.”
It’s the season of praise and thanksgiving. “Aseda” is the right song for the season and perfect candidate for your gospel playlists.
Follow Eric Hazael and his ministry on social media below
EMEREE doesn’t just make music—she curates moments. Her latest single “Eyesore” is a cinematic, sarcastic scorcher that sets a new tone for the rising Australian powerhouse. From the candy-coated production to the horror-tinged DIY music video, EMEREE is creating her own genre: camp pop noir.
The single is a masterclass in balancing artistry with attitude. Co-created with Christian Tjandrawinata, “Eyesore” proves EMEREE isn’t here to play safe. She plays sharp, with razor-lined harmonies and lyricism that stabs with a smile. It’s not just catchy—it’s calculated. The beat bounces, the vocals glide, but it’s the burn in the lines that lingers.
Visually, EMEREE doubles down. The music video is a bloody wink to 80s slasher films, with a narrative as satirical as it is symbolic. She doesn’t just kill her ex on screen—she kills the whole trope. Pop stars often tell stories of heartbreak. EMEREE turns it into performance art.
EMEREE says, “Eyesore” is the anthem for anyone who’s ever dated someone who treated them horribly and just wasn’t hot enough to get away with it.”
EMEREE is making noise for all the right reasons—and with creative backing from CAA and sessions alongside Nile Rodgers and Invisible Men, she’s not just rising. She’s plotting her pop empire. “Eyesore” is both a warning shot and a love letter to anyone who’s ever made revenge their aesthetic.
It’s the start of something bold—and we’re already obsessed.
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