We Speak Music
Happy Mondays Co-Founder Gaz Whelan releases new Yogi-G and the Family Tree track ‘Shine On (Brother)’
As near to a new Happy Mondays record ever likely to happen, prepare for ‘Show Me The Truth’ by Yogi-G and The Family Tree.
First up, new single ‘Shine On (Brother)’ ft. Queen Vee & Chris Barton
Yogi-G and The Family Tree have unveiled their powerful new single Shine On (Brother), featuring Queen Vee and Chris Barton which has dropped ahead of the band’s eagerly awaited album Show Me The Truth out May 23rd. Led by Gaz Whelan—co-founder, Ivor Novello winning songwriter and drummer of the legendary Happy Mondays—this project blends his iconic Madchester groove with fresh, infectious energy, delivering music that’s both raw and transcendent, and also features the irrepressible vocals of Rowetta making the sounds of 1990 come alive again in glorious fashion.
Gaz’s influences mainly stem from John Lydon, Leonard Cohen and Bob Dylan. A more cerebral character than bandmates Shaun, Bez and co. but still a major proponent of that larger-than-life Mancunian braggadocious swagger that have paved the way for a whole subculture of British indie pop bands like The Stone Roses, Oasis, Arctic Monkeys, The Charlatans, Primal Scream, Badly Drawn Boy et al.
With a working title of ‘A Record Collection in One Album’, the newly titled and as yet unreleased album Show Me The Truth is a genre-free zone, a collision of moods and styles that dovetails Whelan’s ragged, dark lyrical musings with soulful vocals and African rhythms.
It’s the aural equivalent of lying in a warm bath in the middle of a snowstorm—where spaghetti western strings stretch from heaven, rubbing up against filthy electric guitars and punk gospel rhythm and rhyme. A hidden optimism weaves through its DNA, offering soul salvation for the cynical, a safe haven from an ever-insane world.
As Gaz explains, “Yogi-G and The Family Tree are not hippies, we give a fuller human experience that is more devolved from the punk experience, where you never quite know if you’re going to get a hug or a headbutt. Life is filled with peace and love but equally excitement and pain.”
Started in Toronto and finished in Warrington, the album was born out of frustration and creative restlessness, as Gaz further explains, “I got fed up waiting around to try to agree to write a new Mondays album. When it became apparent, we couldn’t agree, I decided to do my own. I think it’s bloody great and the support has been outstanding and for all the good ones we’ve lost along the way like Gil Scott Heron, Tony Wilson and more recently my bandmate Paul Ryder, this is for them and for all those who just love to get off on good music.”
Yogi-G and The Family Tree’s new single ‘Shine On (Brother)’ is out now ahead of the band’s debut album ‘Show Me The Truth’ on May 23rd.
The band will play Wax & Beans in Bury on 17th May.
Seattle’s ever-shifting musical landscape has long given rise to voices that thrive in the gray areas—between genres, between moods, between identities. Dan Powers, the artist behind Mutual Shock, adds a new entry into that canon with Nervous Systems, a debut album that operates as both sonic exorcism and sociocultural diagnosis. At its core, the record is a meditation on life under late capitalism—a terrain where dread, detachment, and digital blur are not just thematic textures, but everyday conditions.
Emerging from the shadowy emotional terrain explored on his 2024 EP Stimulus Progression, Powers takes his vision further here—not louder, but deeper. Nervous Systems doesn’t seek to overwhelm. Instead, it seeps in. It’s less an album you “hear” and more one you slowly inhabit, like a strange new architecture that reveals its structure room by room. The choice of analog synths and skeletal drum programming isn’t retro affectation; it’s a design choice rooted in feeling, in tension, in deliberate control.
Mutual Shock sits in conversation with a lineage of outsider electronic music—Drab Majesty’s theatrical alienation, Molchat Doma’s post-Soviet nostalgia, the mechanized introspection of Nine Inch Nails—but avoids being pinned down by any one aesthetic. Powers is less interested in genre homage than he is in emotional architecture. Each sound feels like a corridor leading somewhere disorienting yet familiar, like a half-remembered dream of an office building at night.
Thematically, the album is deeply of this moment. It’s about burnout, yes, but not in the way we meme it. It’s about the deeper erosion beneath the hustle: the spiritual confusion, the existential rootlessness, the constant digital hum that keeps us from ever fully arriving in our own lives. Powers channels these anxieties not with histrionics, but with careful understatement—letting the atmosphere do the heavy lifting. It’s as much sociology as it is art.
What makes Nervous Systems so vital is that it doesn’t offer escape. Instead, it offers recognition. In a time when much of culture aims to distract, Mutual Shock chooses to reflect. Powers holds a mirror to the disquiet and lets it speak—not with panic, but with precision. The result is an album that lingers long after the final note, not as a soundtrack to alienation, but as a language for it.
INSTAGRAM | FACEBOOK | YOUTUBE | WEBSITE | BANDCAMP | SPOTIFY
-
We Speak Soccer1 week agoNo Entry Allowed: How Austin Fortner Is Becoming a Standout Keeper with Confidence and Control
-
We Speak Football1 week agoFrom Snap to Touchdown: How Niah Reyes Plays the Game with Heart and Hustle
-
We Speak Coaches1 week agoCoach of Culture, Heart of a Movement: The Extraordinary Journey of Daniel Moore, Pioneer of Women’s Flag Football and Builder of Young Lives
-
We Speak Soccer3 days agoFrom Small Steps to Big Goals: How Alianna-Reyne Basa Became a Fearless Striker with a Champion’s Heart