We Speak Indie Artist
Logan Garrett Shares “Aliens Exist”
Logan Garrett’s latest release “Aliens Exist” featuring Mobsquad Nard and Killa Kyleon is an intriguing and distinctive blend of two seemingly disparate genres: southern gangster rap and Drum n Bass. While rap collaborations with DnB producers have been commonplace in the UK, it’s not something that has surfaced with prominent American rappers, until now.
Mobsquad Nard and Killa Kyleon’s delivery on this track is impeccable. The fast-paced, underground street rap style of Mobsquad Nard from Jacksonville, Florida and the highly regarded rap skills of Killa Kyleon from Houston, TX, are a match made in heaven. Logan Garrett’s unique take on Drum n Bass sets the tone for an exciting and energetic track that is sure to have listeners moving.
The fusion of these two genres might seem like a strange combination at first, but it’s an arrangement that works surprisingly well. The track opens with a dark and ominous introduction that sets the mood for the hard-hitting southern gangster rap verses, seamlessly transitioning into the heavy Drum n Bass beats of the chorus. The track is a testament to Logan Garrett’s skill as a producer and his ability to blend genres in an innovative way.
“Aliens Exist” is a refreshing and exhilarating take on a classic Drum n Bass sound, with a rap twist that elevates it to another level. Logan Garrett’s work on this track is truly impressive, and the collaboration with Mobsquad Nard and Killa Kyleon is a match made in musical heaven. If you’re a fan of either genre, or just appreciate the fusion of two different sounds, “Aliens Exist” is a must-listen.
Love songs are easy to write and hard to believe. Frankie 5Ø3 gets that, and “R0LL3RC0AST3R” lands because it sounds lived-in, not manufactured.
Pulled from UN P0C0 EM0, the track avoids the usual clichés by keeping its focus on the details. The writing came from a trip to Saint George Island, with long hours spent on a dock and a melody forming somewhere between the guitar and the view. You can hear that setting in the final version. It feels open, calm, and personal.
Musically, it leans into warmth. Acoustic guitar carries the emotional weight, while electric guitar and keys give it texture without pulling attention away from the message. Nothing is fighting for space. Everything points back to the feeling.
That feeling is straightforward: being so in love that language stops cooperating. Frankie writes for that exact moment, when someone changes your world and suddenly every normal sentence feels too small.
What makes “R0LL3RC0AST3R” memorable is that it trusts the emotion instead of trying to oversell it. It sounds like someone saying what they mean, and that still goes a long way.
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