We Speak Music
Ravi.O The Assessini and Jiwon Dive Deep with New Cross-Cultural Ballad “Abyss of Love”
Cue the tissues and turn up the volume—Ravi.O The Assessini and Jiwon have just released “Abyss of Love,” a genre-blending, heartstring-tugging track that might just be your next favorite cry-anthem. What started as a chance interview on SBS MegaTV’s Que Lunes turned into a powerful creative spark, uniting a former Latin pop heartthrob and a K-pop idol in transition.
Ravi.O, known for his roots in Universal Music Latin and collaborations with legends like Nicky Jam, has long danced between cultures. Born to Italian and Puerto Rican parents and now living out his K-entertainment dreams as a TV host, Ravi.O continues his mission of musical diplomacy—this time, through pain, passion, and partnership.
“With a broken heart and no answers, I recorded this with tears running down my face”, Ravi.O admits about the track.
Enter: Jiwon, ex-member of K-pop girl group Botopass. After stepping away from the idol spotlight, she wasn’t planning a comeback—until Ravi.O showed up.
The result is a raw, emotional ballad that melds Latin pop drama with Korean melodic depth. Think: NSYNC meets Dreamcatcher in a Seoul café at midnight.
“This is the first time I wrote both the lyrics and the melody myself”, says Jiwon. “It’s my first real release as me, not as part of a group. I’m so thankful to Ravi for encouraging me to take this step.”
“Abyss of Love” is a cultural handshake, a vulnerable diary entry, and a bridge between genres that rarely get to cry together. With sweeping strings, bilingual lyrics, and harmonies that hit like a wave, it’s a journey through heartbreak with no passport required.
Follow Ravi.O The Assessini: Instagram
Follow Jiwon: Instagram
Samuel Evanson closes out his defining year with ‘Christmas Bells’, a glistening synth-pop cut that feels both nostalgic and sharply future-facing. In typical Evanson fashion, the track wraps big emotion inside clean, crystalline production, pairing shivering synths with a drum pulse that flickers like fairy lights. It’s steeped in the glittery sentiment of 1980s holiday pop, but Evanson’s voice—raw, warm, and a little unsure—keeps it grounded firmly in the present.
There’s an intimacy running beneath the sparkle, a tug of vulnerability that recalls the earliest, most delicate stages of a new romance. Evanson leans into that emotional ambiguity, shaping a festive anthem that isn’t interested in perfection but in possibility. The track’s candied melodies mask a nervous heart, and that juxtaposition is exactly where his artistry thrives.
‘Christmas Bells’ ultimately lands as an unforced evolution from his acclaimed debut album. Evanson continues proving himself a master of mood and melody, and here he turns holiday tropes into something quietly affecting. It’s both a seasonal delight and a subtle reminder of why he’s become one of indie-pop’s most magnetic new voices.
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