We Speak Music
Indieclimb ‘LEGACY’: A Sonic Journey into the Abyss
Indieclimb (Martin Fjeld) returns with “LEGACY,” an electrifying and thought-provoking single that plunges listeners into the depths of a dystopian reality. Fresh off the success of his award-winning music video “LET ME GO,” Indieclimb pushes the boundaries of cinematic electronica, crafting a soundscape that mirrors the chaos and unrest of our times. From the very first note, “LEGACY” grips the senses, pulling the listener into an auditory whirlwind that is as unsettling as it is mesmerizing.
Drawing from the turbulence of global events, Fjeld masterfully translates societal tension into music. The song pulses with haunting synths, reverberating bass, and industrial beats that echo the world’s unrest. The layering of sounds feels deliberate—each element a carefully constructed piece of an intricate puzzle. As the track builds, tension thickens, mirroring the growing uncertainty of the times we live in. The result is a sonic masterpiece that doesn’t just entertain but also challenges the listener to reflect on the legacy we leave behind.
Beyond its compelling composition, “LEGACY” resonates on an emotional level. Indieclimb’s signature dark, introspective tones are ever-present, inviting listeners into a deeply personal space of contemplation. This is not just a song; it is an experience—one that lingers long after the final note fades. The seamless blend of cinematic and electronic elements makes “LEGACY” a standout track, not just within his discography but within the broader electronic music landscape.
As part of his upcoming album “FEMME,” “LEGACY” offers a glimpse into the artist’s evolving creative vision. It is a track that showcases his ability to balance depth with accessibility, making it appealing to both loyal fans and new listeners alike. The song’s pulsating energy makes it a perfect fit for late-night drives, immersive headphone sessions, and even club settings where deep, atmospheric beats thrive.
With “LEGACY,” Indieclimb proves once again that music can be more than just a sound—it can be a powerful medium for introspection and social commentary. This track isn’t just a reflection of the world’s chaos; it’s a call to acknowledge it, process it, and ultimately, find meaning within it.
Blue Foundation are proud to announce the release of, ‘Ecstasy in Space’, the third single from their forthcoming new album ‘Close to the Knife’, which is set for release on April 18th. Recorded in 2024 and written by Tobias Wilner, this dreamy, shoegazey track takes listeners on a sonic journey through ethereal soundscapes and pulsating rhythms, capturing the essence of liberation and desire. The track also introduces a new member to the Blue Foundation lineup, Nina Dahlgaard Larsen, who provides vocals on this song.
‘Ecstasy in Space’ is a fuzzy and delicious snowball of pure dream pop that calls you to surrender to the moment. The track tells you to hold on tight and glide with grace and reminds you that true ecstasy comes from the freedom of choice and the strength to surrender. On the single, Tobias Wilner said, “I wanted to capture my feeling of floating high on feelings”. His words echo in the refrain, “Wish you were mine”.
The music video for “Ecstasy In Space” is a dreamy journey into the energy and emotion of a group of young people in Copenhagen. Shot with an artistic and cinematic aesthetic, the video follows them as they venture into the night on their way to an underground warehouse party. The music video, directed by Hannah Bertram, is a visual poem – hypnotic, raw and nostalgic.
Founded in 2000 by Danish singer, multi-instrumentalist, and producer Tobias Wilner, the group was inspired by Mark E. Smith’s method of forming a band (The Fall), with Wilner recruiting a rotating lineup of traditional musicians over the years to fuel creativity. Since 2010, the core members of the band have been Tobias Wilner and Bo Rande, working between Crown Heights, Brooklyn, and Copenhagen, Denmark.
Blue Foundation is renowned for their distinctive fusion of electronic music and dream pop. Drawing inspiration from the ethereal nature of dream pop and a moody, introspective atmosphere, the band creates immersive soundscapes characterized by emotive vocals and intricate production. Their music often evokes a sense of melancholy and reflection, resonating with listeners who appreciate ambient, emotive melodies and introspective themes.
The band has released several well-received albums, including ‘Life of a Ghost’, ‘In My Mind I Am Free’ and ‘Blood Moon’. These albums showcase their signature style and have cemented their reputation in the indie music scene. They have collaborated with a range of artists and producers, enriching their sound and expanding their reach within the music industry. Collaborators include Jonas Bjerre (Mew), Erika Spring (Au Revoir Simone), Findlay Brown, DJ Krush, Sara Savery, and Wang Wen.
Blue Foundation’s music has been featured in various popular films, such as Michael Mann’s ‘Miami Vice’, and TV shows like ‘The Vampire Diaries’. Their song ‘Eyes on Fire’ gained significant fame after being included in the soundtrack of the movie ‘Twilight’. Blue Foundation is sampled by Lil Durk featuring French Montana on his track ‘Fly High’ and Young Thug‘s song ‘She Noticed’. They co-wrote the song ‘Taurus’ for Machine Gun Kelly.
‘Ecstasy In Space’ is mixed by Tobias Wilner and mastered by Francesco Donadello.
Blue Foundation’s forthcoming album ‘Close to the Knife’ is set to be released on the 18th of April through KØN Records.
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