We Speak Entertainment
“THE GREAT XSCAPE TOUR” Platinum Selling R&B Quartet XSCAPE Announce Nation-Wide Tour With Special Guests Monica and Tamar Braxton
Answering the overwhelming demand of fans nationwide, XSCAPE—Kandi Burruss-Tucker, Tameka “Tiny” Harris, and sisters LaTocha and Tamika Scott—return to the stage to perform all of their memorable hits. Adding to the excitement, the group will be joined on tour by special guests, Monica and Tamar Braxton. THE GREAT XSCAPE TOUR kicks off on November 22nd at the Richmond Coliseum in Richmond, VA, hits major markets across North America, and concludes in Los Angeles at the Microsoft Theater on January 6th, 2018. Tickets go on sale this Friday September 22nd in most markets. Check your local listings or go to greatxscapetour.com for more information.
An escape into the world of a legendary, award-winning, multiplatinum R&B powerhouse, THE GREAT XSCAPE TOUR promises to be the ultimate night out. The set will draw from their three consecutive platinum albums—namely, Hummin‘ Comin‘ At ‘Cha, Off the Hook, and Traces of My Lipstick—as it showcases their six top singles, including “Just Kickin‘ It”, “Understanding”, “Who Can I Run To,” and more. The audience begged for this, and XSCAPE are delivering like only they can.
About THE GREAT XSCAPE TOUR, the group comments, “You asked for it! We had so much fun with y’all this summer that we decided to bring the party to cities across the U.S. We decided to do something very special and have our good friends Monica and Tamar Braxton join us! We are beyond excited to have them out with us for the ultimate girls night out show! This is the tour we’ve always wanted to do and we can’t wait to see you there!”
It has been a scorching hot summer for the group; XSCAPE made their triumphant return on the BET Awards performing a trio of their biggest hits. Rolling Stone highlighting it as one of the “Best moments” of the night, calling their performance “magic” and a “show of their unfaltering, still awe-inspiring vocal ranges.” Following this landmark performance, XSCAPE performed two sold-out shows in Detroit, and shut down an entire floor at the Super Dome in New Orleans, as fans stormed the stage not to miss their Essence Festival set. Vibe proclaimed, “They haven’t lost an ounce of their magic.”
XSCAPE is managed by Monami Entertainment and joined forces with media and entertainment veteran, Mona Scott-Young and (her) Monami Productions, to produce their official docu-series “Xscape: Still Kickin It” which is coming soon to BRAVO.
Catch THE GREAT XSCAPE TOUR in a City near you this fall:
|
Nov 22 |
Richmond, VA |
Richmond Coliseum* |
|
Nov 24 |
Norfolk, VA |
Constant Center |
|
Nov 25 |
Newark, NJ |
Prudential Center |
|
Nov 26 |
Washington, DC |
Capital One Arena |
|
Nov 30 |
Birmingham, AL |
Legacy Arena at BJCC |
|
Dec 01 |
Nashville, TN |
Bridgestone Arena |
|
Dec 02 |
Charlotte, NC |
Spectrum Center* |
|
Dec 03 |
Raleigh, NC |
PNC Arena |
|
Dec 07 |
Columbia, SC |
Colonial Life Arena* |
|
Dec 08 |
Columbus, GA |
Columbus Civic Center |
|
Dec 09 |
Jackson, MS |
Mississippi Coliseum |
|
Dec 10 |
Bossier City, LA |
CenturyLink Center |
|
Dec 13 |
Grand Prairie, TX |
Verizon Theater at Grand Prairie |
|
Dec 15 |
Chicago, IL |
United Center |
|
Dec 16 |
St. Louis, MO |
Chaifetz Arena |
|
Dec 17 |
Columbus, OH |
Nationwide Arena |
|
Dec 27 |
Houston, TX |
Toyota Center* |
|
Dec 28 |
New Orleans, LA |
Smoothie King Center |
|
Dec 30 |
Southaven, MS |
Landers Center |
|
Dec 31 |
Atlanta, GA |
Philips Arena |
|
Jan 05 |
Oakland, CA |
Oracle Arena* |
|
Jan 06 |
Los Angeles, CA |
Microsoft Theater * |
*Tickets on sale Friday, October 6th at 10am local time
https://www.thegreatxscapetour.com
SOURCE NMG Relations
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“To Love Is To Perform”: Jada Di’Larosa’s Poetic Meditation on Love, Identity, and Solitude
On April 17, 2026, independent artist Jada Di’Larosa introduces a deeply evocative new chapter in her creative journey with the release of To Love Is To Perform. Emerging from the rich cultural undercurrent of New Orleans, Di’Larosa delivers a project that feels intimate, cinematic, and emotionally unguarded—an album that quietly lingers long after the final note fades.
Blending elements of alternative, indie, and nu-jazz, the record is less about traditional structure and more about atmosphere and emotional storytelling. It unfolds like a series of late-night reflections—soft, immersive, and deeply personal. Each track carries a sense of stillness, where restraint becomes a powerful artistic choice, allowing listeners to fully absorb the subtle complexities within her sound.
Between the Spotlight and the Shadows
Jada Di’Larosa’s artistry is shaped by a compelling dual existence. As a professional dancer and showgirl, her nights are filled with performance, light, and spectacle. Yet beyond the stage, she retreats into solitude—writing music that mirrors her introspective nature. This contrast is the emotional backbone of To Love Is To Perform, where themes of identity, vulnerability, and perception are explored with striking honesty.
Rather than presenting a polished, conventional album, Di’Larosa embraces imperfection. The project carries the raw essence of demos—unfiltered, organic, and alive. In her own words, it is “a diary” of her experiences, offering a glimpse into a world that is both quietly glamorous and deeply introspective. That authenticity gives the album its emotional weight, transforming it into something profoundly human.
Sound as Atmosphere, Silence as Language
Musically, the album is guided by minimalism and mood. Piano and violin arrangements intertwine with her haunting vocal delivery, creating a soundscape that feels almost suspended in time. Di’Larosa’s voice is uniquely her own—delicate yet assured, drifting through each composition with a poetic cadence that enhances the storytelling.
Tracks such as “showgirl” and “movie star” reflect the tension between persona and reality, while “bayou st. john” grounds the album in a sense of place and memory. The title track, “to love is to perform,” offers a philosophical lens on relationships, suggesting that love itself can be an act shaped by roles and expectations. Meanwhile, “costume” emerges as a defining moment—an exploration of identity, illusion, and the masks we wear.
Tracklist
- showgirl
- movie star
- bayou st. john
- to love is to perform
- candy
- blackbird
- spinster
- a love noir
- costume
- curtain call
A Quietly Powerful Artistic Statement
What makes To Love Is To Perform so compelling is its refusal to conform. It does not chase trends or demand attention—it invites it. The album thrives in its subtlety, rewarding listeners who are willing to slow down and engage with its emotional depth.
There is a cinematic quality throughout the record, as if each track is a scene from an unseen film—rich with symbolism, mood, and introspection. It’s an experience designed not just to be heard, but to be felt.
Defining Her Own Space
In an industry often driven by visibility and constant output, Jada Di’Larosa stands apart through intentional distance and artistic focus. She allows her work to speak on her behalf, cultivating a sense of mystery that only enhances her presence.
With To Love Is To Perform, she offers more than music—she offers perspective. It is a body of work that explores the delicate balance between who we are and who we present to the world, capturing the beauty and complexity of both.
As the release date approaches, the album positions Di’Larosa as a distinctive voice in contemporary alternative jazz—an artist unafraid to embrace vulnerability, ambiguity, and the quiet power of self-expression.
Connect with Jada Di’Larosa
Official Website: www.jadadilarosa.com
Instagram: @jada.dilarosa
Available on Spotify, Bandcamp, SoundCloud, and YouTube
For inquiries: jadadilarosa@yahoo.com
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