We Speak Music
Jake Exavier ‘Voodoo’: A Spellbinding Return to R&B Roots
Jake Exavier has done it again with his latest single, ‘Voodoo’. This rising R&B star invites listeners into an enchanting soundscape where smooth vocals meet haunting melodies. With his signature old-school flair and urban finesse, Jake has crafted a track that feels both nostalgic and refreshingly modern. It’s a love song, yes, but one steeped in the mystique of Louisiana, making it a standout addition to his growing discography.
Born and raised in Zachary, Louisiana, Jake’s upbringing clearly plays a significant role in his artistry. His music is a tribute to his roots, drawing on the soulful legacy of R&B legends like Usher and Stevie Wonder. But it’s not just his influences that shine through—it’s his own authenticity and charisma. ‘Voodoo’ reflects Jake’s ability to bridge the past and present, and it’s a connection listeners will feel in every note.
The track’s concept is as captivating as its execution. “Love can make you do crazy things,” Jake shares, explaining how ‘Voodoo’ intertwines the theme of passion with the rich cultural heritage of Louisiana. The hypnotic beat sets the stage for his smooth vocals to take center stage, weaving a tale of love’s intoxicating spell. It’s an ode to the magic of love, rooted in his home state’s cultural identity.
What makes ‘Voodoo’ so addictive is its perfect balance of sultry vibes and catchy hooks. Jake’s delivery feels effortless, drawing you in with each verse. The production complements his voice, layering lush harmonies over a laid-back groove that’s impossible not to vibe with. It’s the kind of song that’ll have you hitting repeat without even realizing it.
Jake Exavier proves once again why he’s a force to watch in the R&B world. ‘Voodoo’ showcases his evolution as an artist while staying true to the heart of his sound. If this track is any indication, Jake’s journey is just getting started—and we’re all under his spell.
Concrete Club have always had that thing going on where they’re pulling from post-punk and indie rock without sounding like they’re trying to prove anything. This track takes that further. The synths sit in a way that makes you listen, and there’s this rhythm that just locks in and makes you want to move without thinking about it. It’s the kind of song structure that works on you after a few listens, not just the first time through.
What I’ve noticed about Concrete Club is that they’re not interested in smoothing out the rough parts. They’ve been grinding the Manchester circuit, building an actual following, and their songs aren’t about sounding polished. They’re about real things: what it’s like living in a city, losing track of time on nights out, trying to find something that makes sense when nothing does. “People Like Us” fits right into that.
Rowetta’s featured spot here is the thing that makes it work. Her voice against Jonny Brewster’s, with Kallum Delf on guitar, Mark Demuth holding down the bass, and Jamie Butterworth on drums, it all just clicks. They brought in Jonny McGill to handle the drums on this one, and you can feel the fresh energy that brought, but it still sounds unmistakably like them.
This is a song that gets better the more you sit with it. If you’ve been sleeping on Concrete Club, this is the one to start with. Listen here.
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