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Interview with Mickey Wynne: Author of the 14-Day Songwriter Book

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1. What inspired you to write The 14-Day Songwriter, and why did you feel now was the right time to share your process with the world?

I have been an international songwriter for over 20 years and a   songwriting coach for over 5 years.

I realised I had a teaching book to write about this and started writing it two years ago 

2. The book breaks down songwriting into 14 steps. Which step do you find aspiring songwriters struggle with the most, and how does your method help them overcome it?

it varies.

Often the hardest part for a new songwriter is getting started  – step 1.

But even established songwriters can have writers block and can benefit from revisiting one of the other  songwriting steps from a fresh angle.

3. You’ve had an incredibly international career—from Abbey Road to Karachi to Nashville. How have those global experiences shaped your approach to songwriting and storytelling?

I’ve been very fortunate and feel so grateful to have the travels I’ve had on my musical journey! 

I actually get inspired by travel itself and can often be found writing on a plane or a tram! 

And a song is a story and whenever I travel I see the importance of story telling .

4. You emphasize that the 14-day method is flexible. Can you share an example of how an artist might adapt the framework to fit their own creative rhythm or schedule?

A song can be written in minutes flat – all the early creative steps covered .

So for example a person with a busy schedule can be inspired and get a song written that quickly . 

Or it can take months even years to finish a song or get it released.

So another person may take their time between the steps and have family visits when they are taking care of other people .

My book outlines a systematic 14 step approach so it’s about taking it one step or one day at a time.

5. For someone who has never written a song before, where do you recommend they begin? Is there a specific mindset or habit that helps unlock creativity?

Dont allow yourself to get overwhelmed.

Remember the Long March started with the first step.

6. You’ve collaborated with legendary artists like Julian Lennon and John Entwistle. What’s one lesson you learned from working with them that found its way into this book?

I love collaboration.

Working with other people I remember that the whole is greater than the sum of its parts.

7. Many experienced writers hit creative blocks. How does The 14-Day Songwriter help reinvigorate someone who’s feeling stuck or uninspired?

Sometimes songwriters get stuck in the same old same old pattern.

So re-visiting one or more of the steps from a new perspective can be liberating.

8. Beyond musicians, you mention this book could be valuable for industry professionals. How can managers, producers, or execs benefit from understanding the songwriter’s journey?

I have worked with and have friends who are music executives and managers .

And some have told me they can’t write a single note ! 

So I believe my book will help them understand the songwriting process that their artists and songwriters they work with go through.

Some of them million sellers.

And maybe it may help them write a tune or two themselves !

9. Looking back on your own early days—writing songs at nine and forming your first band—what advice would you give your younger self that today’s readers might find useful?

Keep at it . Keep on believing that your song you are writing will be very special to you one day.

Even if it’s on the back burner fora good while.

10. Finally, if readers take only one thing away from The 14-Day Songwriter, what do you hope it is?

Start at Day 1 and take it all day by day.

Everything can be stripped down to a series of steps!

www.14daysongwriter.com

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Pembroke Tenneson Isn’t Afraid To Have A Bit Of Fun With Rock ’n’ Roll

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What happens when a guitarist decides to write the most brazen rock song he can think of? In Pembroke Tenneson’s case, the answer is “Sex Appeal”.

The title says plenty, but the song goes considerably further. Tenneson throws himself into a world of self-praise and outrageous confidence, with one boast following another. It is cheeky stuff, but there is a real affection for the music behind the joke.

Tenneson has talked about his love of the early-1970s rock sound that inspired the track, and that comes across in the attitude of the performance. He is not trying to make the song subtle. He wants the guitars, vocals and lyrics to have some swagger.

The best thing about “Sex Appeal” is that the humour never takes over completely. There is a brilliant rock song underneath all the showing off, and Tenneson clearly cares about making it sound authentic as well as making people smile.

That makes this an appealing introduction to his forthcoming material. “Sex Appeal” is the first of 14 original songs he has been developing, so there is plenty more on the way to look forward to.

For now, though, Tenneson has picked an entertaining way to reintroduce himself as an artist. “Sex Appeal” has attitude, a catchy refrain and enough cheek to make it stand out. Stream below (via Now Listen):

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