We Speak Music

Harry Hudson Taylor Shines His Quiet Power In “Dear You, It’s Me”

Published

10 months ago

July 30, 2025

Irish singer-songwriter Harry Hudson Taylor has released a rare and deeply personal spoken-word piece titled “Dear You, It’s Me”, marking a thoughtful departure from his usual melodic songwriting. The former Hudson Taylor frontman delivers a letter to the self — part confessional, part meditation — layered over ambient textures and understated beats. The result is quietly cinematic, offering a gentle space for reflection in a fast-moving world.

The track, self-produced and mixed entirely by Harry, began as a private journal entry during a shift at a Berlin café. That spontaneity remains intact in the final piece, which feels like something overheard in a moment of need. With poetic honesty and emotional clarity, Harry leans into vulnerability — not with drama, but with grace and compassion.

Accompanying the track is a short film that follows Harry through Berlin’s streets, culminating in a silent embrace with an older man. The wordless exchange speaks volumes, symbolizing guidance, tenderness, and connection across time. It’s a visual extension of the track’s emotional weight — subtle, meaningful, and open to interpretation.

Also available is an instrumental version of the track, designed as a canvas for meditation, journaling, or personal creativity. It reflects Harry’s intention to make space — not just artistically, but emotionally — for others to find themselves within the piece. It’s a generous offering from an artist whose work has always been rooted in human connection.

While “Dear You, It’s Me” may be a one-off in terms of format, it signals a rich new chapter in Harry’s solo journey. With future material set to return to melodic song, this track stands as a quiet monument to introspection, honesty, and the quiet bravery of speaking to oneself with kindness.

We Speak Music

Das Mörtal Announces Mini-Album DECVY I with Double Single “PARASITE” & “GHOST”

Published

4 hours ago

June 8, 2026

Joni Jones

Dark synthwave producer Das Mörtal returns with a striking new double single, “PARASITE” & “GHOST”, marking the first glimpse into his upcoming mini-album DECVY I, due 29 October 2026.

Across two contrasting but connected tracks, the Montréal-based artist continues to expand his signature blend of darkwave, techno, and cinematic electronic music.

“PARASITE” drives forward with urgent rhythm and sharp synth work, channeling tension into motion. Built on a fast-moving beat structure and glowing melodic fragments, the track carries a darker conceptual weight beneath its kinetic surface. As Das Mörtal explains, “An illness has affected my body for some time now, and PARASITE was made under a pain that I can’t quite shake off.”

That sense of internal pressure translates directly into the music. Rather than abstracting emotion, the track seems to process it in real time, turning discomfort into propulsion and fragility into momentum.

Its counterpart, “GHOST” shifts into a more spectral space. Infused with witch-house textures and melodic vocal elements, the track leans into atmosphere and contrast, balancing hypnotic rhythm with a more immediate, club-ready energy. Where “PARASITE” feels like tension held in motion, “GHOST” feels like release through repetition.

Together, the two tracks form a deliberate pairing: one grounded in physical strain, the other in fading presence. It’s a duality that reflects Das Mörtal’s broader artistic identity, music that sits between body and machine, emotion and distortion, dancefloor and interior world.

With this release, Das Mörtal sets the tone for DECVY I: a project that appears to move deeper into themes of transformation, fragility, and musical intensity, without losing sight of the club-focused energy that defines his work.