Connect with us

We Speak Music

Jensyn’s “Not the Same” Hits Where It Hurts

Published

on

With “Not the Same”, Jensyn has crafted a breakup anthem that doesn’t beg for closure — it mourns the absence of it. This isn’t the sound of plates smashing or angry texts at 2am; it’s the quiet devastation of a love that dissolved with no final scene, no obvious villain. The opening line, “Hate me, make it easy for me”, lays the emotional cards on the table immediately — and what follows is a heart-wrecking, genre-blending journey through grief that feels both specific and universal.

Sonically, Jensyn threads a needle between restraint and release. The verses float gently with choral harmonies, minimalist piano, and atmospheric electronics, capturing that liminal space between tears and numbness. Just when you think the track will stay suspended in sadness, the chorus bursts in — shimmering guitars, lush strings (courtesy of Rachel Dover), and Jensyn’s voice, still soft but urgent, rising through the fog. It’s not a drop, it’s a wave.

There’s something hauntingly cinematic about this track — it plays out like the slow-motion climax of an indie film where nothing gets resolved, but everything is felt. That emotional richness is amplified by the subtle yet powerful contributions from pianist Niamh Mailer and mastering engineer James Wyatt. Every element sounds intentional, every note just aching to be noticed.

But what really sets “Not the Same” apart is Jensyn’s ability to hold space for contradiction: sorrow and frustration, peace and confusion. There’s no dramatic monologue here, no narrative arc that ties everything in a bow. Instead, Jensyn leaves us exactly where they are — mid-process, mid-feeling, mid-song — and somehow, that makes the emotion hit even harder.

In a world full of breakup tracks begging to be shouted in the car, “Not the Same” invites you to sit in silence, feel the ache, and maybe, just maybe, let it wash over you. It’s a quiet triumph — and a bold step in Jensyn’s evolution as an alt-pop storyteller.

INSTAGRAM | FACEBOOK | TIKTOK | SPOTIFY

Continue Reading
Advertisement

We Speak Music

Imbermind Unveils Dazzling Debut Album Never Ending

Published

on

Imbermind, the cutting-edge musical collective pushing the boundaries between electronic purity and alternative pop, has officially released their hotly anticipated debut album, Never Ending. A bold and immersive sonic experience, the 11-track album is now available on all major streaming platforms—cementing the group’s arrival as one of the most exciting new acts in contemporary music.

Crafted by the visionary minds of Edu Imbernon, Luis Clemente, Nico Casal, and Álvaro Monreal, Never Ending is an electrifying journey through sound. Fusing the shimmering textures of synth-pop, the pulse of indie dance, and the emotional gravity of alternative pop, the album stands as a fearless artistic statement. With sweeping cinematic moments and introspective lyrical depth, Never Ending evokes comparisons to icons like Depeche Mode, Pet Shop Boys, RÜFÜS DU SOL, Moderat, Bicep, and Metronomy, yet retains a distinct identity all its own.

Imbermind first turned heads with their stunning official remix of Depeche Mode’s “Wagging Tongue”, taken from the legendary band’s 2023 album Memento Mori. The rework offered a masterclass in sonic reinvention—paying homage to the original while introducing a layered, contemporary soundscape that marked the group as one to watch.

That promise only deepened with the release of “Thousand Miles” in December 2024. The emotionally charged debut single explored resilience and perseverance, earning critical acclaim for its meticulous production and haunting vocal performance. The track became a signpost for the sonic ethos of Never Ending—a world where emotional storytelling meets expansive electronic innovation.

At the heart of Imbermind’s appeal is the fusion of four distinct artistic voices. Edu Imbernon, a global DJ and producer with a decade-spanning career, brings festival-tested energy and production finesse. Nico Casal, a classically trained pianist and celebrated film composer, injects cinematic depth and narrative flow. Luis Clemente adds versatility as a multi-instrumentalist and indie-electronic producer, while Álvaro Monreal, the unmistakable voice of the project, channels emotional resonance and acoustic mastery.

Together, the quartet creates music that defies easy categorization. Never Ending is not just an album—it’s an experience. From the euphoria of club-ready anthems to tender, stripped-down moments of reflection, the record invites listeners into an ever-shifting emotional landscape that feels both fresh and timeless.

As Imbermind takes their place on the global stage, Never Ending stands as a testament to their shared vision: fearless, genre-defying, and deeply human. Whether you’re a fan of forward-thinking electronic music or just discovering the genre, Imbermind is a name you won’t forget.

INSTAGRAM | TIKTOK | BANDCAMP | RESIDENT ADVISOR | YOUTUBE | SPOTIFY

Continue Reading

Trending