We Speak Music

‘Miscommunication (Lost In Transmission)’ by Irem Bekter Is Where Language Fails, But Music Speaks

Published

6 months ago

April 23, 2026

What happens when words stop working? For Irem Bekter, that question becomes the foundation of her latest single, “Miscommunication (Lost In Transmission).” It’s a song that thrives on the gaps between intention and understanding—those fleeting, often frustrating moments when meaning slips away.

Bekter’s approach is anything but literal. Rather than telling a straightforward story, she constructs a layered sonic experience where communication breaks down in real time. Voices overlap, languages shift, and clarity is replaced by rhythm and tone. It’s disorienting in the best way—like stepping into a conversation mid-sentence and trying to catch up.

Her background plays a crucial role in shaping this perspective. Born in Istanbul and having lived across multiple countries, Bekter brings a lived understanding of cultural and linguistic intersections. Her music reflects that reality, blending Turkish folk roots with jazz sensibilities, indie textures, and global influences.

The track’s collaborative spirit is equally important. Jean Massicotte’s arrangements provide a framework that allows each musician to shine, from Yves Desrosiers’ expressive guitar work to Olivier Bussières’ intricate percussion. Akawui’s Spanish rap adds another layer of contrast, reinforcing the song’s central theme of voices coexisting without fully connecting.

Comparisons to Lhasa de Sela and Ibrahim Maalouf feel apt, particularly in Bekter’s ability to merge storytelling with rich, cross-cultural soundscapes. But “Miscommunication (Lost In Transmission)” ultimately stands on its own—a reminder that even when language fails, music can still carry meaning.

“With ‘Miscommunication (Lost In Transmission),’ Irem captures the beauty and humour in human connection, where words flow freely but meaning can slip through the cracks. It’s playful, rhythmic, and utterly distinctive, showcasing her unique ability to blend cultures, languages, and musical traditions into something wholly original,” – music publicist Danielle Holian, Decent Music PR

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Doja Cat Brings the Tour Ma Vie World Tour to Scotiabank Arena on November 25

Published

6 hours ago

November 2, 2026

Leo Bodei

Portrait of Doja Cat with long blonde hair against a dark background.

Doja Cat. Photo courtesy of Doja Cat on Instagram.

Doja Cat brings her Tour Ma Vie World Tour to Toronto on Wednesday, November 25, with a 7:30 p.m. show at Scotiabank Arena. It is one of the last stops on the biggest headlining run of her career, and it lands in the middle of a heavy week for the building.

The tour supports Vie, her fifth studio album, released in September 2025. The record is an 1980s inspired turn back toward pop, led by the singles “Jealous Type” and “Gorgeous,” and the live show has been built as a full scale arena production. Latto joins the bill as special guest for the entire North American leg, which runs 31 dates from the October 1 opener in Detroit to the December 1 finale at Madison Square Garden in New York.

Toronto gets the show near the end of the run, with Boston on November 23 before it and Montreal on November 27 after it. By the time she reaches Scotiabank Arena, the production will have played more than twenty North American arenas, on top of earlier legs across Oceania, Asia, Latin America and Europe. Earlier in November the tour also plays Miami, Tampa, Orlando and Atlanta.

Fans have been getting a look inside the tour straight from Doja Cat herself. She has been filming the run on Ray-Ban Meta glasses, posting point of view footage from backstage, soundchecks and life on the road, so the Toronto crowd will see a show that has been documented almost night by night. Tickets for November 25 are on sale through Ticketmaster. With the Garden shows in New York closing the tour one week later, the Toronto date is one of the final chances to see this production before the run wraps.