We Speak Indie Artist
Jess and The Bandits Make Exciting Return With New Hit “God Did Good”

Jess and The Bandits’ new single, “God Did Good,” is like a cool breeze on a hot summer day—refreshing, satisfying, and exactly what you didn’t know you needed. The track blends country charm with a dash of pop and rock, creating a sound that feels both familiar and fresh. It’s the kind of song that makes you tap your foot without realizing it, and before long, you’re humming along to the chorus.
From the moment the track kicks off, it’s clear that Jess and The Bandits have crafted a song with broad appeal. The production, handled by Derek Hanes, is crisp and vibrant, allowing each element to shine without overpowering the others. The guitars add a bit of grit, the drums keep things moving, and the vocals—well, they’re the real star here.
Jessica Clemmons delivers a vocal performance that’s full of confidence. Her voice carries the song’s message with ease, making you believe every word she sings. When she hits the line, “When God made you, God did good,” there’s a touch of honesty in her tone that’s hard to resist. It’s clear that this song comes from a place of genuine joy, and that’s what makes it so enjoyable to listen to.
Lyrically, “God Did Good” is straightforward but effective. It’s a celebration of that special someone who seems to have been made just for you, with lines that are catchy enough to stick in your head after the first listen. The simplicity of the lyrics works in the song’s favor, allowing the melody and vocals to take center stage.
What’s particularly noteworthy about this single is the sense of fun that runs through it. Jess and The Bandits aren’t trying to reinvent the wheel here—they’re just having a good time, and it shows. There’s a lightness to the track that makes it easy to enjoy, whether you’re a long-time fan of the band or hearing them for the first time.
In the end, “God Did Good” is a feel-good track that’s sure to find a spot on many playlists. It’s upbeat, catchy, and full of life—everything you want in a summer anthem. As Jess and The Bandits gear up for the release of their new album Jessica, this single is a fabulous teaser of what to possibly expect, which means we could be in for a real treat.
Tune in below…
We Speak Indie Artist
Marz Starlife Makes A Striking First Impression With Healing

Every once in a while, a debut comes along that doesn’t just introduce an artist – it reveals a soul. Marz Starlife’s first EP, Healing, is exactly that. It’s raw, it’s heartfelt, and it doesn’t pretend to have everything figured out. Instead, it leans into the messiness of real life – the mistakes, the heartbreak, the isolation – and tries to make sense of it all through music. Born in Jamaica, raised in the UK, and now back on the island, Marz brings a cross-cultural perspective to his storytelling, but at the heart of Healing is something deeply human: the need to reckon with the past in order to move forward.
Across the project’s standout tracks, Marz doesn’t hold back. In Bad Memories, he opens up about years lost to incarceration, fractured relationships, and the weight of regret. “Spent four birthdays locked up, baby remember me please,” he raps, in a tone that’s both matter-of-fact and aching. The production stays subdued and moody, letting the lyrics breathe. There’s no glorification of the streets here, only reflection. He admits to being young and caught up in the chase for fast money, but he also shows growth, making it clear that he’s not the same person he once was. It’s a track that lingers, not because it tries to be flashy, but because it feels real.
The title track, Healing, is where everything clicks. Marz taps into something almost spiritual as he raps, “I turn pain into power, darkness to light.” The song is layered with poetic lines and subtle emotional shifts, balancing toughness with tenderness. There’s a determination to rise above, even when the scars still sting. He reflects on his upbringing, his time in the streets, and the inner battles he continues to fight. “No shrink can understand how I’m feeling,” he says, and honestly, it’s hard not to believe him. The pain here is too specific, too lived-in. But instead of letting it swallow him, he uses it to fuel something greater.
What’s refreshing about Healing is that it doesn’t try to fit neatly into any one genre or narrative. Marz blends elements of UK hip-hop, Jamaican rhythm, and emotional rap into something that feels uniquely his own. He’s not here to be the loudest or the flashiest; he’s here to be honest. And in a world full of over-produced, over-polished music, that honesty stands out.
With Healing, Marz Starlife has given us more than a debut; he’s given us a mirror into his journey, and maybe even our own. Whether you’ve lived through similar struggles or are just someone who appreciates music with depth and heart, this EP is worth your time. It’s a reminder that healing isn’t linear, but it’s possible, and that sometimes telling your story is the most powerful thing you can do.
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