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LLOREN captures the raw, transformative energy of chasing dreams in the heart of LA with new single!

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After years of making cinematic music for film & TV, British pop singer and former “The Voice” finalist LLOREN is limbering up to release her dream pop debut album “It’s Always Sunny in LA” very soon.

https://open.spotify.com/track/6py2lyAW3CFq1CIbfY4tEX?si=b73d31a34a1a4c6e

But first she is dropping a huge new single “Last Star In LA”. In a similar brand of dreampop as Sweden’s LÉON, “Last Star in LA” is a love letter to the city that has shaped Lloren’s music career, from writing her best songs, meeting her favourite collaborators, to landing syncs (30+) in trailers, TV shows and ads (latest for Kay Jewelers). “Last Star in LA” captures the raw, transformative energy of chasing dreams in the heart of LA.

“The song is just a love letter to the city! I wanted it to sound like a love song, but if you listen closely, you can hear it’s got a double meaning”, says LLOREN. Produced by Daniel Pashman (Little Monarch, Gold Brother, Ellee Duke), the track brings all the cinematic feels and tugs on the heartstrings from the outset with its instantly memorable hook and big nostalgic stadium pop atmospheres.

The track follows a string of recent singles which have seen LLOREN featured by prestigious music tastemakers The Line Of Best Fit, gain airplay from BBC Radio 2’s Angela Griffin and Radio X’s John Kennedy, interviewed by Diva Magazine and Celebmix and the video for her track “Like This” won a Telly Award in the US, as well as also being nominated for a prestigious Leo Award in Canada.

Grey’s Anatomy, The L Word, 1923, Wish, The Company You Keep, Made In Chelsea, Love Island UK and Love Island USA are just some of the many sync credits LLOREN has amassed to date, which have steadily proved her rich, versatile vocal and powerful contemporary inspired compositions to be a cut above the rest. And in “Last Star In LA” we see this combination in its full glory, as LLOREN weaves her magical honey-like vocals around an 80’s style production backdrop, that feels spacious and contemplative yet kicks the listener heavily in the heart with a big dose of yearning emotions.

LLOREN was recently invited to join American artist Fleurie on her first European tour. During the tour, she also caught the eyes of promoters who invited her back to open for household names Johannes Oerding and Michael Patrick Kelly and an audience of 10000 people. In the UK, LLOREN is no stranger to the annual PRIDE celebrations having played both Manchester and London where she headlined the women’s stage and has entertained crowds over 10000. She has also toured with Canadian artist Mauvey with whom she collaborated with on the track ‘Pillow’, performing it at BBC Radio 1’s Big Weekend as well as the Isle Of Wight Festival 2023.

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Acclaimed US singer-songwriter Juliet Lloyd to tour the UK for the first time this summer.

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Shortly after releasing her sophomore album in 2007, US-based singer-songwriter Juliet Lloyd walked away from music completely for more than 10 years, feeling burned out and unhappy with her career progression like so many other independent artists. After going through a divorce in 2019 and in the midst of a global pandemic, she found herself pulled back toward the siren call of songwriting and again making the leap to pursue it full time. Her latest album ‘Carnival’, released in 2024, is in many ways the culmination of those decisions, and the reintroduction of an artist who now has the wisdom of experience.

There’s an unmistakable urgency you can feel when a song is written and performed from a place of complete honesty. That feeling permeates ‘Carnival’. “I’ve always been envious of writers who say they write songs because they have to, because they had these things they just had to get out of themselves,” Juliet says. “I had never really felt that way until this album. I’ve become someone who writes because they have to.”

Stylistically, ‘Carnival’ draws on a range of influences from Laurel Canyon-era singer/songwriters, to Lilith Fair rockers, to confessional country/folk balladeers, to indie pop. The central theme of the record and that of its title track is not being too precious about any one experience or decision. Take them for what they are, live in the moment, and move on when they’re done. It acknowledges also that memory can be subjective, and ambiguous—was an experience ultimately a good thing or a bad thing? And whose memory can you rely on to determine the answer to that question?

‘Carnival’ doesn’t just deal with the complexities of ending relationships, it also deals with all the feelings that come with moving on. The album’snine songs feature evocative storytelling that reveals a simple truth: when the carnival inevitably leaves town, you’re left with an empty parking lot. And how you remember, it is a choice. As Juliet sings in the title track, “If only there was a way you could bottle up that feeling / and you’d drink it in / when the days are short and you long.”

Across her 20+ year career, Juliet has been admittedly stylistically non-monogamous. Her first full-length album, ‘All Dressed Up’, was released in 2005 and was heavily jazz-influenced- a label that she rejected at the time. “I am a piano player and a woman, so I was immediately compared to Norah Jones—and I bristled at that,” Juliet says. “Listening back now, I can totally see that it was true, and it of course wasn’t a bad thing.” Her follow-up release ‘Leave the Light On,’ came out two years later and featured a slick piano-pop production that led to five of its songs being placed on reality TV shows on MTV and VH1. Coming back after her 10-year break from writing and recording, Juliet released ‘High Road’, a collection of five Americana/soul-tinged songs produced by Jim Ebert (Meredith Brooks, Shai) that earned her widespread recognition and songwriting awards both in her home region of DC as well as nationally.

Now with her first ever UK tour scheduled for July 2025, Juliet has also dropped a completely brand-new single ‘Wild Again’, which like ‘Carnival’, was written with and produced by Todd Wright (Lucy Woodward, Butch Walker, Toby Lightman). ‘Wild Again’, however, charts yet another new step in Juliet’s journey.

Carnival’, is full of deeply personal songs that are drawn from my real-life experiences and relationships. Coming out of that album cycle, I was feeling a little exhausted by my own navel-gazing and I was craving inspiration elsewhere. So, a lot of the songs I’m writing now are an evolution of sorts – focused more on external stimuli and finding the personal stories and humanity in that. Wild Again is a perfect example of this,” she explains.

The idea for ‘Wild Again’ was born out of a NY Times podcast Juliet listened to about the real-life efforts to return the whale that played Willy in the iconic movie ‘Free Willy’ back into the wild.

“It’s an insane, heartbreaking story that asks all kinds of thorny questions about human responsibility and humility and what’s the “right” thing to do and is that the same as the “kind” thing to do. There was a line that one of the trainers said in the podcast, explaining that they were trying to “train him to be wild again.” The complete absurdity of that statement hit me in the moment, and I immediately started jotting down lyrical ideas”, Juliet says.

Catch Juliet Lloyd on her UK tour this July:

1st July: The Folklore Rooms / Brighton
2nd July: The Hyde Tavern / Winchester
3rd July: Hen and Chicken / Bristol (CRH Music promotions)
4th July: Artisan Tap Hartshill / Stoke-on-Trent

5th July: Waggon & Horses, Nottingham

6th July: Cafe#9 / Sheffield
7th July: Hyde Park Book Club / Leeds
10th July: FortyFive Vinyl Café / York
11th July: The Muddy Puddle / London
13th July: The Wrotham Arms / Broadstairs

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