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Julie Slim Releases New Single “Time Flies” from Her Album Suspended

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 Multilingual vocalist and songwriter Julie Slim unveils her deeply personal new single, “Time Flies,” a song that has traveled with her for more than two decades before arriving at its definitive form on her newest album, Suspended.

“Time Flies” was first conceived in 2000 during a quiet yet life-altering moment. After dropping her two daughters off at elementary school, Slim was struck by an overwhelming awareness of time’s fleeting nature.

“I felt a profound sense of urgency and anxiety about how quickly time was slipping away,” Slim recalls. “The melody and lyrics came to me in less than half an hour.”

The song continued to evolve over the years. In 2005, Slim workshopped and recorded an early arrangement with Joshua Thomson (saxophone) and Ethan Vlah (tabla). In 2012, while forming her band, Slim shared the recording with her mentor and friend, the late Dr. James Polk, the Grammy-winning jazz pianist and revered figure in the Austin music community. Polk helped shape the arrangement that later appeared on Slim’s debut EP, Julie Slim & RendezVous.

Despite performing the song extensively, Slim felt the piece had not yet fully captured her original vision. That changed with the recording of Suspended. Reuniting with Joshua Thomson and collaborating with her band members Phil Spencer, Joe McCreary, Shawn Ellison, and Shirley Johnson, along with Sari Andoni on oud, Slim recorded the track live at King Electric Studios. The result is a version that finally embodies the spontaneity and emotional immediacy she always intended.

“This recording captures that ‘in the moment’ feeling I had been searching for since the song’s birth,” Slim says.

Based in Austin, Texas, Julie Slim has spent more than twenty years enchanting audiences with her warm, expressive voice and cross-cultural artistry. In 2013, she founded Julie Slim & RendezVous, a project reflecting her global musical influences and commitment to connection through music.

Her work has earned critical recognition, including an Honorary Merit Award in the 2017 USA Songwriting Competition for “Sarabande de Solitude,” which led to a feature in the Songwriters Showcase at SXSW. Her releases include multiple EPs and the 2017 full-length album Promenade Sentimentale, a tribute to beloved French standards.

Her latest album, Suspended, presents a multilingual collection of original songs inspired by meaningful chapters of her life, with “Time Flies” standing as one of its most intimate and reflective offerings.

A Life of Art, Service, and Cultural Bridge-Building

Beyond her recording career, Slim has been a featured vocalist with the Austin Jazz Workshop since 2001. She is also an active member of the Threshold Choir, offering weekly songs of comfort to individuals in hospice care at Hospice Christopher House in Austin.

Raised in Beirut amid a rich tapestry of global music—from Edith Piaf to Fairuz—Slim’s artistic journey spans theater, linguistics, and education. Her work consistently reflects a passion for cultural dialogue, emotional authenticity, and human connection.

Julie Slim is a proud member of the Indie Collaborative and ASCAP.

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Solomon King & The Chosen Sounds the Alarm with “Blood on the Streets (In the USA)”

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Solomon King & The Chosen’s “Blood on the Streets (In the USA)” hits with the force of a warning siren echoing through a fractured nation. Dark, urgent, and emotionally charged, the song captures the tension, fear, and emotional exhaustion so many people feel when looking at the state of the world today.

The production carries a cinematic heaviness, blending haunting melodies with a pulse that feels almost apocalyptic. Solomon King delivers the track with conviction and intensity, never sounding manufactured or performative. Instead, the song feels deeply personal — a reflection of heartbreak, frustration, and concern for humanity itself.

What makes “Blood on the Streets (In the USA)” resonate is that it avoids empty slogans. It speaks more to the emotional climate than politics, painting a portrait of anxiety, division, violence, and uncertainty without losing its artistic edge. The track feels timely because it channels emotions many people struggle to articulate.

There’s also something fearless about the release. Solomon King leans into uncomfortable realities while still crafting a song that is compelling musically. The result is both provocative and unforgettable — part protest anthem, part emotional outcry, and part cinematic soundtrack for uneasy times.

“Blood on the Streets (In the USA)” is not background music. It demands attention.

Watch the “Blood on the Streets” music video by Solomon King & The Chosen on Youtube here:

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