We Speak Music
‘Watermelon & Ginger’: Curly Mouth’s Genre-Drifting Sound Diary
Curly Mouth’s Watermelon & Ginger is the sound of an artist trying to document everything at once; thoughts, cities, relationships, and the messy in-between states where life actually happens. Spanning 19 tracks and nearly an hour, the album doesn’t behave like a tightly edited statement so much as a sprawling, restless scrapbook. It’s ambitious, sometimes to a fault, but never dull.
The record’s strongest pull is its sense of movement. One track leans into folk simplicity, the next dissolves into something jazz-tinged or lightly psychedelic, and then suddenly you’re in lo-fi indie rock territory. Curly Mouth clearly isn’t interested in genre boundaries, and when the ideas land, like on the aching ‘I Will Forget’, the emotional payoff is immediate and real.
But the same freedom that gives the album its charm also makes it uneven. Transitions can feel abrupt, and the sheer volume of ideas occasionally blurs impact rather than sharpening it. Still, there’s something compelling about the refusal to streamline anything here, as if polishing the edges would betray the point.
In the end, Watermelon & Ginger feels like a coming-of-age record made in real time; unfinished in places, overflowing in others, but unmistakably alive. It’s not about perfection; it’s about persistence.
We Speak Music
Host Bodies’ track ‘On A Roll’ Gets a Psychedelic Reinvention from Soul Glitch
Ten years after Host Bodies first released the album Daily Apparatus, “On A Roll” has found a completely new groove.
For the Daily Apparatus: 10 Year Remixes project, multi-instrumentalist and producer Nicholas Hasty, under his Soul Glitch moniker, takes the original electronic-rock track and pulls it into deeper, more psychedelic territory.
The remix keeps the energy of Host Bodies intact while opening up the track with new beats, electronic textures and expressive saxophone solos. Electric guitar, bass and layered production give it a rich, genre-blurring sound that sits somewhere between indie electronic, jazztronica, soultronica and alternative dance.
There’s something particularly satisfying about hearing a decade-old track treated not as a relic, but as raw material. Soul Glitch reshapes “On A Roll” , finding new spaces within the original and bringing his own musical language into the mix.
The result is energetic, sensual, psychedelic and unapologetically expansive.
Ten years on, “On A Roll” proves that sometimes the best way to celebrate where a song came from is to find somewhere completely new for it to go.
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