We Speak Music
Katie Dauson Delivers a Garage-Rock Spark with “Go Go Go”
Katie Dauson’s “Go Go Go” feels like a song that was never in a rush to exist — and is better for it. Released via Frog & Bog Records, the single arrives with a burst of 1960s-inspired garage rock energy, yet carries the fingerprints of something more personal and slow-burning underneath. It’s lively, immediate, and full of motion, but also grounded in a creative process that spans years rather than weeks.
At its core, the track is built on contrast. There’s the rawness of garage rock — slightly jagged guitar edges, loose rhythmic swing, and an unfiltered vocal presence — but it’s balanced by melodic warmth that hints at soul and early R&B influences. Rather than polishing those edges away, Dauson lets them coexist, giving the song a sense of personality that feels lived-in rather than manufactured.
What makes “Go Go Go” particularly engaging is its sense of revival without imitation. You can hear the DNA of 1960s bands woven through its structure, but it never slips into nostalgia for nostalgia’s sake. Instead, it feels like a conversation with that era — taking its language and reshaping it into something contemporary and personal.
Dauson’s vocal performance plays a big role in that balance. She delivers the lyrics with a kind of easy confidence, never overextending or forcing drama where it isn’t needed. The result is a voice that sits naturally inside the instrumentation, as if she’s part of the band’s momentum rather than floating above it.
Behind the scenes, her collaboration with producer and engineer James Nickle helps anchor the track’s identity. The production leans into texture rather than gloss, capturing a sense of spontaneity that feels aligned with the song’s origins — reportedly written years earlier before being rediscovered and brought to life as a single.
Ultimately, “Go Go Go” succeeds because it embraces movement in every sense of the word. It moves stylistically between eras, emotionally between reflection and release, and rhythmically in a way that makes it hard to stand still. It’s a confident step forward from an artist who seems increasingly comfortable letting songs evolve on their own terms.
Swiss artist Fanny Alexandra returns with “Black Pearl Summer”, a new single that finds her exploring a more open side of her alternative sound. Released via Now Listen, the track combines coastal imagery with a story about growing through grief, pressure and the experiences that can shape a person over time.
Alexandra notes that the song is relatively summery by her own standards. She has said that her music is usually darker and that she has never been particularly drawn to the typical idea of summer, preferring cold air, jackets and rugged coastlines. That gives the release a clear sense of personality from the outset.
The song centres on Alexandra’s reflections on being 19 and spending years focused on survival rather than fully living. Those experiences are presented through the image of a black pearl, which becomes a way of considering how something worthwhile can emerge from a challenging period.
What makes the track particularly effective is the balance between its subject matter and its musical approach. The production gives the song room to breathe, while Alexandra keeps the focus firmly on the story she is telling. It means the track can be enjoyed as a seasonal release while still offering more to discover in the lyrics.
There is also a clear sense of change in the way Alexandra approaches her younger self. The song is not about returning to that period or trying to erase it. Instead, it considers what can be learned from experiences that once felt overwhelming.
“Black Pearl Summer” therefore offers newcomers a useful introduction to Alexandra’s work. It shows an artist comfortable writing about serious subjects, while also demonstrating a lighter musical side that may not be as familiar to listeners who know her darker material.
It is an interesting glimpse of what Alexandra can do when she lets a little more light into the picture.
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