We Speak Music
Jessica Wilde drops soulful new track ‘FADE’

Highly acclaimed South London artist Jessica Wilde is back with an outstanding soulful and thought-provoking new single ‘FADE’, as she turns up the heat for her highly anticipated new album project dropping this summer.
‘FADE’ is about the ‘Art of letting go’ and is the latest chapter in Wilde’s healing and inner work, which saw her 2022 debut album chart her journey from mad parties, escapism, addiction and toxic relationships to self- healing, empowerment, self-love and living sober. The album gained acclaim from the likes of Clash, Complex, Wonderland, The Independent, BBC Radio 1, BBC 6 Music, BBC Radio London and more and has paved the way for perhaps her best work yet, as she returns with the smooth yet soaring, finely produced, ‘FADE’.
Through Wilde’s healing journey she has accepted that everything is constantly changing and the more we cling to people who are no longer good for us, the more we hurt ourselves. “When we truly let go, life opens doors for new people and possibilities to come in exceeding our expectations. It hurts, but letting go is an act of self-love and value”, she explains.
Wildeco-wrote ‘FADE’ with multi-platinum selling writer James Newman, who wrote Rudimental’s Brit award winning song ‘Waiting All Night’ with Ella Eyre, as well as ‘Lay Me Down’ with Ed Sheeran. The track follows her recent singles ‘Freak Out’, ‘Feathers’ with Zoe Kypri and ‘Love Like This’ with Josh Barry, also from the forthcoming new album. The previous singles stirred up some serious heat, with multiple spins on BBC Radio 1’s ‘Future Artists’ with Jack Saunders and from Jess Iszatt, who has supported on both Radio 1 and BBC Introducing, plus airplay from John Kennedy at Radio X and editorial playlist support across the board on Spotify, Apple, TIDAL, Youtube Music and Pandora.
Not only will Wilde’s artistry across the smoky ‘FADE’ continue to impress music lovers and tastemakers alike, but so will her ‘PxSSY PWR’ platform which she created as a response to the disparity between support for male artists compared to the lack of support for female. The residency at Hootanany Brixton has become a hub and major platform for some of the most exciting underground female, non-binary and queer artists, including sold out shows with the likes of Etta Bond, IYAMAH, Zoe Kypri and Tamaraebi to name a few.
‘PxSSY PWR’, which is fronted by Wilde’s fierce, unapologetic, comedic, pink wigged and biro smoking alter ego, ‘ya gurl Charlene’, also has its own Radio show, clothing line in collaboration with FAME Magazine and this summer ‘PxSSY PWR’ returns to Secret Garden Party Festival to take-over the Noirorganics stage.
Now with ‘FADE’ proving that Wilde can once again continue to deliver high quality socially relevant tracks, it is a very exciting time to join Wilde as she brings her life and music industry achievements to date together and moves into a brilliant and tantalizing new era of her career.

We Speak Music
Acclaimed US singer-songwriter Juliet Lloyd to tour the UK for the first time this summer.
Shortly after releasing her sophomore album in 2007, US-based singer-songwriter Juliet Lloyd walked away from music completely for more than 10 years, feeling burned out and unhappy with her career progression like so many other independent artists. After going through a divorce in 2019 and in the midst of a global pandemic, she found herself pulled back toward the siren call of songwriting and again making the leap to pursue it full time. Her latest album ‘Carnival’, released in 2024, is in many ways the culmination of those decisions, and the reintroduction of an artist who now has the wisdom of experience.
There’s an unmistakable urgency you can feel when a song is written and performed from a place of complete honesty. That feeling permeates ‘Carnival’. “I’ve always been envious of writers who say they write songs because they have to, because they had these things they just had to get out of themselves,” Juliet says. “I had never really felt that way until this album. I’ve become someone who writes because they have to.”
Stylistically, ‘Carnival’ draws on a range of influences from Laurel Canyon-era singer/songwriters, to Lilith Fair rockers, to confessional country/folk balladeers, to indie pop. The central theme of the record and that of its title track is not being too precious about any one experience or decision. Take them for what they are, live in the moment, and move on when they’re done. It acknowledges also that memory can be subjective, and ambiguous—was an experience ultimately a good thing or a bad thing? And whose memory can you rely on to determine the answer to that question?
‘Carnival’ doesn’t just deal with the complexities of ending relationships, it also deals with all the feelings that come with moving on. The album’snine songs feature evocative storytelling that reveals a simple truth: when the carnival inevitably leaves town, you’re left with an empty parking lot. And how you remember, it is a choice. As Juliet sings in the title track, “If only there was a way you could bottle up that feeling / and you’d drink it in / when the days are short and you long.”
Across her 20+ year career, Juliet has been admittedly stylistically non-monogamous. Her first full-length album, ‘All Dressed Up’, was released in 2005 and was heavily jazz-influenced- a label that she rejected at the time. “I am a piano player and a woman, so I was immediately compared to Norah Jones—and I bristled at that,” Juliet says. “Listening back now, I can totally see that it was true, and it of course wasn’t a bad thing.” Her follow-up release ‘Leave the Light On,’ came out two years later and featured a slick piano-pop production that led to five of its songs being placed on reality TV shows on MTV and VH1. Coming back after her 10-year break from writing and recording, Juliet released ‘High Road’, a collection of five Americana/soul-tinged songs produced by Jim Ebert (Meredith Brooks, Shai) that earned her widespread recognition and songwriting awards both in her home region of DC as well as nationally.
Now with her first ever UK tour scheduled for July 2025, Juliet has also dropped a completely brand-new single ‘Wild Again’, which like ‘Carnival’, was written with and produced by Todd Wright (Lucy Woodward, Butch Walker, Toby Lightman). ‘Wild Again’, however, charts yet another new step in Juliet’s journey.
“Carnival’, is full of deeply personal songs that are drawn from my real-life experiences and relationships. Coming out of that album cycle, I was feeling a little exhausted by my own navel-gazing and I was craving inspiration elsewhere. So, a lot of the songs I’m writing now are an evolution of sorts – focused more on external stimuli and finding the personal stories and humanity in that. Wild Again is a perfect example of this,” she explains.
The idea for ‘Wild Again’ was born out of a NY Times podcast Juliet listened to about the real-life efforts to return the whale that played Willy in the iconic movie ‘Free Willy’ back into the wild.
“It’s an insane, heartbreaking story that asks all kinds of thorny questions about human responsibility and humility and what’s the “right” thing to do and is that the same as the “kind” thing to do. There was a line that one of the trainers said in the podcast, explaining that they were trying to “train him to be wild again.” The complete absurdity of that statement hit me in the moment, and I immediately started jotting down lyrical ideas”, Juliet says.
Catch Juliet Lloyd on her UK tour this July:
1st July: The Folklore Rooms / Brighton
2nd July: The Hyde Tavern / Winchester
3rd July: Hen and Chicken / Bristol (CRH Music promotions)
4th July: Artisan Tap Hartshill / Stoke-on-Trent
5th July: Waggon & Horses, Nottingham
6th July: Cafe#9 / Sheffield
7th July: Hyde Park Book Club / Leeds
10th July: FortyFive Vinyl Café / York
11th July: The Muddy Puddle / London
13th July: The Wrotham Arms / Broadstairs

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